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Sonnets

By Emily Pfeiffer: Revised and Enlarged Ed.
Pfeiffer, Emily (1827-1890)

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[section]
  
DEDICATION TO J. E. P.
  
ENVOY TO C. R. AND M. L.
  
THE PALMER LOVE.
  
ETNA.
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ASPIRATION.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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LEARN OF THE DOG.
 I. 
I.
 II. 
II.
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THE LOST LIGHT.
 I. 
I.
 II. 
II.
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A PLEA.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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HELLAS.
 I. 
I.
 II. 
II.
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SHELLEY.
 I. 
I.
 II. 
II.
  
INVOCATION.
  
INVOCATION.
  
A REMINISCENCE.
  
THE JOY OF JOYS.
  
THE SORROW OF SORROWS.
  
TO THE MOURNERS OF LOVE.
  
WATCHMAN, WHAT OF THE NIGHT.
  
A WIND FROM OFF THE SEA.
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TO NATURE
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
  
PAST AND FUTURE.
  
BROKEN SPEECH.
  
TO THE BLIND ARCHITECT OF THE CITY OF LIFE
  
TO A MOTH THAT DRINKETH OF THE RIPE OCTOBER.
  
THE WINGED SOUL.
  
THE GOSPEL OF DREAD TIDINGS.
  
DREAMING.
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ON HEARING THE INTRODUCTION TO “LOHENGRIN.”
 I. 
I.
 II. 
II.
  
A CHRYSALIS.
  
THE CHILDREN OF LIGHT.
  
AN INVOCATION.
  
THE “STING OF DEATH.”
  
TO L. C. SMITH.
  
AMONG THE GLACIERS.
  
ON THE THUNER SEE.
  
THE HUNGER OF LIFE.
  
EVOLUTION.
  
LOVE AND JOY.
  
LOVE AND SORROW.
  
THE PRISONER IN THE HOUSE OF LIFE.
  
ON LOCH KATRINE.
  
AMONG THE HEBRIDES.
  
TO THE HERALD HONEYSUCKLE.
  
TO IMMORTAL MUSIC.
  
TRANSFIGURATION.
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TO THE FRIENDS OF LOVE.
 I. 
I.
 II. 
II.
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[subsection]
 I. 
I.FALLEN FROM GRACE.
 II. 
II.UNDER THE ROSE.
  
ON GUARD.
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[subsection]
 I. 
I.TO A FLEDGLING ROBIN.
 II. 
II.TO THE SAME, ON BEGINNING HIS SONG.
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STUDIES FROM THE ANTIQUE.
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KASSANDRA.
 I. 
I.
 II. 
II.
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KLYTEMNESTRA.
 I. 
I.
 II. 
II.
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TO DR. WILHELM JORDAN.
 I. 
I.
 II. 
II.
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[subsection]
 I. 
I.IN LOVE'S ECLIPSE.
 II. 
II.LOVE THE REVEALER.
  
A PARTNERSHIP.
  
TO E. BURNE JONES, ON HIS PICTURE OF THE ANNUNCIATION.
  
SUGGESTED BY THE PICTURE OF THE ANNUNCIATION, BY E. BURNE JONES.
  
KING COPHETUA AND THE BEGGAR MAID.
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[subsection]
 I. 
I.LOVE AND DEATH.
 II. 
II.LOVE AND LIFE.
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CAIN AND ABEL.
 I. 
I.CAIN AND ABEL.
 II. 
II.OUTCAST CAIN.
 III. 
III.CAIN REPENTANT.
  
HOPE.
  
DEAF.
  
MID-OCEAN.
  
NIAGARA.
  
BEATING THE AIR.
  
THE SOUDAN.
  
GORDON.
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A PROTEST.
 I. 
I.
 II. 
II.
 III. 
III.
  
THE COMING DAY.
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[subsection]
 I. 
I.THE SOUL'S PRAYER.
 II. 
II.THE SOUL'S PRIDE.
  
WEARIHEAD.
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SIX 14-LINE POEMS.
 I. 
I.
 II. 
II.
 III. 
III.
 V. 
V.
 VI. 
VI.
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[section]
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A SYMPHONY OF SONNETS. I. TO X.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.

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15

III.

Words that are idle with the songless crowd
Are as the poet's ripest deed, the fruit
And flower of all his working days, the suit
He weaves about his soul, which, if endowed
Too richly, and so called to ends more proud,
Builds with his breath a house of high repute,
Wherein he chants the office for the mute,
Appealing ones, who at his feet are bowed.
Yet let the Maker mould them as he will,
A spirit that he knows not to control
Works in his words beyond his utmost skill,
Making them yield his measure, and the whole
Form of his being, be it good or ill,—
For no man's work is greater than his soul.
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