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Sonnets

By Emily Pfeiffer: Revised and Enlarged Ed.
Pfeiffer, Emily (1827-1890)

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[section]
  
DEDICATION TO J. E. P.
  
ENVOY TO C. R. AND M. L.
  
THE PALMER LOVE.
  
ETNA.
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ASPIRATION.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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LEARN OF THE DOG.
 I. 
I.
 II. 
II.
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THE LOST LIGHT.
 I. 
I.
 II. 
II.
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A PLEA.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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HELLAS.
 I. 
I.
 II. 
II.
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SHELLEY.
 I. 
I.
 II. 
II.
  
INVOCATION.
  
INVOCATION.
  
A REMINISCENCE.
  
THE JOY OF JOYS.
  
THE SORROW OF SORROWS.
  
TO THE MOURNERS OF LOVE.
  
WATCHMAN, WHAT OF THE NIGHT.
  
A WIND FROM OFF THE SEA.
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TO NATURE
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
  
PAST AND FUTURE.
  
BROKEN SPEECH.
  
TO THE BLIND ARCHITECT OF THE CITY OF LIFE
  
TO A MOTH THAT DRINKETH OF THE RIPE OCTOBER.
  
THE WINGED SOUL.
  
THE GOSPEL OF DREAD TIDINGS.
  
DREAMING.
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ON HEARING THE INTRODUCTION TO “LOHENGRIN.”
 I. 
I.
 II. 
II.
  
A CHRYSALIS.
  
THE CHILDREN OF LIGHT.
  
AN INVOCATION.
  
THE “STING OF DEATH.”
  
TO L. C. SMITH.
  
AMONG THE GLACIERS.
  
ON THE THUNER SEE.
  
THE HUNGER OF LIFE.
  
EVOLUTION.
  
LOVE AND JOY.
  
LOVE AND SORROW.
  
THE PRISONER IN THE HOUSE OF LIFE.
  
ON LOCH KATRINE.
  
AMONG THE HEBRIDES.
  
TO THE HERALD HONEYSUCKLE.
  
TO IMMORTAL MUSIC.
  
TRANSFIGURATION.
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TO THE FRIENDS OF LOVE.
 I. 
I.
 II. 
II.
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[subsection]
 I. 
I.FALLEN FROM GRACE.
 II. 
II.UNDER THE ROSE.
  
ON GUARD.
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[subsection]
 I. 
I.TO A FLEDGLING ROBIN.
 II. 
II.TO THE SAME, ON BEGINNING HIS SONG.
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STUDIES FROM THE ANTIQUE.
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KASSANDRA.
 I. 
I.
 II. 
II.
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KLYTEMNESTRA.
 I. 
I.
 II. 
II.
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TO DR. WILHELM JORDAN.
 I. 
I.
 II. 
II.
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[subsection]
 I. 
I.IN LOVE'S ECLIPSE.
 II. 
II.LOVE THE REVEALER.
  
A PARTNERSHIP.
  
TO E. BURNE JONES, ON HIS PICTURE OF THE ANNUNCIATION.
  
SUGGESTED BY THE PICTURE OF THE ANNUNCIATION, BY E. BURNE JONES.
  
KING COPHETUA AND THE BEGGAR MAID.
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[subsection]
 I. 
I.LOVE AND DEATH.
 II. 
II.LOVE AND LIFE.
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CAIN AND ABEL.
 I. 
I.CAIN AND ABEL.
 II. 
II.OUTCAST CAIN.
 III. 
III.CAIN REPENTANT.
  
HOPE.
  
DEAF.
  
MID-OCEAN.
  
NIAGARA.
  
BEATING THE AIR.
  
THE SOUDAN.
  
GORDON.
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A PROTEST.
 I. 
I.
 II. 
II.
 III. 
III.
  
THE COMING DAY.
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[subsection]
 I. 
I.THE SOUL'S PRAYER.
 II. 
II.THE SOUL'S PRIDE.
  
WEARIHEAD.
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SIX 14-LINE POEMS.
 I. 
I.
 II. 
II.
 III. 
III.
 V. 
V.
 VI. 
VI.
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[section]
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A SYMPHONY OF SONNETS. I. TO X.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.

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I.

[_]

(It will be remembered that Pisa, associated as it is with Shelley, was the scene of the life and labours of Galileo.)

THERE lies betwixt dead Pisa and the sea
A haunted forest, with a heart so deep,
That none could sit beneath its pines to weep,
But it would throb for them mysteriously.
Here, in this place I dreamed there met with me
The spirit who his part in it doth keep,
Albeit his starry orbit now hath sweep
As vast as Galileo's, if more free.
He drew me on to where the hollow beat
Of waves upon a shore seemed to my mind
The moan of a remorseful soul, to weet
The homicidal Sea, whose passion blind
Had slain him; as it writhed about my feet
Methought his spirit passed me on the wind.
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