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1. The Livre d'Art of the 1920s
Plate by a student of Eugène Grasset depicting a mosaic bookbinding, in Grasset's La plante et ses applications ornementales (Paris: Librairie Centrale des Beaux-Arts, 1896-98), first series, plate 66. Charles Rahn Fry Collection, Princeton University Library.
Eugène Alain Séguy, floral plate, in his Floréal: dessins & coloris nouveaux (Paris: Calavas, 1914), plate 17. Charles Rahn Fry Collection, Princeton University Library.
Jean Saudé, plate showing four patterns, in Édouard Bénédictus, Variations: quatre-vingt-six motifs décoratifs en vingt planches (Paris: Lévy, 1923), plate 19. Charles Rahn Fry Collection, Princeton University Library.
Paul Iribe, plate depicting Poiret gowns, in his Les robes de Paul Poiret (Paris: Poiret, 1908). Gordon N. Ray Collection, Pierpont Morgan Library.
Georges Lepape, plate depicting a turban, in his Les choses de Paul
Georges Lepape, "Le jaloux: robe du soir de Paul Poiret," in La gazette du bon ton, 1.6 (April 1913), plate 9. Charles Rahn Fry Collection, Princeton University Library.
André-Édouard Marty, vignettes of the Ballets Russes Boris Gudonov,in La gazette du bon ton, June 1913, pp. 246-247. Charles Rahn Fry Collection, Princeton University Library.
George Barbier, "L'Ilot," in Modes et manières d'aujourd'hui, 3 (Paris: Maquet, 1914), plate 7. Charles Rahn Fry Collection, Princeton University Library.
George Barbier, plate depicting Nijinsky in Sheherazade and Le spectrede la rose, in his Designs on the Dances of Vaslav Nijinsky, translated by C. W. Beaumont and with a foreword by Francis de Miomandre (London: Beaumont, 1913). (Originally published as Dessins sur les danses de Vaslav Nijinsky [Paris: La Belle Édition, 1913].) Columbia University Library.
George Barbier, plate depicting Tamara Karsavina in Le spectre de la rose, in Jean-Louis Vaudoyer and George Barbier, Album dédié à Tamar Karsavina (Paris: Pierre Corrard, 1914). Charles Rahn Fry Collection, Princeton University Library.
Umberto Brunelleschi, "Arlequin," in Gérard d'Houville and Umberto Brunelleschi, Les masques et les personnages de la comédie italienne (Paris: Journal des Dames et des Modes, 1914). Charles Rahn Fry Collection, Princeton University Library.
Charles Martin, "La balançoire," in Erik Satie and Charles Martin, Sports et divertissements (Paris: Vogel, 1914). Columbia University Library.
Jean-Émile Laboureur, "Le docker noir," in his Types de l'armée américaine en France, with text by A. S. C. and printed by Francis Bernouard (Paris: La Belle Édition, 1918), plate 7. Gordon N. Ray Collection, Pierpont Morgan Library.
George Barbier, "En avant!", in his La guirlande des mois, 1 (Paris: Jules Meynial, 1916), opposite p. 40. Charles Rahn Fry Collection, Princeton University Library.
Robert Bonfils, plate depicting Clara d'Ellebeuse in her hat at the window, in Francis Jammes, Clara d'Ellebeuse (Paris: Mercure de France, 1912), p. 11. Gordon N. Ray Collection, Pierpont Morgan Library.
Robert Bonfils, headpiece vignette for chapter 1 depicting a visit to Madamede Blionne, in Henri de Régnier, Les rencontres de monsieur de Bréot (Paris: René Kieffer, 1919), p. 1. Gordon N. Ray Collection, Pierpont Morgan Library.
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