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The Description of Non-Letterpress Material in Books by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
  
Notes
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The Editing of Folio Romeo and Juliet by S. W. Reid
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
  
Notes
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Copyright Documents in the George Robinson Archive: William Godwin and Others 1713-1820 by G. E. Bentley, Jr.
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[section 1]
  
Notes
 2. 
Table of Robinson Copyrights
 3. 
Table Notes
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Pound's Personae: From Manuscript to Print by C. G. Petter
  
[section]
  
Notes
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The Hengwrt and Ellesmere Manuscripts of the Canterbury Tales: Different Scribes by Roy Vance Ramsey
  
[section]
  
Notes
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A Lost MS of Chaucer's Legend of Good Women? by Arthur Sherbo
  
[section]
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Wynkyn De Worde's Setting-Copy for Ipomydon by Carol M. Meale
  
[section]
  
Notes
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Harington's Supplie or Addicion to the Catalogue of Bishops: An Additional Manuscript by R. H. Miller
  
[section]
  
Notes
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Two Shakespeare Quartos: Richard III (1597) AND 1 Henry IV (1598) by MacD. P. Jackson
  
[section]
  
Notes
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The Printing of the Second Quarto (1619) of King Lear by Richard Knowles
  
[section]
  
Notes
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Cases and Compositors in the Shakespeare First Folio Comedies by Paul Werstine
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[section 1]
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Quire H
 01. 
Compositors and Cases
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Distribution and Order
 03. 
Anomalous Types
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Quire G
 01. 
Compositors and Cases
 02. 
Compositor B
 03. 
Compositor C
 04. 
Compositor F
 05. 
Distribution and Order
 06. 
Anomalous Types
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Quire I
 01. 
Compositors and Cases
 02. 
Anomalous Types
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Quires K-Q
 01. 
Compositors and Cases
 02. 
Anomalous Types
 6. 
Quires A-F
  
Notes
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The Historical Collation in an Old-Spelling Shakespeare Edition: Another View by Fredson Bowers
  
[section]
  
Notes
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The Editions, Imitations, and the Influence of Marcellus Laroon's Cryes of the City of London by Sean Shesgreen
 1. 
I
 2. 
II
 3. 
Appendix
  
Notes
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The Printing of Pope's Dunciad, 1728 by David L. Vander Meulen
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[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
  
Notes
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From the Gentleman's Magazine: Graves, Shenstone, Swift, Warton, Prior, Byron, Beckford by Arthur Sherbo
 1. 
IThe Earliest (?) Key to The Spiritual Quixote.
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IIThe Shenstone Canon
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IIISwift's Letter to the Rev. John Kendall, February 11, 1691-92
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IVSome Uncollected Poems
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VAnother Text of a Poem by Thomas Warton
 01. 
Another Text of a Poem by Matthew Prior?
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VIThe Text and Canon of Byron's Poems
 7. 
VIIWilliam Beckford's Copy of William Beloe's Sexagenarian in the Cambridge University Library
  
Notes
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Practicing "The Necessity of Purification": Cromek, Roscoe, and Reliques of Burns by Dennis M. Read
  
[section]
  
Notes
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Tennyson's Ode on the Death of the Duke of Wellington: Addenda to Shannon and Ricks by Aidan Day and P. G. Scott
  
[section]
  
Notes
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Dreiser and the B. W. Dodge Sister Carrie by James L. W. West III
  
[section]
  
Notes

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[section]
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
WINNERS OF THE 1977-81 AWARDS IN BOOK COLLECTING
  
CONTRIBUTING MEMBERS FOR 1981
  
PUBLICATIONS IN PRINT
  
PUBLICATIONS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA
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Notes

 
[*]

Previously unpublished material by Ezra Pound copyright © 1981 by the Trustees of the Ezra Pound Literary Property Trust.

[1]

Michael J. King, ed., Collected Early Poems of Ezra Pound (1976), p. 291.

[2]

A checklist of Ezra Pound manuscripts in the McPherson Library Special Collections, including all the items purchased in 1966 that were Mss., is in preparation.

[3]

House of EL DIEFF, Catalogue 66a, item #598, pp. 52-57.

[4]

These terminal dates have been established from Fletcher's account of his friendship with Pound in his autobiography, John Gould Fletcher, Life is My Song (1937), pp. 59-138.

[5]

L. L. Martz, "Introduction" in M. J. King ed., Collected Early Poems of Ezra Pound, p. xv.

[6]

I am grateful to Miss Donna Signori of our Collections Division for pointing this out to me.

[7]

This is further evidenced by Pound's letter to Mathews of Nov. 30 [1911], in which he complains about the "botch Maynard has made of Provença." (E.P.C.70-73. UVic Special Collections).

[8]

Donald Gallup, A Bibliography of Ezra Pound (1969), p. 24.

[9]

The first proofs are marked "check printer's corrections" and all the queries are of accidentals, while the second contain both accidental and substantive queries, the latter corresponding with notes mentioned above.

[10]

"[An Interview with Homer Pound]", Evening Bulletin, Philadelphia, Feb. 20, 1928.

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