University of Virginia Library


261

Scene Sixth.

—A Corridor in the Palace.
Enter Mollymopsa.
Mol.
Was ever maid in such a desperate case.
As sure as can be, I shall lose my place.
The bottle I was told to take such care of,
Is broken into bits, there's not a pair of.
What shall I do? I certainly did stop
To try if I could sip a little drop.
But oh, the cruel spite of fortune see,
The bottle had a drop instead of me.
(shews neck of magic bottle)
If I knew where another could be bought,
But there, I'm sold. O Gemini, a thought!
In the King's study I have surely seen
One of this shape, and just this colour'd green.
What's in it, goodness knows—but something nice,
No doubt, as it's the King's, so in a trice
I'll fetch it, slip over the neck this label,
And place it on my lady's dressing-table.
(Exit)
Song—Mollymopsa—“The Last Rose of Summer.”.
'Tis my chance, and somehow
Or other, if blown
On my courtly companions
The blame may be thrown.
No page of the back stairs,
No usher is nigh,
To see me with that bottle,
Brush off on the sly.
At least if found out, and
Discharged I should be,
Some ladies, I trust, will
Take warning by me;
And though it be simply
Of eau-de-cologne,
Drop the habit of cracking
A bottle alone.


262

Enter King.
King.
I tremble so, I know not what's come o'er me—
(starts)
Is this a corkscrew that I see before me?
The handle towards my hand—clutch thee I will!
I have thee not—and yet I see thee still!
Art thou a hardware article? or, oh!
Simply a fancy article, for show.
A corkscrew of the mind—a false creation
Of crooked ways, a strong insinuation!
I see thee yet, as plain as e'er I saw
This patent one, which any cork can draw!
(shewing patent corkscrew)
Thou marshal'st me the way that I should choose,
And such an instrument I was to use!
There's no such thing; 'tis what I steal to do,
That on my fancy thus has put the screw.
I go, and it is done. (going)
Confound it! there's

That stupid Mollymopsa on the stairs.

Enter Mollymopsa, cautiously—as she enters the King slips out unseen.
Mol.
Of my sad smash I've swept up every trace,
And put the other bottle in its place.
The Queen! I tremble to appear before her.
And this way comes the captive.

Enter Guards, Graceful, Queen Lucidora, and Suite, Viscount.
Grace.
Lucidora!

Queen.
Lead me, my virgins, lead me to that voice;
I am not married, and he is my choice!
Drag not this gentle gentleman to jail,
I'll find two housekeepers to be his bail.
I'm one myself—a queen, whose debts all paid are.

Grace.
Hear this, ye Gods! and wonder how you made her!

Officer.
To bail he cannot be admitted.


263

Queen.
No!
Then I'll to prison with him.

King.
(within)
Help, there, ho!

(Exit Viscount)
Queen.
What voice was that?

Grace.
My royal master's surely.

Re-enter Viscount.
Vis.
Run for a doctor, the King's taken poorly.

Exeunt Officer and Viscount.
Queen.
The cramp has seized his conscience, I presume.
What business has he in my dressing-room?

Re-enter Viscount, with bottle.
Vis.
Oh, horror! horror! Madam—

Enter Courtiers from different entrances.
Queen.
Well, proceed.

Vis.
His Majesty is very ill, indeed.
(two Courtiers exeunt)
Drunk something that has with him disagreed,
Out of this fatal bottle.

(shews bottle)
Queen.
Ha! made free,
With my superior patent eau de vie!
But some one must have changed it, for look here,
'Tis thick as ditch water!

Grace.
That's very clear!

Queen.
Where could he find this composition muddy?

Enter Count, pale and agitated.
Count.
The fly water is missing from the study!

Grace.
The German fly-water beyond a doubt.

(Mollymopsa comes forward and falls at Queen's feet)

264

Mol.
Oh, madam, pardon me, the murder's out!
I chanced the other bottle just to crack—

Count.
Ha! bind the traitress on the bottle rack.

Queen.
Stay—'twas an accident—she didn't mean—

Grace.
Look, the King comes, his courtiers borne between.

The King is borne forward in an arm-chair by the two Courtiers.
Count.
How fares your Majesty?

King.
Poisoned! Ill fare!
I loved a lady who had golden hair;
And she has set my heart on fire—I burn!
Send for the engines—on the water turn!

Count.
Alas! he raves!

King.
More water—let me suck it
From every hose, or I shall kick the bucket.
Go fetch the fire-escape—ah, no, I see!
'Tis locked up, and the sexton has the key!
And he lives, heaven knows where, in some blind alley,
And I must blaze, while you stand shilly shally!
My roof is falling in—hark, there's a shout—
There, there—stop playing. I am going out,
As my friend George says, “going—going—gone!”

(dies)
Queen.
A heavy lot, so let it be withdrawn.

(they bear out King)
Vis.
The King is dead, therefore long live the King!

Count.
Quite constitutional—but there's one thing
To be considered; he has left no heir
To wield his sceptre, and to fill his chair.
He died before he made this lady wife, too;
Therefore we've got no king to cry long life to!

Queen.
I am a queen in my own right, and so

265

I'll marry Graceful, if he won't say no;
And give him all the gold in my state coffer!

Grace.
Leap year or not, I jump, ma'am, at the offer.

Scene Changes.
Three Fairies appear.
Fairy.
A very proper thing for both to do.

Queen.
Mercy upon us! pray, sir, who are you?

Fairy.
We are three fairies, lately fish and fowl;
I was a carp, my friend here was an owl!
My other friend, for some cause, was a crow;
All needed Graceful's aid, and had it, so
We served him in return, and now in glory,
Come here to terminate this fairy story.

Queen.
You're welcome; prithee make yourselves at home.
Dear Graceful, now no further need we roam,
But over both these kingdoms we will reign
Together.

Grace.
Nay, to rule here we must gain
Permission first the vacant throne to fill.
Your voices, lords—I pray you let her will
Have its free way—consent—don't pause about it,
For here, you know, we can't succeed without it.

Finale—“Wha'll be King but Charlie.”
Grace.
Approve the Fair with Golden Hair,
Of smiles be every face full,
Confirm her choice
With hand and voice,
And make a king of Graceful.
Come all together,
Whate'er the weather,
And fill this merry place full;
Nor cloud too soon
The honeymoon
Of Golden Locks and Graceful.

266

Of kingdoms two
To make one new
We need your approbation;
Pray don't think twice,
Nor over nice,
Oppose this annexation.
Vote all together,
Nor question whether
Of danger 'tis a case full;
And without fears
Let our front tiers
Be “rectified” for Graceful!

Chorus.
Come all together, &c.

CURTAIN
 

Robins, the eminent auctioneer. See p. 124.

Additional verse, when the Extravaganza was revived.

Nice, in Savoy, was at the time of the piece being revived in 1860 annexed to France by Napoleon III., on the plea of “rectification of frontiers.”