University of Virginia Library

Search this document 


  

expand section 
expand section 
expand section 
expand section 
expand section 
expand section 
expand section 
collapse section 
  
 1. 
 2. 
 3. 
 4. 
 5. 
 6. 
 7. 
 8. 
 9. 
 10. 
 11. 
 12. 
 13. 
 14. 
 15. 
 16. 
 17. 
 18. 
 19. 
 20. 
 21. 
 22. 
 23. 
 24. 
 25. 
 26. 
 27. 
 28. 
 29. 
 30. 
 31. 
 32. 
 33. 
 34. 
 35. 
 36. 
 37. 
 38. 
 39. 
 40. 
40.
 41. 
 42. 
 43. 
 44. 
 45. 
 46. 
 47. 
expand section 
expand section 
expand section 
expand section 
expand section 
expand section 
expand section 
expand section 
expand section 
expand section 
expand section 

expand section 

40.

Dear Mr. Joyce,

I wrote to you yesterday, but I may as well answer the letter I have received from you this morning.

In writing of Mr. Pinker you refer to him as "Mr. Wells's secretary or agent". He is not Mr. Wells's secretary. He is an ordinary literary agent — a very good literary agent, in fact. He sometimes handles Mr. Wells' own work. I confess though that it comes as a surprise to me that he has set up as a dramatic agent. I should have thought that dramatic agency work was better handled by the exclusively dramatic agents, of whom there are one or two, Miss Elizabeth Marbury being the best known.

Yes; I got back the press cuttings. Neither the "Freeman's Journal" nor "Sinn Fein" has reviewed your book.

Sincerely yours,
On 19 April Joyce wrote explaining patiently that A Portrait had begun appearing serially before his contract with Richards, who therefore had no legitimate complaint. He asked again about Irish reviews of Dubliners and about his list of corrections. He also asked for a financial statement.