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The Poetical Works of Anna Seward

With Extracts from her Literary Correspondence. Edited by Walter Scott ... In Three Volumes

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EPISTLE TO COLONEL ST. GEORGE.
  
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215

EPISTLE TO COLONEL ST. GEORGE.

WRITTEN APRIL 1783,

Sinec with the laurels, whose luxuriant bough
Oft veils the sternness of the warrior's brow,
For thee the arts their varied foliage twine,
Their roses blossom, and their myrtles shine,
Why, St. George, should thy soul disdain the powers
So fondly cultur'd in the muses' bowers?
O! shall the etherial dews, by Genius shed,
In full libation, on thy favour'd head,
Be scorn'd, for that their joy-dispensing flood
Feeds not the wreath that vegetates on blood?

216

Not so the warrior, who, like thee, surveys
Heroic glory with an eagle's gaze,
Great Frederic!—Form of steel, and soul of flame,
Who shares with Swedish Charles the palm of fame!
See him, the toils of camps and battles done,
Pant for the softer wreaths by Fancy won,
Spring to the muses' lists, and ardent dare
The lyric contest with the gay Voltaire!
Thou, whose high soul with kindred fires has glow'd
Whose generous blood in fuller stream has flow'd,
Whose finer fancy takes an ampler range,
Sublime, and humourous, in graceful change,

217

Ah! learn, like him, to prize the gentler powers,
That brighten languid life's oppressive hours,
Light with the torch of joy the social board,
When Peace in lilies hides the sated sword.
And pardon if beyond the deeds, that gain
The loudest pæan on the martial plain,
Each grace in thee my female sense admires,
Of softer texture, and of milder fires,
And, far beyond them all, the virtues bland,
The melting heart, the unwithdrawing hand,
That seek the Child of Want, and bounteous throw
Sweet balm of comfort on the mourner's woe.
Then, gallant St. George, let thy feeling heart
Conceive how deeply pain'd reflection's smart,
When I was taught to fear offence might spring
Late that I rashly touch'd a grating string,
By jealous honour proudly taught to jar,
When he, that wears the garland of the war,
Disgusted listens to the trivial voice,
Whose warm applause shall make an humbler choice;
Since, ah! too great of soul, the Hero says,
“Praise not heroic is unvalued praise.”
 

Colonel St George had nobly distinguished himself in the late disastrous war with America. He now lives with a considerable part of his head shot away, and though feeble, emaciated, and in almost constant pain, his imagination and his virtues have lost nothing of their vigour. His wit, and genius for allegoric and humourous invention in the art of the pencil, are first-rate. He is singularly happy in the grotesque humour of some of his designs, in the sublimity of others, and in the originality of all. He is also a pleasing poet, though not a poetic author—but upon these talents he sets so little value as to seem disgusted when their excellence is praised.

To the above note, coeval with the composition of the poem, its author grieves to add—that Colonel St George was assassinated, in the year 1798, in his house in Ireland, by the rebels —and thus finally perished for his attachment to the government of this country.