§ 44
So the day began to break and the birds to sing. The sun rose on
Peter's face gray with exhaustion and the Irish apples in Nell's cheeks
badly faded. But the time for action had come, and Peter went off to
watch McCormick's home until seven o'clock, when the special delivery
letter was due to arrive.
It came on time, and Peter saw McCormick come out of the house
and set forth in the direction of the studios. It was too early for the
meeting, so Peter figured that he would stop to get his breakfast; and
sure enough "Mac" turned into, a little dairy lunch, and Peter hastened
to the nearest telephone and called his boss.
"Mr. McGivney," he said, "I lost those fellows last night, but
now I got them again. They decided not to do anything till today.
They're having a meeting this morning and we've a chance to nab them
all."
"Where?" demanded McGivney.
"Room seventeen in the studios; but don't let any of your men go
near there, till I make sure the right fellows are in."
"Listen here, Peter Gudge!" cried McGivney. "Is this
straight goods?"
"My God!" cried Peter. "What do you take me for?
I tell you they've got loads of dynamite."
"What have they done with it?"
"They've got some in their headquarters. About the rest I dunno.
They carried it off and I lost them last night. But then I found a note
in my pocket — they were inviting me to come in."
"By God!" exclaimed the rat-faced man.
"We've got the whole thing, I tell you! Have you got
your men ready?"
"Yes."
"Well then, have them come to the corner of Seventh
and Washington Streets, and you come to Eighth and
Washington. Meet me there just as quick as you can."
"I get you," was the answer, and Peter hung up, and rushed off to
the appointed rendezvous. He was so nervous that he had to sit on the
steps of a building. As time passed and McGivney didn't appear, wild
imaginings began to torment him. Maybe McGivney hadn't understood him
correctly! Or maybe his automobile might break down! Or his telephone
might have got out of order at precisely the critical moment! He and his
men would arrive too late, they would find the trap sprung, and the prey
escaped.
Ten minutes passed, fifteen minutes, twenty minutes. At last an
automobile rushed up the street, and McGivney stepped out, and the
automobile sped on. Peter got McGivney's eye, and then stepped back into
the shelter of a doorway. McGivney followed. "Have you got them?" he
cried.
"I d-d-dunno!" chattered Peter. "They s-s-said they
were c-coming at eight!"
"Let me see that note!" commanded McGivney; so
Peter pulled out one of Nell's notes which he had saved for
himself:
"If you really believe in a bold stroke for the workers'
rights, meet me in the studios, Room 17, tomorrow morning
at eight o'clock. No names and no talk. Action!"
"You found that in your pocket?" demanded the other.
"Y-yes, sir."
"And you've no idea who put it there."
"N-no, but I think Joe Angell — "
McGivney looked at his watch. "You've got twenty
minutes yet," be said.
"You got the dicks?" asked Peter.
"A dozen of them. What's your idea now?"
Peter stammered out his suggestions. There was a little grocery
store just across the street from the entrance to the studio building.
Peter would go in there, and pretend to get something to eat, and would
watch thru the window, and the moment he saw the right men come in, he
would hurry out and signal to McGivney, who would be in a drugstore at
the next corner. McGivney must keep out of sight himself, because the
"Reds" knew him as one of Guffey's agents.
It wasn't necessary to repeat anything twice. McGivney was keyed
up and ready for business, and Peter hurried down the street, and
stepped into the little grocery store without being observed by anyone.
He ordered some crackers and cheese, and seated himself on a box by the
window and pretended to eat. But his hands were trembling so that he
could hardly get the food into his mouth; and this was just as well,
because his mouth was dry with
fright, and crackers and cheese are articles of diet not
adapted to such a condition.
He kept his eyes glued on the dingy doorway of the old studio
building, and presently — hurrah! — he saw McCormick coming down the
street! The Irish boy turned into the building, and a couple of minutes
later came Gus the sailor, and before another five minutes had passed
here came Joe Angell and Henderson. They were walking quickly, absorbed
in conversation, and Peter could imagine he heard them talking about
those mysterious notes, and who could be the writer, and what the devil
could they mean?
Peter was now wild with nervousness; he was afraid somebody in
the grocery store would notice him, and he made desperate efforts to eat
the crackers and cheese, and scattered the crumbs all over himself and
over the floor. Should he wait for Jerry Rudd, or should he take those
he had already? He had got up and started for the door, when he saw the
last of his victims coming down the street. Jerry was walking slowly,
and Peter couldn't wait until he got inside. A car was passing, and
Peter took the chance to slip out and bolt for the drug store. Before he
had got half way there McGivney had seen him, and was on the run to the
next corner.
Peter waited only long enough to see a couple of automobiles
come whirling down the street, packed solid with
husky detectives. Then he turned off and hurried down a
side street. He managed to get a couple of blocks away,
and then his nerves gave way entirely, and he sat down on
the curbstone and began to cry — just the way little Jennie
had cried when he told her he couldn't marry her! People
stopped to stare at him, and one benevolent old gentleman
came up and tapped him on the shoulder and asked what
was the trouble. Peter, between his tear-stained fingers,
gasped: "My m-m-mother died!" And so they let him
alone, and after a while he got up and hurried off again.
