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The works of John Dryden

Illustrated with notes, historical, critical, and explanatory, and a life of the author, by Sir Walter Scott

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PROLOGUE TO THE FIRST SATIRE.
  
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PROLOGUE TO THE FIRST SATIRE.

ARGUMENT OF THE PROLOGUE TO THE FIRST SATIRE.

The design of the author was to conceal his name and quality. He lived in the dangerous times of the tyrant Nero, and aims particularly at him in most of his Satires. For which reason, though he was a Roman knight, and of a plentiful fortune, he would appear in this Prologue but a beggarly poet, who writes for bread. After this, he breaks into the business of the First Satire; which is chiefly to decry the poetry then in fashion, and the impudence of those who were endeavouring to pass their stuff upon the world.

I never did on cleft Parnassus dream,
Nor taste the sacred Heliconian stream;
Nor can remember when my brain, inspired,
Was by the Muses into madness fired.

212

My share in pale Pyrene I resign,
And claim no part in all the mighty Nine.
Statues, with winding ivy crowned, belong
To nobler poets, for a nobler song;
Heedless of verse, and hopeless of the crown,
Scarce half a wit, and more than half a clown,
Before the shrine I lay my rugged numbers down.
Who taught the parrot human notes to try,
Or with a voice endued the chattering pye?
'Twas witty Want, fierce hunger to appease;
Want taught their masters, and their masters these.
Let gain, that gilded bait, be hung on high,
The hungry witlings have it in their eye;
Pyes, crows, and daws, poetic presents bring;
You say they squeak, but they will swear they sing.
 

Parnassus and Helicon were hills consecrated to the Muses, and the supposed place of their abode. Parnassus was forked on the top; and from Helicon ran a stream, the spring of which was called the Muses' Well.

Pyrene, a fountain in Corinth, consecrated also to the Muses.

The statues of the poets were crowned with ivy about their brows.

Before the shrine; that is, before the shrine of Apollo, in his temple at Rome, called the Palatine.