![]() | The psychology of perspective and Renaissance art | ![]() |
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Contents
List of illustrations | page viii | |
Preface | xiii | |
Introduction: The importance of perspective and the metaphor of the arrow in the eye |
1 | |
1 | The elements of perspective | 17 |
2 | Interlude: Brunelleschi's peepshow and the invention of perspective |
32 |
3 | The effectiveness of Brunelleschi's peepshow | 39 |
4 | The robustness of perspective | 52 |
5 | Illusion, delusion, collusion, and perceptual paradox |
65 |
6 | Perceiving the window in order to see the world | 87 |
7 | The bounds of perspective: marginal distortions | 104 |
8 | Why was the Brunelleschi peephole abandoned? | 127 |
9 | The psychology of egocenters | 150 |
10 | The invention of perspective and the evolution of art |
162 |
References | 174 | |
Figure acknowledgments and sources | 182 | |
Index | 187 |
![]() | The psychology of perspective and Renaissance art | ![]() |