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The Poetical Works of Reginald Heber

Heber, Reginald (1783-1826)

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PALESTINE:
  
EUROPE:
  
THE PASSAGE OF THE RED SEA.
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FRAGMENT OF A POEM ON THE WORLD BEFORE THE FLOOD.
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MORTE D'ARTHUR.
 I. 
CANTO I.
  
CANTO II.
  
CANTO III.
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FRAGMENTS OF THE MASQUE OF GWENDOLEN.
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BLUE-BEARD.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
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MISCELLANEOUS POEMS.
  
TO LIEUTENANT-GENERAL SIR ROWLAND HILL, K.B.
  
LINES SPOKEN IN THE THEATRE, OXFORD, ON LORD GRENVILLE'S INSTALLATION AS CHANCELLOR.
  
EPITAPH ON A YOUNG NAVAL OFFICER,
  
FRAGMENT ON ALCHEMY.
  
IMITATION OF A SONG,
  
HONOUR ITS OWN REWARD.
  
TRANSLATION OF A FRAGMENT OF A DANISH SONG.
  
TRANSLATION OF AN INSCRIPTION ON A MONUMENT,
  
VERSIFICATION OF THE SPEECH OF GEOORGIN TO BEYUN, (FROM THE SHAH NAMEH.)
  
FROM THE MOALLAKAH OF HARETH.
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THE BOKE OF THE PURPLE FAUCON.
  
Icy commence le Romaunt du Grand Roye Pantagruelle.
  
Ycy commence le II Chant du Bon Roy Pantagruelle.
  
A FRAGMENT.
  
TRANSLATION OF AN ODE OF KLOPSTOCK'S.
  
SONG TO A SCOTCH AIR.
  
THE RISING OF THE SUN.
  
SONG TO A WELCH AIR.
  
INSCRIPTION
  
TIMOUR'S COUNCILS.
  
THE SPRING JOURNEY.
  
HAPPINESS.
  
ON HEAVENLY AND EARTHLY HOPE.
  
MAN'S PILGRIMAGE.
  
SONG TO A WELCH AIR.
  
CAROL FOR MAY-DAY.
  
TO ---.
  
BOW-MEETING SONG.
  
FAREWELL.
  
PARODY OF LISTON'S “BEAUTIFUL MAID.”
  
TRANSLATION OF AN INSCRIPTION RECENTLY DISCOVERED IN SAMOS.
  
THE OUTWARD-BOUND SHIP.
  
BOW-MEETING SONG.
  
TO CHAUNCEY HARE TOWNSHEND,
  
BOW-MEETING SONG.
  
ON CROSSING THE RANGE OF HIGH LAND BETWEEN STONE AND MARKET DRAYTON, JAN. 4, 1820.
  
BALLAD.
  
SYMPATHY.
  
LINES WRITTEN TO A MARCH COMPOSED IN IMITATION OF A MILITARY BAND.
  
THE WELL OF OBLIVION.
  
THE ORACLE.
  
TO A WELCH AIR, “CODIAD YR HYDOD.”
  
THE GROUND SWELL.
  
TRANSLATED FROM THE GERMAN.
  
BOW-MEETING SONG.
  
FROM THE GULISTAN.
  
FROM THE GULISTAN.
  
FROM THE GULISTAN.
  
IMITATION OF AN ODE BY KOODRUT.
  
TRANSLATION OF A SONNET, BY THE LATE NAWAB OF OUDE, ASUF UD DOWLA.
  
LINES ADDRESSED TO MRS. HEBER.
  
AN EVENING WALK IN BENGAL.

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400

TO A WELCH AIR, “CODIAD YR HYDOD.”

Why that neck of marble whiteness,
Why that hair of sunny brightness,
Form of perfect mold,
Why those fringed eyelids screening
Lights of love and liquid meaning,
While the heart is cold?
Shame on her whose pride or malice
With a lover's anguish dallies,
Scorn our scatter'd reason rallies,
Thou shalt mourn thy tyrant sallies,
Ere that thou art old—young Alice,
Ere that thou art old!
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