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258

OTHER SCENES.

THE RIVER TRAUN.

WRITTEN IN LOMBARDY.

[_]

The Traun rises in the mountains of Upper Austria, and loses itself in the Danube above Linz. Its course is remarkable for the combination of the best features of Alpine scenery with the grace and elegance of the Southern landscape.

My heart is in a mountain mood,
Though I am bound to tread the plain,
She will away for ill or good,—
I cannot lure her back again;
So let her go,—God speed her flight
O'er teeming glebe and columned town,
I know that she will rest ere night,
By the remembered banks of Traun.
And she will pray her sister Muse,
Sister, companion, friend, and guide,
Her every art and grace to use,
For love of that well-cherished tide;
But words are weak,—she cannot reach
By such poor steps that Beauty's crown;
How can the Muse to others teach
What were to me the banks of Traun?

259

She can repeat the faithful tale
That “where thy genial waters flow,
All objects the rare crystal hail,
And cast their voices far below;
And there the stedfast echoes rest,
Till the old Sun himself goes down,
Till darkness falls on every breast,
Even on thine, transparent Traun!”
And she can say, “Where'er thou art,
Brawling 'mid rocks, or calm-embayed,
Outpouring thy abundant heart
In ample lake or deep cascade,—
Whatever dress thy sides adorn,
Fresh-dewy leaves or fir-stems brown,
Or ruby-dripping barbery thorn,
Thou art thyself, delightful Traun!
“No glacier-mountains, harshly bold,
Whose peaks disturb the summer air,
And make the gentle blue so cold,
And hurt our warmest thoughts, are there;
But upland meadows, lush with rills,
Soft-green as is the love-bird's down,
And quaintest forms of pine-clad hills,
Are thy fit setting, jewelled Traun!”

260

But the wise Muse need not be told,
Though fair and just her song may seem,
The same has oft been sung of old,
Of many a less deserving stream;
For where would be the worth of sight,
If Love could feed on blank renown?
They who have loved the Traun aright
Have sat beside the banks of Traun.

TO AN ENGLISH LADY,

WHO HAD SUNG A ROMAN BALLAD.

Blame not my vacant looks; it is not true,
That my discourteous thoughts did vainly stray
Out of the presence of your gentle lay,
While other eager listeners nearer drew,
Though sooth I hardly heard a note; for you,
Most cunning songstress, did my soul convey
Over the fields of space, far, far away,
To the dear garden-land, where long it grew.
Thus, all that time, beneath the ilex roof
Of an old Alban hill, I lay aloof,
With the cicala faintly clittering near,
Till, as your song expired, the clouds that pass
Athwart the Roman plain, as o'er a glass,
Thickened, and bade the vision disappear.

261

ON THE CHURCH OF THE MADELEINE AT PARIS.

I.

The Attic temple whose majestic room
Contained the presence of Olympian Jove,
With smooth Hymettus round it and above,
Softening the splendour by a sober bloom,
Is yielding fast to Time's irreverent doom;
While on the then barbarian banks of Seine
That nobler type is realised again
In perfect form, and dedicate—to whom?
To a poor Syrian girl, of lowliest name,
A hapless creature, pitiful and frail
As ever wore her life in sin and shame,—
Of whom all history has this single tale,—
“She loved the Christ, she wept beside his grave,
And He, for that Love's sake, all else forgave.”

II.

If one, with prescient soul to understand
The working of this world beyond the day
Of his small life, had taken by the hand
That wanton daughter of old Magdala;

262

And told her that the time was ripe to come
When she, thus base among the base, should be
More served than all the Gods of Greece and Rome,
More honoured in her holy memory,—
How would not men have mocked and she have scorned
The fond Diviner?—Plausible excuse
Had been for them, all moulded to one use
Of feeling and of thought, but We are warned
By such ensamples to distrust the sense
Of Custom proud and bold Experience.

III.

Thanks to that element of heavenly things,
That did come down to earth, and there confound
Most sacred thoughts with names of usual sound,
And homeliest life with all a Poet sings.
The proud Ideas that had ruled and bound
Our moral nature were no longer kings,
Old Power grew faint and shed his eagle-wings,
And grey Philosophy was half uncrowned.
Love, Pleasure's child, betrothed himself to Pain;—
Weakness, and Poverty, and Self-disdain,
And tranquil sufferance of repeated wrongs,
Became adorable;—Fame gave her tongues,
And Faith her hearts to objects all as low
As this lorn child of infamy and woe.

263

ON REVISITING CAMBRIDGE,

AFTER A LONG ABSENCE ON THE CONTINENT.

Nor few, nor poor in beauty, my resorts
In foreign climes,—nor negligent or dull
My observation, but these long-left courts
I still find beautiful, most beautiful!
And fairly are they more so than before;
For to my eye, fresh from a southern land,
They wear the colouring of the scenes of yore,
And the old Faith that made them here to stand.
I paint the very students as they were,
Not the men-children of these forward days,
But mild-eyed boys just risen from their knees,
While, proud as angels of their holy care,
Following the symbol-vested priest, they raise
The full response of antique litanies.

