Flower Pieces and other poems By William Allingham: With two designs by Dante Gabriel Rossetti |
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THE DIRTY OLD MAN.
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Flower Pieces and other poems | ||
THE DIRTY OLD MAN.
A LAY OF LEADENHALL.
A singular man, named Nathaniel Bentley, for many years kept a large hardware shop in Leadenhall Street, London. He was best known as ‘Dirty Dick’ (Dick for alliteration's sake, probably), and his place of business as ‘The Dirty Warehouse.’ He died about the year 1809. The verses accord with the accounts given of himself and his house. Some twenty-five years ago I saw a placard in the window of a coffee-house in Leadenhall Street, ‘Formerly the residence of the celebrated Dirty Dick;’ but the original house had then been made into two. I possess a good copperplate engraving of it, in Dick's time—‘A Remarkable Old House in Leadenhall Street,’ ‘Drawn and engrav'd by S. Rawle.’ The large shop-front, which retains an aspect of stateliness, has many broken panes. At the door stands a stoutish figure, ‘Dick’ himself no doubt, in knee-breeches and half-ragged coat, with something of a Charles James Fox countenance. A gentleman passing by with a lady on his arm directs her attention to the house.
‘The Dirty Old Man’ was first published in Mr. Dickens's Household Words, having received a warm welcome from the editor. Perhaps it had the honour, some time later, of suggesting Miss Havisham's wedding-feast in ‘Great Expectations.’
Soap, towels, or brushes were not in his plan.
For forty long years, as the neighbours declared,
His house never once had been clean'd or repair'd.
One terrible blot in a ledger so neat:
The shop full of hardware, but black as a hearse,
And the rest of the mansion a thousand times worse.
Looked spotty in sunshine and streaky in rain;
The window-sills sprouted with mildewy grass,
And the panes from being broken were known to be glass.
The merchant who sold, or the goods he'd to sell;
But for house and for man a new title took growth,
Like a fungus,—the Dirt gave a name to them both.
The wood was half rot, and the metal half rust,
Old curtains, half cobwebs, hung grimly aloof;
'Twas a Spiders' Elysium from cellar to roof.
Lives busy and dirty as ever he can;
With dirt on his fingers and dirt on his face,
For the Dirty Old Man thinks the dirt no disgrace.
His clothes are a proverb, a marvel of dirt;
The dirt is pervading, unfading, exceeding—
Yet the Dirty Old Man has both learning and breeding.
Have enter'd his shop—less to buy than to stare;
And have afterwards said, though the dirt was so frightful,
The Dirty Man's manners were truly delightful.
Mayn't peep at the door of the wonderful room
Such stories are told of, not half of them true;
Its keyhole no mortal has ever seen through.
The luncheon's prepared, and the guests are expected.
The handsome young Host he is gallant and gay,
For his Love and her friends will be with him to-day.
The wine beams its brightest, the flowers bloom their best;
Yet the host need not smile, and no guests will appear,
For his Sweetheart is dead, as he shortly shall hear.
'Tis a room deaf and dumb 'mid the city's uproar.
The guests, for whose joyance that table was spread,
May now enter as ghosts, for they're every one dead.
The seats are in order, the dishes a-row;
But the banquet was wealth to the rat and the mouse
Whose descendants have long left the Dirty Old House.
The flow'rs fallen to powder, the wine swathed in crust;
A nosegay was laid before one special chair,
And the faded blue ribbon that bound it lies there.
Wherever he now is, I hope he's more clean.
Yet give we a thought free of scoffing or ban
To that Dirty Old House and that Dirty Old Man.
Flower Pieces and other poems | ||