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Plate by a student of Eugène Grasset depicting a mosaic bookbinding, in Grasset's La plante et ses applications ornementales (Paris: Librairie Centrale des Beaux-Arts, 1896-98), first series, plate 66. Charles Rahn Fry Collection, Princeton University Library.

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Eugène Alain Séguy, floral plate, in his Floréal: dessins & coloris nouveaux (Paris: Calavas, 1914), plate 17. Charles Rahn Fry Collection, Princeton University Library.

[1.3]

Jean Saudé, plate showing four patterns, in Édouard Bénédictus, Variations: quatre-vingt-six motifs décoratifs en vingt planches (Paris: Lévy, 1923), plate 19. Charles Rahn Fry Collection, Princeton University Library.

[1.4]

Paul Iribe, plate depicting Poiret gowns, in his Les robes de Paul Poiret (Paris: Poiret, 1908). Gordon N. Ray Collection, Pierpont Morgan Library.

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Georges Lepape, plate depicting a turban, in his Les choses de Paul

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Poiret vues par Georges Lepape (Paris: Maquet, 1911). Charles Rahn Fry Collection, Princeton University Library.

[1.6]

Georges Lepape, "Le jaloux: robe du soir de Paul Poiret," in La gazette du bon ton, 1.6 (April 1913), plate 9. Charles Rahn Fry Collection, Princeton University Library.

[1.7]

André-Édouard Marty, vignettes of the Ballets Russes Boris Gudonov,in La gazette du bon ton, June 1913, pp. 246-247. Charles Rahn Fry Collection, Princeton University Library.

[1.8]

George Barbier, "L'Ilot," in Modes et manières d'aujourd'hui, 3 (Paris: Maquet, 1914), plate 7. Charles Rahn Fry Collection, Princeton University Library.

[1.9]

George Barbier, plate depicting Nijinsky in Sheherazade and Le spectrede la rose, in his Designs on the Dances of Vaslav Nijinsky, translated by C. W. Beaumont and with a foreword by Francis de Miomandre (London: Beaumont, 1913). (Originally published as Dessins sur les danses de Vaslav Nijinsky [Paris: La Belle Édition, 1913].) Columbia University Library.

[1.10]

George Barbier, plate depicting Tamara Karsavina in Le spectre de la rose, in Jean-Louis Vaudoyer and George Barbier, Album dédié à Tamar Karsavina (Paris: Pierre Corrard, 1914). Charles Rahn Fry Collection, Princeton University Library.

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Umberto Brunelleschi, "Arlequin," in Gérard d'Houville and Umberto Brunelleschi, Les masques et les personnages de la comédie italienne (Paris: Journal des Dames et des Modes, 1914). Charles Rahn Fry Collection, Princeton University Library.

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Charles Martin, "La balançoire," in Erik Satie and Charles Martin, Sports et divertissements (Paris: Vogel, 1914). Columbia University Library.

[1.13]

Jean-Émile Laboureur, "Le docker noir," in his Types de l'armée américaine en France, with text by A. S. C. and printed by Francis Bernouard (Paris: La Belle Édition, 1918), plate 7. Gordon N. Ray Collection, Pierpont Morgan Library.

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George Barbier, "En avant!", in his La guirlande des mois, 1 (Paris: Jules Meynial, 1916), opposite p. 40. Charles Rahn Fry Collection, Princeton University Library.

[1.15]

Robert Bonfils, plate depicting Clara d'Ellebeuse in her hat at the window, in Francis Jammes, Clara d'Ellebeuse (Paris: Mercure de France, 1912), p. 11. Gordon N. Ray Collection, Pierpont Morgan Library.

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Robert Bonfils, headpiece vignette for chapter 1 depicting a visit to Madamede Blionne, in Henri de Régnier, Les rencontres de monsieur de Bréot (Paris: René Kieffer, 1919), p. 1. Gordon N. Ray Collection, Pierpont Morgan Library.

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Robert Bonfils, "La promenade," in his Divertissements des princesses qui s'ennuient (Paris: Lutetia, 1918), plate 1. Charles Rahn Fry Collection, Princeton University Library.

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Robert Bonfils, "En écoutant Satie," in Modes et manières d'aujourd'hui: 9e anné, 1920 (Paris: Jules Meynial, [1922]), plate 11. Charles Rahn Fry Collection, Princeton University Library.