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Textual Criticism and Deconstruction by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
 6. 
V
 7. 
VI
  
Notes
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Archival Standards in Documentary Editing by Ronald J. Zboray
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[section 1]
 2. 
Cataloging Rules
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MARC AMC
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Authority Work
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Subject Assigning
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Conclusion
  
Notes
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Two Lollard Codices and Lollard Book-Production by Ralph Hanna III
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[section 1]
 2. 
Appendix: Brief Descriptions
  
Notes
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"The Final Revision of Bonduca": An Unpublished Essay by W. W. GREG by Grace Ioppolo
  
[section]
  
Notes
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The Problem of Semi-Substantive Variants: An Example from the Shakespeare-Fletcher Henry VIII by Fredson Bowers
  
[section]
  
Notes
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Font Analysis as a Bibliographical Method: The Elizabethan Play-Quarto Printers and Compositors by Adrian Weiss
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
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V
 01. 
First Stage
 02. 
Second and Third Stages
 7. 
VI
 8. 
VII
 9. 
Appendix I
 10. 
Appendix II
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Appendix III
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Appendix IV
 13. 
Appendix V
  
Notes
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British Plays, 1697-1737: Premieres, Datings, Attributions, and Publication Information by William J. Burling
 1. 
[section 1]
 2. 
I. Plays Hitherto Unknown or Believed to be Unperformed
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II. Unnoted First Performances in The London Stage
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III. New Dating Evidence
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IV. New Attribution Evidence
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V. Previously Unknown Publications
  
Notes
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William Robinson, Contributor to Fielding's Champion by Frederick G. Ribble
  
[section]
  
Notes
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From the Monthly Magazine, and British Register: Notes on Milton, Pope, Boyce, Johnson, Sterne, Hawkesworth, and Prior by Arthur Sherbo
  
[section]
  
Notes
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The Manuscript of Wilkie Collins's No Name by William Baker
  
[section]
  
Notes
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Lawrence, Garnett, and Sons and Lovers: An Exploration of Author-Editor Relationship by Mark S. Sexton
  
[section]
  
Notes
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John Greenleaf Whittier in the Critic, 1881-1892 by Arthur Sherbo
  
[section]
  
Notes
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Gilbert Sorrentino's Revisions of The Sky Changes by David Leon Higdon and Robert F. Sheard
  
[section]
  
Notes
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Correlated Type Sizes and Names for the Fifteenth Through Twentieth Century by John Richardson Jr.
 1. 
[section 1]
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Background and Sources
 01. 
[section]
 02. 
Fifteenth Century
 03. 
Sixteenth Century
 04. 
Seventeenth Century
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Eighteenth Century
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Nineteenth Century
 07. 
Twentieth Century
 3. 
Method of Calculation
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Use of the Tables
 01. 
With Millimeter Measurements
 02. 
With the Bruce System
 03. 
With Point Systems
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Common Names and Dates
 6. 
For the Future
  
Notes
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More on the Compositors of the First Edition of Don Quixote, Part II by R. M. Flores
  
[section]
  
Notes

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[section]
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
[section]
  
PUBLICATIONS IN PRINT
  
WINNERS OF THE 1989 STUDENT AWARDS IN BOOK COLLECTING
  
Colophon
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180

Page 180

V. Previously Unknown Publications

In the course of preparing my A Catalogue of New Plays and Entertainments on the London Stage, 1700-1737, I have been attempting to establish whether or not each of the one thousand or so plays which premiered during the period was published. The following short list represents the fruits of that systematic effort. Possible publication for each piece was determined by checking the ESTC (late 1988) and numerous bibliographies. I have noted the location of only the copy I examined (when seen) for each entry.

Dorinda (10 December 1712, Queen's; LS 2.i.290)

Copy at the Folger Shakespeare Library. London: J. Gardyner, 1712.

Wenceslaus (14 March 1717, King's; LS 2.i.441)

Copy at the William Andrews Clark Library. London: J. Tonson, 1717.

Titus Manlius (4 April 1717, King's; LS 2.i.444)

Copy at the William Andrews Clark Library. London: J. Tonson, 1717.

Two Harlequins [Les Deux Harlequins] (10 December 1718, Lincoln's Inn Fields; LS 2.ii.519)

Copy at the Henry E. Huntington Library. London: Printed for W. Chetwood and W. Mears, and sold by J. Roberts, 1718.

The Royal Captives (27 March 1729, Little Haymarket; LS 2.ii.1022)

Advertised as published in the Daily Post for this date, but no copy yet located. Publisher given as E. Say.

The Coquet's Surrender (15 May 1732, Little Haymarket; LS 3.i.219)

Copy at the British Library (not seen). Advertised in the Daily Journal for 25 May 1732. London: E. Rayner, 1732.

The Disappointment (1732, Little Haymarket)

Reproduced in the Readex Microprint Series, "Three Centuries of English and American Drama," from a copy in the Harvard Library (not seen); I have examined the Huntington Library copy. London: S. Slow, 1732. First performance given in LS (3.i.405) as 8 July 1734, but I have redated the earliest performance of this play to 1732. See discussion above in Part III.

The Beggar's Pantomime (6 December 1736, Lincoln's Inn Fields; LS 3.ii.621)

Copy at the William Andrews Clark Library. Publication notice in the London Daily Post and General Advertiser for 15 December 1736. London: Printed for C. Corbett . . . and W. Warner, 1732.

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