University of Virginia Library

AN ACT OF EVERYDAY LIFE TREATED AS A PRETENDED DREAM AND INTERPRETED BY PSYCHOANALYSIS

BY RAYMOND BELLAMY
Professor of Education, Emory and Henry College, Emory, Va.

A RECENT article by Brill, entitled "Artificial Dreams and Lying,"[1] recalled to me a little work I did two years ago while engaged in making an introductory study of dreams as a thesis at Clark University. The part which is hereby submitted is a fragment of a larger work and, being only a sort of side issue, was never included in the thesis proper. I have made only such changes as were made necessary by the fact that this is a fragment and needed one or two minor changes to make it complete.

Let me say at the beginning that I have the greatest and most profound respect for Freudian theories as interpreted by G. Stanley Hall and other men of like scholarly ability, but I have never been able to accept the more extreme form of Freudianism as interpreted by some of the most prolific writers in this field. I have found that the charges made by Habermann[2] are substantially true. I find it very helpful indeed, to try to interpret my own dreams and to assist some of my students to do so according to the Freudian formula, and to a certain point I believe these interpretations are undoubtedly true. The question is to find the point beyond which the interpretation becomes artificial. Personally, I believe that this will always have to be decided finally by the individual himself rather than by some outsider who insists on reading in a certain interpretation. I have come to believe that it is possible for one to become trained to the point at which he is able to decide just how far the interpretation goes, or, at least, to approximate it.

With these few introductory remarks I shall submit the paper, which was written in 1912. I have not appended the rather long and cumbersome bibliography from which I drew these references, but I can supply any reference that is wanted.

If we examine the Freudian system, we find that it is impossible to disprove this theory of dreams. If we demonstrate that a dream has no sexual connection whatever, they have only to say that it is the censor that blinds, and, by resorting to symbolism and other such very present helps in time of trouble, they show plainly that we were mistaken. The situation is the same as it would be if I declared that what I saw as blue appeared yellow to the rest of the world. The disproof of this and of Freudianism are equally impossible. But, on the other hand, have the Freudians presented any proof or argument on the affirmative side of this question? They are over fond of saying, "Freud has proven thus and so," but in what did the proof consist? The great answer to all objections has been to analyze dreams and, so far as I know, the attempt has never failed to show that the dream in question conformed to the prescribed requirements. And in truth, it is not a difficult matter to analyze a dream à la Freud. After a little practice, especially if one has a vivid imagination and is somewhat suggestible, It is possible to find the repressed sexual wish in every dream. But if we use such flexible and wonderful factors as the four mechanisms, and, above all, symbolism, we can find the same things in any other experience. By this I mean that if we take a bit out of our daily life, a dream of some one else, a fictitious story, an historical incident, or any other pictured situation and pretend that it is one of our own dreams and apply the Freudian analysis, we find that it serves for this purpose as well as a real dream. When this is the case, it is absurd to put any faith in the analysis of real dreams, when carried to extremes.

As an illustration of the above statement, the following is a fairly typical example. The supposed "dream" is a commonplace bit out of my daily life. This is chosen at random (although Jones would say such a thing is impossible) and subjected to a dream analysis.

ANALYSIS OF FALSE DREAM

Dream. I was walking along a street on a cold winter night. I looked down at the cement walk and in this was set a piece of granite on which the letters "W. H." were cut. Coming to the corner, I looked up and saw on a short board which was nailed to a post, the name of the street, "Queen Street," The street running at right angles to this was King Street, and I turned and went down this. After walking a short distance, I came to a house from a window of which a light was shining. The house number was "23." I took a key from my pocket, unlocked the door and entered.

Analysis. In attempting to analyze this (so-called) dream, I was amazed to find with how many past longings and emotionally-colored experiences it was associated. I first took up the letters on the sidewalk, and as I repeated them, letting my mind be as blank as possible in order that the associations might be free, I gained an immediate response. "W. H."—"Which House"—came out as in answer to a question. With these words there was a definite visual image of a young country farm youth standing talking to two persons in a buggy. I remembered the incident in all its details. I was the young man and these people were asking the way to a certain place, or at which house they should stop. As it so happened, I was at that time keeping company with a young lady who lived at the very house concerning which they asked. I will not go into detail any further at this point, for this is a real case and I should be trespassing on personal ground. But any one who yet remembers his boyhood courtship, with all its agonies and fears, its hopes and joys, its disappointments and its pleasures, can see at a glance how important this occasion is in throwing light on the meaning of the dream. Of course "W. H." stood for "Which House."

