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The poems posthumous and collected of Thomas Lovell Beddoes

Beddoes, Thomas Lovell (1803-1849)

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VOL. I.
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THE SECOND BROTHER;
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ACT I.
 I. 
Scene I.
 II. 
Scene II.
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ACT II.
 I. 
Scene I.
 II. 
Scene II.
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ACT III.
 I. 
Scene I.
 II. 
Scene II.
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ACT IV.
 I. 
Scene I.
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TORRISMOND;
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ACT I.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
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DRAMATIC SCENES AND FRAGMENTS.
 I. 
I. ERMINIA ABBANDONATA.
 II. 
II. AN APOTHEOSIS.
 III. 
III. The Israelite amid Philistines.
 IV. 
IV. Lovers' Identity.
 V. 
V. Prison Thoughts.
 VI. 
VI. Man's petty Universe contrasted with the True.
 VII. 
VII. Recognition.
 VIII. 
VIII. Reception of Evil Tidings.
 IX. 
IX. A Ruffian.
 X. 
X. Recollection of Early Life.
 XI. 
XI. A Crocodile.
 XII. 
XII. “Bona de Mortuis.”
 XIII. 
XIII. Rosily dying.
 XIV. 
XIV. Speaker's Meaning dimly descried.
 XV. 
XV. Anticipation of Evil Tidings.
 XVI. 
XVI. Midnight Hymn.
 XVII. 
XVII. Concealed Joy.
 XVIII. 
XVIII. Life a Glass Window.
 XIX. 
XIX. A Dream.
 XX. 
XX. Metaphor of Rain.
 XXI. 
XXI. Meditation.
 XXII. 
XXII. Sweet to Die.
 XXIII. 
XXIII. Extreme Acclivity.
 XXIV. 
XXIV. Rain.
 XXV. 
XXV. Life's Uncertainty.
 XXVI. 
XXVI. Kisses.
 XXVII. 
XXVII. Subterranean City.
 XXVIII. 
XXVIII. Dream of Dying.
 XXIX. 
XXIX. Insignificance of the World.
 XXX. 
XXX. Sleeper's Countenance contemplated.
 XXXI. 
XXXI. A beautiful Night.
 XXXII. 
XXXII. Humble Beginnings.
 XXXIII. 
XXXIII. A Countenance foreboding Evil.
 XXXIV. 
XXXIV. A lofty Mind.
 XXXV. 
XXXV. Sorrow.
 XXXVI. 
XXXVI. Sad and cheerful Songs contrasted.
 XXXVII. 
XXXVII. A subterranean City.
 XXXVIII. 
XXXVIII. Man's anxious, but ineffectual, Guard against Death.
 XXXIX. 
XXXIX. A Day of surpassing Beauty.
 XL. 
XL. The slight and degenerate Nature of Man.
 XLI. 
XLI. A Night-Scene.
 XLII. 
XLII. Dirge.
 XLIII. 
XLIII. Mourners consoled.
 XLIV. 
XLIV. A great Sacrifice self-compensated.
 XLV. 
XLV. “Love is wiser than Ambition.”
 XLVI. 
XLVI. The Murderer's haunted Couch.
 XLVII. 
XLVII. Human Life: its value.
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MISCELLANEOUS POEMS.
  
ALFARABI; THE WORLD-MAKER.
  
THE ROMANCE OF THE LILY.
  
PYGMALION.
  
LINES WRITTEN IN A BLANK LEAF OF THE ‘PROMETHEUS UNBOUND.’
  
SONNET:
  
LETTER TO B. W. PROCTER, ESQ.
  
ANOTHER LETTER TO THE SAME.
  
THE BODING DREAMS.
  
LOVE'S LAST MESSAGES.
  
THE GHOSTS' MOONSHINE.
  
FROM THE GERMAN.
  
THE PHANTOM-WOOER.
  
A DIRGE.
  
ANOTHER DIRGE.
  
BRIDAL SERENADE.
  
DIRGE.
  
DIRGE AND HYMENEAL:
  
DIAL-THOUGHTS.
  
DREAM-PEDLARY.
  
BALLAD OF HUMAN LIFE.
  
SONG, ON THE WATER.
  
LOVE-IN-IDLENESS.
  
THE REASON WHY.
  
THE TWO ARCHERS.
  
THE RUNAWAY.
  
SONG ON THE WATER.
  
ALPINE SPIRIT'S SONG.
  
SONG: TRANSLATED FROM THE GERMAN OF WALTHER VON DER VOGELWEIDE.
  
SONG OF THE STYGIAN NAIADES.
  
THE LILY OF THE VALLEY.
  
A LAMENT.
  
DIRGE.
  
EPITAPH.
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POETIC FRAGMENTS.
  
THE TREE OF LIFE.
  
THE NEW-BORN STAR.
  
THRENODY.
  
LINES, WRITTEN AT GENEVA; JULY, 1824.
  
STANZAS. (FROM THE IVORY GATE.)
  
LINES WRITTEN IN SWITZERLAND.
  
DOOMSDAY.
  
THRENODY.
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VOL. II.
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Death's Jest-book:
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ACT I.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
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ACT II.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
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ACT III.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
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ACT IV.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
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ACT V.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
  
L'ENVOI.
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THE BRIDES' TRAGEDY
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ACT I.
 I. 
Scene I. A garden.
 II. 
Scene II.
 III. 
Scene III.
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ACT II.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
 VI. 
Scene VI.
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ACT III.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
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ACT IV.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
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ACT V.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.

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VIII. Reception of Evil Tidings.

What's this? Did you not see a white convulsion
Run through his cheek and fling his eye-lids up?
There's mischief in the paper.
Mark again
How, with that open palm, he shades his brain
From its broad, sudden meaning. Once I saw
One who had dug for treasure in a corner,
Where he, by torchlight, saw a trembling man
Burying a chest at night. Just so he stood
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With open striving lips and shaking hair;
Alive but in his eyes, and they were fixed
On a smeared, earthly, bleeding corpse—his sister,
There by her murderer crushed into the earth.
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