University of Virginia Library

Search this document 
 
 

 
 
 
expand section
expand section
expand section
 
 
 
 
 
expand section
expand section
 
 
expand section
expand section
 
expand section
 
expand section
expand section
expand section
expand section
expand section
expand section
 
expand section
expand section
 
 
collapse section
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
APPERCEPTIVE DELAY IN TRIAL-AND-ERROR PROCESS
 
 
 
 
 
 
 
 
expand section
expand section

APPERCEPTIVE DELAY IN TRIAL-AND-ERROR PROCESS

The delay in arriving at the correct apperception of the stimulus may be referred to as "finding-time" or simply as apperceptive delay. It represents time occupied with the reproduction of erroneous apperceptive images—apperceptive errors. Meanwhile the stimulus-idea, that mental element most closely connected with the original stimulus, is operating somewhere in the brain, determining the evocation of the secondary images that appear in the dream.[33] This wire-pulling is done in the dark; the primary stimulus-idea is not itself imaged, at first; neither is the context or apperception-mass which meets it half-way, that is, becomes conjoined with the stimulus-idea. Indeed, the images that come into the dream are only emerging peaks of a submerged island of memory. What shall emerge is determined by the interplay of stimulus-idea and apperception-mass, below the level of consciousness. (A and Z are working together.)

The particular "island of memory" in this case, was an impression of the talk with Dr. X., about histology, reflexology and dream interpretation; it remained subliminal, evidently, except so far as portions of it were raised above the threshold by the reproductive energy of the stimulus of scratching. Necessarily, a process of imageless thought had taken place, whereby the conversation was brought into play as a sub-excited apperception-mass or setting-of-ideas for the stimulus-idea. Furthermore, another process of imageless thought must have taken place whereby the secondary images being raised into consciousness attained to their arrangement as a wish-phantasy, without that preliminary tuning-up which the principal cue (scratching) called forth, on its own account. This remains to be explained.