I seemed to get no further in my associations with these letters at this time, and my thoughts spontaneously turned to the name of the street. "Queen Street." Even more readily and completely than in the other case, there came a whole complex of associations. First there was the name and image of Miss Agnes Queen, whom I had known for

years. But, strange to say, the image was of this young lady standing and talking to a certain Mr. Harding. I saw them together but once, and it seemed passing strange that this incident should be the one remembered in connection with the name. But the associations were rapidly progressing, and I mentally reviewed parts of three or four years during which I was working and closely associating with this Mr. Harding. Here I began to see some light. This Mr. Harding was in all respects, at least as far as I knew him a man of good morals, but he was much less particular in his social habits than I was. He was engaged to a young lady all the time I was with him, and wrote letters to her constantly; but this fact did not prevent him from paying attentions to other young women, and I was aware that he was more familiar with them than conventionality would warrant. In fact he made no attempt to be secret in the matter, and often poked fun at me for my over sensitivity on the subject. Here was the key to a whole lot of meaning. The first year I was with him, I had no sweetheart or any lady friend on whom to center my affection or to whom I could write. There were a number of young men in our "squad," as it was called, and nearly all of them had correspondents and it was a joke among us that I was "out in the cold world with no one to love." In reality, this was not so much a joke for me at the time, as I tried to give the impression that it was, and I longed for the very thing of which we joked. The fact that I was out on the street on a cold winter night in this dream symbolized being "out in the cold world," as we had used the term then.

I now took up the letters "W. H." again, and the words "White Horse" came in response to the stimulus. With little hesitation I placed this as connected with the Knights of the White Horse of whom Tennyson writes in his poems of "King Arthur's Knights of the Round Table." I got very little out of this, but still the White Horse was a band of men who were unrestrained in their desires and bore about the same relation to King Arthur's Knights that Harding did to me. However, the associations did not stop here but went on, giving what at first seemed to be a meaningless list of words. "W. H." first called up the words, "Wish

Harding"; next, "Will Harding"; next, "With Harding"; and last, "Walk Harding." In a minute it flashed on me what this all meant. "I wish to do as Harding is doing, to walk the way he is with him and I will." To walk up Queen Street meant, then, to follow his example, as he at one time paid some attention to this Miss Agnes Queen. Perhaps the reason why her name was selected instead of some others was because his relations to her had been very slight and formal, and thus the idea was easier for the censor to let into sleeping consciousness than it would have been if some other names had been taken. "W. H.," then, symbolized the four expressions that arose in the analysis.

The meaning of "King Street" came last of anything in the dream, but I will give it now. I did not seem to be able to get anywhere on this for some time, and the idea kept presenting itself that it symbolized that I was king of the situation which seemed innocent enough; but at last there came an association with Nero as portrayed in "Quo Vadis." I then remembered how I read this book while in the adolescent stage, and how a cousin made remarks, very sensuous in their nature, about parts of it. I then got a vision of the book, "Mad Majesties," which I saw on the library table not long since. Next came a memory of the French kings as portrayed in the works of Dumas. At this point, I realized that the idea suggested by the word king is very often, though not always, an idea or image of a very loose person as far as his social life is concerned. Thus to walk Queen Street or follow the example of Harding finds a parallel in walking King Street or following the example of a king.

With the light in the window, I came into an entirely new field of associations. I cannot go far into detail here as it would involve others as well as myself, but suffice to say that the light in the window called up a paper on the subject of light which was written by a Mr. X. and read in my hearing. Now Mr. X. and I had both kept company with the same young lady at different times, and here was another group of emotionally colored experiences. However, the important function performed by the light was that it symbolized (together with the house in which it was)

the comforts, warmth and pleasures of the very opposite condition from that of being "out in the cold world with no one to love."

The house number "23" is associated with at least two occasions. One Sunday evening; a few of the boys of our "squad," myself among them, went out with the daughter of our landlady, and one or two other young ladies and took a boat ride in the park. It was a beautiful summer night and the park was full of young people who were treating each other to very endearing caresses. There were so many who wanted boats that only one boat was unoccupied, and it was No. 23. It had been left because it was a hoodoo number, and the other boaters were all superstitious. As we were not, we took this boat and used it. My longing lonesomeness was about at its maximum height on this night. The other occasion associated with this number is that I became engaged when I was twenty-three years old and at that time desired greatly to be married; but, as I was in school, it had to be postponed.

Now the climax of the dream! I took a key from my pocket, unlocked the door and entered. This is so plain that it hardly needs comment. Being in the cold world, as symbolized by the cold street, I enter the warmth and comfort of the lighted house. The key and lock are, of course, phallic symbols and have special significance for me as I once took a young lady to a banquet at which the favors were paper keys and hearts. Thus symbolically are fulfilled all the longings I felt while with Harding, all my desires to be married when twenty-three, all my adolescent courtship yearnings, and all my remaining repressed sexual longings.

