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The poems posthumous and collected of Thomas Lovell Beddoes

Beddoes, Thomas Lovell (1803-1849)

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VOL. I.
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THE SECOND BROTHER;
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ACT I.
 I. 
Scene I.
 II. 
Scene II.
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ACT II.
 I. 
Scene I.
 II. 
Scene II.
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ACT III.
 I. 
Scene I.
 II. 
Scene II.
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ACT IV.
 I. 
Scene I.
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TORRISMOND;
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ACT I.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
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DRAMATIC SCENES AND FRAGMENTS.
 I. 
I. ERMINIA ABBANDONATA.
 II. 
II. AN APOTHEOSIS.
 III. 
III. The Israelite amid Philistines.
 IV. 
IV. Lovers' Identity.
 V. 
V. Prison Thoughts.
 VI. 
VI. Man's petty Universe contrasted with the True.
 VII. 
VII. Recognition.
 VIII. 
VIII. Reception of Evil Tidings.
 IX. 
IX. A Ruffian.
 X. 
X. Recollection of Early Life.
 XI. 
XI. A Crocodile.
 XII. 
XII. “Bona de Mortuis.”
 XIII. 
XIII. Rosily dying.
 XIV. 
XIV. Speaker's Meaning dimly descried.
 XV. 
XV. Anticipation of Evil Tidings.
 XVI. 
XVI. Midnight Hymn.
 XVII. 
XVII. Concealed Joy.
 XVIII. 
XVIII. Life a Glass Window.
 XIX. 
XIX. A Dream.
 XX. 
XX. Metaphor of Rain.
 XXI. 
XXI. Meditation.
 XXII. 
XXII. Sweet to Die.
 XXIII. 
XXIII. Extreme Acclivity.
 XXIV. 
XXIV. Rain.
 XXV. 
XXV. Life's Uncertainty.
 XXVI. 
XXVI. Kisses.
 XXVII. 
XXVII. Subterranean City.
 XXVIII. 
XXVIII. Dream of Dying.
 XXIX. 
XXIX. Insignificance of the World.
 XXX. 
XXX. Sleeper's Countenance contemplated.
 XXXI. 
XXXI. A beautiful Night.
 XXXII. 
XXXII. Humble Beginnings.
 XXXIII. 
XXXIII. A Countenance foreboding Evil.
 XXXIV. 
XXXIV. A lofty Mind.
 XXXV. 
XXXV. Sorrow.
 XXXVI. 
XXXVI. Sad and cheerful Songs contrasted.
 XXXVII. 
XXXVII. A subterranean City.
 XXXVIII. 
XXXVIII. Man's anxious, but ineffectual, Guard against Death.
 XXXIX. 
XXXIX. A Day of surpassing Beauty.
 XL. 
XL. The slight and degenerate Nature of Man.
 XLI. 
XLI. A Night-Scene.
 XLII. 
XLII. Dirge.
 XLIII. 
XLIII. Mourners consoled.
 XLIV. 
XLIV. A great Sacrifice self-compensated.
 XLV. 
XLV. “Love is wiser than Ambition.”
 XLVI. 
XLVI. The Murderer's haunted Couch.
 XLVII. 
XLVII. Human Life: its value.
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MISCELLANEOUS POEMS.
  
ALFARABI; THE WORLD-MAKER.
  
THE ROMANCE OF THE LILY.
  
PYGMALION.
  
LINES WRITTEN IN A BLANK LEAF OF THE ‘PROMETHEUS UNBOUND.’
  
SONNET:
  
LETTER TO B. W. PROCTER, ESQ.
  
ANOTHER LETTER TO THE SAME.
  
THE BODING DREAMS.
  
LOVE'S LAST MESSAGES.
  
THE GHOSTS' MOONSHINE.
  
FROM THE GERMAN.
  
THE PHANTOM-WOOER.
  
A DIRGE.
  
ANOTHER DIRGE.
  
BRIDAL SERENADE.
  
DIRGE.
  
DIRGE AND HYMENEAL:
  
DIAL-THOUGHTS.
  
DREAM-PEDLARY.
  
BALLAD OF HUMAN LIFE.
  
SONG, ON THE WATER.
  
LOVE-IN-IDLENESS.
  
THE REASON WHY.
  
THE TWO ARCHERS.
  
THE RUNAWAY.
  
SONG ON THE WATER.
  
ALPINE SPIRIT'S SONG.
  
SONG: TRANSLATED FROM THE GERMAN OF WALTHER VON DER VOGELWEIDE.
  
SONG OF THE STYGIAN NAIADES.
  
THE LILY OF THE VALLEY.
  
A LAMENT.
  
DIRGE.
  
EPITAPH.
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POETIC FRAGMENTS.
  
THE TREE OF LIFE.
  
THE NEW-BORN STAR.
  
THRENODY.
  
LINES, WRITTEN AT GENEVA; JULY, 1824.
  
STANZAS. (FROM THE IVORY GATE.)
  
LINES WRITTEN IN SWITZERLAND.
  
DOOMSDAY.
  
THRENODY.
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VOL. II.
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Death's Jest-book:
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ACT I.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
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ACT II.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
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ACT III.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
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ACT IV.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
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ACT V.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
  
L'ENVOI.
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THE BRIDES' TRAGEDY
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ACT I.
 I. 
Scene I. A garden.
 II. 
Scene II.
 III. 
Scene III.
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ACT II.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
 VI. 
Scene VI.
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ACT III.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
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ACT IV.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
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ACT V.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.

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THE LILY OF THE VALLEY.

Where the hare-bells are ringing
Their peal of sunny flowers,
And a bird of merry soul
Sings away the birthday hours
Of the valley-lily low,
Opening, dewily and slow,
Petals, dear to young and fair
For the prophecy they bear
Of the coming roses—
The free bold bird of merry soul
Amidst his leaves cannot control
His triumphant love of spring.
Thou bird of joyous soul,
Why can'st thou not control
Thy triumphant love of spring?
I know that thou dost rally
Thy spirit proud to sing,
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Because to-day is born
The lily of the valley.
Oh! rather should'st thou mourn;
For that flower so meek and low,
Born with its own death-bell,
Only cometh to foretell
Unpitying winter's doom,
Who in scorn doth lay it low
In the tomb.
Vain is all its prayer,
It may flatter, as it will,
The ungentle hours
With its ring of toying flowers;
Unrelenting they must kill
With their scornful breath,
For the very petals fair,
Which the destined flower uncloses
In its innocence,
To plead for its defence,
By the prophecy they bear
Of the coming roses,
Sign the warrant for its death.
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