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Sonnets

By Emily Pfeiffer: Revised and Enlarged Ed.
Pfeiffer, Emily (1827-1890)

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[section]
  
DEDICATION TO J. E. P.
  
ENVOY TO C. R. AND M. L.
  
THE PALMER LOVE.
  
ETNA.
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ASPIRATION.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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LEARN OF THE DOG.
 I. 
I.
 II. 
II.
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THE LOST LIGHT.
 I. 
I.
 II. 
II.
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A PLEA.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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HELLAS.
 I. 
I.
 II. 
II.
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SHELLEY.
 I. 
I.
 II. 
II.
  
INVOCATION.
  
INVOCATION.
  
A REMINISCENCE.
  
THE JOY OF JOYS.
  
THE SORROW OF SORROWS.
  
TO THE MOURNERS OF LOVE.
  
WATCHMAN, WHAT OF THE NIGHT.
  
A WIND FROM OFF THE SEA.
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TO NATURE
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
  
PAST AND FUTURE.
  
BROKEN SPEECH.
  
TO THE BLIND ARCHITECT OF THE CITY OF LIFE
  
TO A MOTH THAT DRINKETH OF THE RIPE OCTOBER.
  
THE WINGED SOUL.
  
THE GOSPEL OF DREAD TIDINGS.
  
DREAMING.
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ON HEARING THE INTRODUCTION TO “LOHENGRIN.”
 I. 
I.
 II. 
II.
  
A CHRYSALIS.
  
THE CHILDREN OF LIGHT.
  
AN INVOCATION.
  
THE “STING OF DEATH.”
  
TO L. C. SMITH.
  
AMONG THE GLACIERS.
  
ON THE THUNER SEE.
  
THE HUNGER OF LIFE.
  
EVOLUTION.
  
LOVE AND JOY.
  
LOVE AND SORROW.
  
THE PRISONER IN THE HOUSE OF LIFE.
  
ON LOCH KATRINE.
  
AMONG THE HEBRIDES.
  
TO THE HERALD HONEYSUCKLE.
  
TO IMMORTAL MUSIC.
  
TRANSFIGURATION.
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TO THE FRIENDS OF LOVE.
 I. 
I.
 II. 
II.
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[subsection]
 I. 
I.FALLEN FROM GRACE.
 II. 
II.UNDER THE ROSE.
  
ON GUARD.
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[subsection]
 I. 
I.TO A FLEDGLING ROBIN.
 II. 
II.TO THE SAME, ON BEGINNING HIS SONG.
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STUDIES FROM THE ANTIQUE.
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KASSANDRA.
 I. 
I.
 II. 
II.
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KLYTEMNESTRA.
 I. 
I.
 II. 
II.
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TO DR. WILHELM JORDAN.
 I. 
I.
 II. 
II.
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[subsection]
 I. 
I.IN LOVE'S ECLIPSE.
 II. 
II.LOVE THE REVEALER.
  
A PARTNERSHIP.
  
TO E. BURNE JONES, ON HIS PICTURE OF THE ANNUNCIATION.
  
SUGGESTED BY THE PICTURE OF THE ANNUNCIATION, BY E. BURNE JONES.
  
KING COPHETUA AND THE BEGGAR MAID.
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[subsection]
 I. 
I.LOVE AND DEATH.
 II. 
II.LOVE AND LIFE.
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CAIN AND ABEL.
 I. 
I.CAIN AND ABEL.
 II. 
II.OUTCAST CAIN.
 III. 
III.CAIN REPENTANT.
  
HOPE.
  
DEAF.
  
MID-OCEAN.
  
NIAGARA.
  
BEATING THE AIR.
  
THE SOUDAN.
  
GORDON.
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A PROTEST.
 I. 
I.
 II. 
II.
 III. 
III.
  
THE COMING DAY.
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[subsection]
 I. 
I.THE SOUL'S PRAYER.
 II. 
II.THE SOUL'S PRIDE.
  
WEARIHEAD.
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SIX 14-LINE POEMS.
 I. 
I.
 II. 
II.
 III. 
III.
 V. 
V.
 VI. 
VI.
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[section]
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A SYMPHONY OF SONNETS. I. TO X.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.

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35

TO THE BLIND ARCHITECT OF THE CITY OF LIFE

[_]

(Whose Humble Homes are the Creatures of Earth, Water, and Air, and whose “Meeting-house” is Man.)

HOW true thy work, blind Builder of the homes
Which throng the paths of Life, beasts, fishes, birds,
All things which be, they are as bodied words,
Or moving thoughts of some high whole which looms
Above us in the star-dust and the mist,
Around us in the voices of the night,
Within us in quick glimpses of love-light
That leave us doubting if we dreamed or wist.
But true thy art, its unmeant meanings telling,
Blind Builder of the city, on whose crown
Man stands—a temple for a God's indwelling,
Thy finest—no! thy sole false work—Cast down
The lying altar, raze it to the sod,—
What means a temple where there is no God?
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