As a point which may have a little bearing on this, I have recently received a letter from Harding and in it was information that he is for a time away from home, and I wondered if he is still careless in his behavior.

This analysis will seem foolish in the extreme to many, and I am one of the number, but my excuse is that I have copied as closely after the Freudians as possible. I have only to invite a comparison. This is not a "made up" dream, but a little bit out of my daily life; just an experience

occurring on the way home from the seminary. The analysis is real in the sense that the associations arose as I have recorded them.

Perhaps some ardent Freudian might find it in his heart to say that this analysis only strengthened their position, as it showed how a whole sexual background underlies our entire life, and therefore our dreams must have a sexual origin. But the reason why I found a sexual solution of this was that I started the analysis with a definite Bewnssteinlage, as Titchener would call it, which consisted of a knowledge that I had started for a certain kind of solution, and the whole course of the associations was governed by this. If Freud had at first come into the possession of a theory that every dream fulfills a fear, or pictures a state of anger or any other emotion, he would have had just as good success in demonstrating the truth of his statements. The following analysis will illustrate this. This is a real dream, but before beginning the analysis, I took the attitude that the analysis would reveal the fulfillment of a fear or show that the dream was the dramatic representation of a feared condition as actually existing. It took some time to get into this attitude, it is true, but when the result was finally accomplished, the analysis was begun and the attempt was made to follow the Freudian method as closely as possible under the changed conditions.

The Dream. On the night of February first, I dreamed that I was going down a little hill in company with my brother and Mr. N. We seemed to be in Colorado, and at the foot of the hill was a little stream which was very pretty. There was a little waterfall, and a green pool below it, and a mist hung over the pool. I am not sure I saw the color of this pool. There was also a huge rock around which the water dashed. Some people were fishing in the stream. Some one asked if we could see the rainbows, and Mr. N. replied that he could see only one. I then looked carefully and saw a purple haze in the mist over the pool and supposed this was what was meant. But, as I continued to look, I saw a great number of rainbows, or at least patches in the mist over the water which showed the spectral colors. These were about two feet in diameter and extraordinarily beautiful.

I was very anxious to get some of the trout which I felt sure were In the stream. As we came nearer, it seemed that the stream had overflowed and there were several shallow pools not over a foot deep and eight or ten feet long. In these pools could be seen fish by the dozen from a foot to eight feet long. I was slightly troubled because it would muddy my shoes, but I began to try to get some of them out. I got one very big one by the gill slit, but could not manage him and had to let him go. I handled several in the dream, but do not know whether or not I got any out.

ANALYSIS OF DREAM SHOWING FULFILLMENT OF A FEAR

I had some trouble in getting any light on this dream, but suddenly much of the meaning became clear and a whole group of associations came up. Undoubtedly the trouble I experienced at first was caused by the resistance of the censor. I will give the associated memories first and explain them later.

I delight in fishing and have spent many happy hours fishing for trout In the clear waters of the Colorado streams; but, strange as it may seem, it was not a memory of any of these which come into consciousness. Instead, there came up memories of three different instances, each accompanied with definite visual imagery, and in such rapid succession that I could hardly tell which came first.

Six years ago last summer, I crossed the Ohio River to spend a day in Carrolton, Kentucky, and on the way back, I bought some fish of a fisherman at the river's edge. This man was barefooted and wore a little greasy wool hat and very ragged clothes. I remember thinking at the time that his work must be very degrading, and that the river fisherman must be about the lowest type in that part of the country. I especially noticed his feet and legs, which were bare to the knees, and which were so sunburned that they hardly looked like parts of a white man's body. In the analysis of this dream, the image of the man as he stood there and the memory of the incident came back with great vividness.

A year or two later, my brother and I were riding along the road at about the same place, and we met a very miserable-looking

specimen of humanity, driving a poor limping horse to a rickety wagon in which were some pieces of driftwood. My brother was in a "spell of the blues" at this time, and he remarked that he was coming to just that condition as fast as he could. The image and memory of this incident also came into consciousness as if it had been waiting repressed just under the surface.

The other memory was one in which I did not figure personally. A year or so ago, my brother was telling me how he and his boy had gone to the river several times and gone fishing with an old fisherman who lived there. My nephew, like most boys, had a desire to become a fisherman or hunter, and my brother had suspected that a little close acquaintance with the way a fisherman lived would cure him of this desire; in this he was entirely right, and after a few trips to visit the old fellow, he had expressed himself as cured of any desire to live the beautiful, pleasant life of a river fisherman.