264

THE SAME.

I have a debt of my heart's own to Thee,
School of my Soul! old lime and cloister shade,
Which I, strange suitor, should lament to see
Fully acquitted and exactly paid:
The first ripe taste of manhood's best delights,
Knowledge imbibed, while mind and heart agree,
In sweet belated talk on winter nights,
With friends whom growing time keeps dear to me,—
Such things I owe thee, and not only these:
I owe thee the far beaconing memories
Of the young dead, who, having crossed the tide
Of Life where it was narrow, deep, and clear,
Now cast their brightness from the further side
On the dark-flowing hours I breast in fear.

265

ON COWPER'S GARDEN AT OLNEY.

From this forlornest place, at morn and even,
Issues a voice imperative, “Begone,
All ye that let your vermin thoughts creep on
Beneath the unheeded thunders of high Heaven;
Nor welcome they, who, when free grace is given
To free from usual life's dominion,
Soon as the moving scene or time is gone,
Return, like penitents unfitly shriven.
But Ye, who long have wooed the memory
Of this great Victim of sublime despair,
Encompassed round with evil as with air,
Yet crying, ‘God is good, and sinful He,’—.
Remain, and feel how better 'tis to drink
Of Truth to Madness even than shun that fountain's brink.”

266

ON MILTON'S COTTAGE, AT CHALFONT ST. GILES,

WHERE HE REMAINED DURING THE GREAT PLAGUE.

Beneath this roof, for no such use designed
By its old owners, Fleetwood's banished race,
Blind Milton found a healthful resting-place,
Leaving the city's dark disease behind:—
Here, too, with studies noble and refined,
As with fresh air, his spirits he could brace,
And grow unconscious of the time's disgrace,
And the fierce plague of disappointed mind.
The gracious Muse is wont to build for most
Of her dear sons some pleasant noontide bower;
But for this One she raised a home of fame,
Where he dwelt safe through life's chill evening hour,
Above the memo'ry of his Hero lost,
His martyred brethren and his country's shame.

267

ANSWER TO WORDSWORTH'S SONNET AGAINST THE KENDAL AND BOWNESS RAILWAY.

The hour may come, nay must in these our days,
When the swift steam-car with the cata'ract's shout
Shall mingle its harsh roll, and motley rout
Of multitudes these mountain echoes raise.
But Thou, the Patriarch of these beauteous ways,
Canst never grudge that gloomy streets send out
The crowded sons of labour, care, and doubt,
To read these scenes by light of thine own lays.
Disordered laughter and encounters rude
The Poet's finer sense perchance may pain,
But many a glade and nook of solitude
For quiet walk and thought will still remain,
Where He those poor intruders can elude,
Nor lose one dream for all their homely gain.

268

TINTERN ABBEY.

The Men who called their passion piety,
And wrecked this noble argosy of faith,—
They little thought how beauteous could be Death,
How fair the face of Time's aye deepe'ning sea!
Nor arms that desolate, nor years that flee,
Nor hearts that fail, can utterly deflower
This grassy floor of sacramental power
Where we now stand commu'nicants—even We,
We of this latter, still protéstant age,
With priestly ministrations of the Sun
And Moon and multitudinous quire of stars
Maintain this consecration, and assuage
With tender thoughts the past of weary wars,
Masking with good that ill which cannot be undone.

269

ON THE GRAVE OF BISHOP KEN,

AT FROME, IN SOMERSETSHIRE.

Let other thoughts, where'er I roam,
Ne'er from my memory cancel
The coffin-fashioned tomb at Frome
That lies behind the chancel;
A basket-work where bars are bent,
Iron in place of osier,
And shapes above that represent
A mitre and a crosier.
These signs of him that slumbers there
The dignity betoken;
These iron bars a heart declare
Hard bent but never broken;
This form pourtrays how souls like his,
Their pride and passion quelling,
Preferr'd to earth's high palaces
This calm and narrow dwelling.
There with the church-yard's common dust
He loved his own to mingle;
The faith in which he placed his trust
Was nothing rare or single;

270

Yet laid he to the sacred wall
As close as he was able,
The blessèd crumbs might almost fall
Upon him from God's table.
Who was this Father of the Church,
So secret in his glory?
In vain might antiquarians search
For record of his story;
But preciously tradition keeps
The fame of holy men;
So there the Christian smiles or weeps
For love of Bishop Ken.
A name his country once forsook,
But now with joy inherits,
Confessor in the Church's book,
And Martyr in the Spirit's!
That dared with royal power to cope,
In peaceful faith persisting,
A braver Becket—who could hope
To conquer unresisting!