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[title page]

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Historicism and Critical Editing by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
  
Notes
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Swift's Verses on the Death of Dr. Swift: the Notes by Clive Probyn
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
  
Notes
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The Album (1826): The Significance of the Recently Discovered Second Volume by James Everett Kibler, Jr.
 1. 
I
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II
 01. 
Appendix
  
Notes
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Scribal Errors and Textual Integrity: The Case of Innsbruck Universitätsbibliothek Cod. 960 by Stephen K. Wright
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[section 1]
 2. 
I
 3. 
II
 4. 
III
  
Notes
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The STCN Fingerprint by P. C. A. Vriesema
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[section 1]
 2. 
An Example of 'Discriminating' and 'Matching'
 3. 
Rules for Using the STCN Fingerprint
 4. 
Appendix
  
Notes
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Booklets in Medieval Manuscripts: Further Considerations by Ralph Hanna III
  
[section]
  
Notes
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The Two Scribes of the Cardigan Manuscript and the "Evidence" of Scribal Supervision and Shop Production by Daniel W. Mosser
  
[section]
  
Notes
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William Thynne's Printing of the Squire's Tale: Manuscripts and Printer's Copy by Donald C. Baker
  
[section]
  
Notes
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The Relevance of Cast-Off Copy in Determining the Nature of Omissions: Q2 Hamlet by Eric Rasmussen
  
[section]
  
Notes
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The White Devil in Nicholas Okes's Shop by Antony Hammond
 1. 
Preamble
 2. 
Part One: The Type-Line
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Part Two: The Compositors
 01. 
1. Punctuation.
 02. 
2. Terminal punctuation of speeches.
 03. 
3. Compositor-analysis by spacing.
 04. 
4. Compositor-analysis by spellings.
 4. 
Part Three: Type-Study
 5. 
TABLE 3 Type-Distribution
 6. 
Conclusion
 7. 
APPENDIX RECURRENT TYPES
  
Notes
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John Trundle and the Book-Trade 1603-1626 by Gerald D. Johnson
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[section 1]
 2. 
I
 3. 
II
 4. 
III
  
Notes
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Dryden and the Fourth Earl of Lauderdale by Arthur Sherbo
  
[section]
  
Notes
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Gleanings from the Scots Magazine (1739-1800) by Arthur Sherbo
  
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Notes
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Isaac Reed's 1785 Variorum Shakespeare by William C. Woodson
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
  
Notes
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Variation, Accident, and Intention in William Blake's The Book of Urizen by Robert N. Essick
  
[section]
  
Notes
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Nineteenth-Century English Best-Sellers: A Third List by Richard D. Altick
  
[section]
  
Notes
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The Raverat Proofs of Mrs. Dalloway by Glenn P. Wright
 1. 
[section 1]
 2. 
Sections I-V (7.1-89.19; A1 3.1-88.3)
 3. 
Section VI (89.20-99.8; A1 88.4-97.17)
 4. 
Section VII (99.9-(125.26); A1 97.19-* 124.26)
 5. 
Section VIII (125.27-[142.21]; A1 125.1-[142.5])
 6. 
Section IX (142.22-227.15; A1 [142.6]-228.25)
 7. 
Section X (227.16-248.12; A1 229.1-250.18)
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Section XI (248.13-281.6; A1 250.20-[284.4])
 9. 
Section XII (281.7-293.14; A1 [284.5]-296.20)
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Conclusion
 01. 
Appendix I Raverat Proofs of Mrs. Dalloway: List of Alterations
 02. 
Appendix II Transcription of Typescript Inserted in Raverat Proofs (225.1-17)
  
Notes
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A New Manuscript of Poe's "For Annie" by J. Albert Robbins
  
[section]
  
Notes
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Sherwood Anderson: Additions to the Bibliography by Charles E. Modlin Hilbert H. Campbell Kenichi Takada
  
[section]
  
Notes
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A Textual History of Wallace Stevens' Three Travelers Watch a Sunrise by Richard Alan Schwartz
  
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Notes
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The 1961 Andrés Bello Award: William Faulkner's Original Acceptance Speech by Louis Daniel Brodsky
  
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Notes
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A Tale of Two Printings: Don Quixote, Part II by R. M. Flores
  
[section]
  
Notes

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[section]
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
CONTRIBUTING MEMBERS FOR 1985
  
PUBLICATIONS IN PRINT
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Notes

 
[1]

The Shakespeare First Folio (1955), p. 317.

[2]

"Cast-off Copy for the First Folio of Shakespeare," Shakespeare Quarterly, 6 (1955), 259-273; and The Printing and Proof-reading of the First Folio Shakespeare, 2 vols. (1963).

[3]

See Joseph Moxon's characteristically meticulous description of casting-off in Mechanick Exercises on the Whole Art of Printing (London, 1683-84), rpt., ed. Herbert Davis and Harry Carter (1962), pp. 239-244.

[4]

"Cast-off Copy for the First Folio of Shakespeare," p. 263.

[5]

Printing and Proof-reading, II, 507.

[6]

Quotations are from Hamlet: Second Quarto 1604-5, Shakespeare Quarto Facsimiles, ed. W. W. Greg (1940); and The Norton Facsimile of The First Folio of Shakespeare, ed. Charlton Hinman (1968). The through-line-numbers (TLN) are those established by Hinman.

[7]

A trace of Polonius' lines appears in the First Quarto (1603): "He hath, my lord, wrung from me a forced graunt" (sig. B3v). Since Q1 was apparently a memorial reconstruction of the play based on performance, the fact that it contains this trace would seem to indicate that the lines were in the prompt-book which served, at some remove, as copy for the Folio.

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