Without going any further, it can easily be seen that a fisherman symbolizes for me everything that is synonymous with failure. Thus, when I stepped out into the muddy water and began fishing I symbolically became a failure, a no-account, a man who had failed in the struggle and had not achieved success. The very fact that we came down hill to the place of fishing shows, on the face of it, that a downhill career is symbolized. My brother was with me, and that is easily explained as a dramatization of the fact that I was accompanying him on that downhill road to the state of the man in the rickety wagon which he had prophesied as his future. The water in the shallow pools was muddy, and I stepped into it just after experiencing a fear that I would get my shoes wet. Remembering the fisherman's bare brown feet, this can be interpreted as nothing but a very strong symbolization of a drop from a cultured and successful circle to a low and unsuccessful one. I grasp a fish bigger than myself and struggle with it, but am compelled to give it up. Another symbol: my work is plainly too big for me; this question is too much for me to handle, and this thesis will ultimately have to be given up as the big fish is. In fact, I cannot say that I succeeded in getting any

fish out of the water and, therefore, I shall never succeed at anything I undertake, but will land figuratively, if not actually, in the fisherman's hut.

The Mr. N. who was with us, was cross-eyed which, in itself, seemed to have no special meaning; but it immediately called up an image of a cross-eyed man standing at the river's edge at Vevay, Indiana. This fellow was the picture of ignorance and want. He was telling another man about catching a big fish a few days before and how he liked that kind of fish boiled so well, but he could not wait for it to boil, but had fried part of it and eaten it that way. As I heard him relate this and watched his face, the whole event seemed to me to be most disgusting. As I was watching him, some one at my side told me that, because of a drunken spree, he had been disfranchised. He was also a fisherman and another typical specimen of the class. Mr. N., having the same facial defect, though in a much less noticeable way, became identified with him, and I am again found walking down the hill to oblivion in company with this brother in distress. This is bad for Mr. N., but it cannot be helped.

The rainbows seem bright enough, but they bring in another disquieting group of associations. The rainbow is almost, if not quite, a universal symbol of failure. We all know the old story of going to the end of the rainbow for a pot of gold, and if we want to belittle any effort we say that the individual is chasing the rainbow. So here I am again on the downhill road between two failures, following the rainbow to a hopeless condition of muddy uselessness. And if it were not bad enough to be following one rainbow, I am following a great number which must mean that I shall always end in failure whatever I undertake.

But, besides this, the rainbow has special associations for me. The first of these associations which came into consciousness was a little booklet made by a Latin student and handed her professor. I had several years of Greek and Latin under this teacher and at a certain place in the course, he asked each student to make a little booklet of some kind, using as much originality as possible, copy some favorite quotations from De Senectute and hand in the finished product. Every year he gets these out and exhibits them

as a kind of inspiration. One of them had a rainbow and a pot of gold on the cover. I spent a great deal of time and work on mine and made a more elaborate booklet than any other that had been made, but I purposely left it unfinished and inscribed a statement that this was to typify the kind of work I did in that department. Of course it was a joke, but I have often thought that there was method in this madness, and that it really approximated the true state of affairs. This seeming chance association, then, is closely connected with my fear of making a failure which is so clearly dramatized in this dream.

The fact that the dream is placed in Colorado is also important. Two years ago, I spent the summer in Colorado and had a very delightful time, as was natural, being on a wedding trip. But during this stay, I did make a total failure at fishing. I had been a fairly successful trout fisher a few years before, but I had forgotten the art and did not do enough fishing to relearn. In other words, my dream gives me to understand that I cannot be successful even in fishing. One evening my bride and I witnessed a most beautiful sunset, a rainbow figuring largely in the scene. At this time we were debating whether or not to go on farther West as I had originally planned; but circumstances prevented this and instead of going on farther, we came back East or toward the rainbow. This is just one more place where the dream so clearly symbolizes a failure to do what I undertake. I will not carry the analysis any further, though I could find associations by the hundred which would strengthen the meaning given.

Of course I am not at all conscious of having any such fear as this. In fact I am rather inclined to be over-confident; but this is, of course, due to the repressing influence of the censor and only strengthens the analysis.

Examples could be given until the last trump is sounded and the world rolled up like a scroll, but I do not want to keep any one so long. Whatever we wish to make out of a dream—the dramatization of a fear, a joy, a joke (really this is what the Freudians often do), a tragedy, anything that can be suggested, the result can easily be accomplished if only we be allowed the use of Freud's mechanisms and a moderate amount of symbolism.

I have tried to show: First, that any situation or experience can be analyzed with as good success as a dream, and second, that a dream may be made to mean anything. In other words, with Freud's method, one can demonstrate anything to suit his taste or belief. Long ago, the saying was formulated that all roads lead to Rome. This being true, it must also be true that all roads lead everywhere else. Freud employs a wonderful figure of a mystical sphere, with its layers and cross veins and other mineralogical characteristics, to represent the part of consciousness with the repressed factor at the center well guarded. It would be far more to the point if he should represent the whole of past experience as the surface of a country, with its various roads connecting the different centers. The stations would then represent the experiences, and the roads the association tracks between them. If one should travel at random over these roads, he would in time pass through all kinds of towns and cities, but if he started in quest of a certain type, say mountain villages, he would arrive at his goal much more quickly than he would otherwise. The Freudians themselves acknowledge that they have difficulty in knowing when to stop the analysis. Their plan seems to be to travel until the landscape suits them and then get off and camp.

Thus, while I have made no attempt to give positive proof or argument that Freud's theory, in its extreme form is at fault, I have tried to substantiate my argument that there has been no real argument on the other side. And when a theory so spectacular and altogether out of the ordinary is presented, the burden of the proof should very decidedly be thrown on the positive side. We have no obligation or even excuse for accepting such a theory on the mere presumption of the originator.

And that Freud's theory is weird and fantastic is a self-evident fact. Perhaps the Clark University student who very carefully worked it up a few years ago went a little too far when he said it was a chaotic inferno, but at any rate, it is far removed from celestial harmony. Sidis takes about the sanest attitude possible when he refers to certain Freudian writings as being full of unconscious sexual humor. He observes further as does Prince and others

that the Freudian school is in reality a religious or philosophical sect. He says that Freud's writings constitute the psychoanalytic Bible and are quoted with reverence and awe. Kronfeld, in a most valuable criticism, says that in comparison with Freud's conception of the vorconscious and its work, Henroth's Demonomania appears a modest scientific theory.

The attitude of the Freudians is, itself, worth noticing. They are very prone to consider any criticism as very personal, and fly to the rescue with all the fervor of a religious fanatic. A work on dreams, because it does not bear out Freud in all details, calls forth thunderbolts from two continents. This over-anxious attitude indicates that the belief in the theory is based on an emotional condition rather than logical reasoning. Bernard Hart, who is one of those happy individuals who get the best out of Freudianism, shows the difference between the two kinds of belief by comparing our belief that the earth goes around the sun and that the man who abuses a woman is a cad. The cold, indifferent attitude toward the former is in marked contrast to our warm lively interest in the latter, and the reason is that the belief in the one is founded on scientific demonstration and in the other on our feeling in the matter. If we allow this as a gauge by which to measure, it is not difficult to place the Freudians.

We must not overlook the immense opportunity for suggestion in the work of psychoanalysis, both on the subject and the one who is in the work. The Freudians vehemently deny that any of the results of dream analysis are suggested into the mind of the dreamer, but the evidences are all on the other side. Freud, in referring to psychoanalysis of hysterical patients, says, "It is not possible to press upon the patient things which he apparently does not know, or to influence the results of the analysis by exciting his expectations." Such an attitude is fatal when it comes to a question of accurate work. And no less important is the self-suggestion practiced by the Freudians. When we read of Freud's long struggle in an attempt to find something which he felt surely was to be found, we see that he had abundant opportunity to acquire almost an obsession. The long

years since, which he has spent in analyzing dreams and making them all come out right some way, would serve to more firmly ground his conviction, and the same is true of his disciples. Put a man to drawing square moons for ten years, and at the end of the time he will swear that the moon is square.

A large portion of the scientific world seems to have gone mad over the term "psychoanalysis." But this kind of work has been done by all peoples and times under different names. There can be no objection to such an analysis of a dream if it is done by the right person. The dream may be used to aid the dreamer in finding out his own life, it is true, and when we understand psychoanalysis as this process, and only this, it is not objectionable. But if such is the case there is no need of all the mechanism and symbolism. The preacher who uses the Old Testament stories of the wars with the Philistines to illustrate a moral struggle is not to be criticised; but if he maintains that they were written for that purpose, we should hardly feel inclined to accept his position. A very inspiring message might be builded on the text, "The ants are a people not strong, but they prepare their meat in the summer"; but it is hardly possible that such thoughts were in the mind of the writer. Just so, a dream or a story or any other situation may be used to open the locked doors of a life, but to say that the dream has slipped stealthily out of the keyholes and over the transoms and wonderfully, mysteriously and magically clothed itself is quite another matter.