The Works of Dante Gabriel Rossetti :: :: University of Virginia Library

I had been sitting up some nights,
And my tired mind felt weak and blank;
Like a sharp strengthening wine it drank
The stillness and the broken lights.

Twelve struck. That sound, by dwindling years
Heard in each hour, crept off; and then
The ruffled silence spread again,
Like water that a pebble stirs.

Our mother rose from where she sat:
Her needles, as she laid them down,
Met lightly, and her silken gown
Settled: no other noise than that.

“Glory unto the Newly Born!”
So, as said angels, she did say;
Because we were in Christmas Day,
Though it would still be long till morn.

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Just then in the room over us
There was a pushing back of chairs,
As some who had sat unawares
So late, now heard the hour, and rose.

With anxious softly-stepping haste
Our mother went where Margaret lay,
Fearing the sounds o'erhead—should they
Have broken her long watched-for rest!

She stooped an instant, calm, and turned;
But suddenly turned back again;
And all her features seemed in pain
With woe, and her eyes gazed and yearned.

For my part, I but hid my face,
And held my breath, and spoke no word:
There was none spoken; but I heard
The silence for a little space.

Our mother bowed herself and wept:
And both my arms fell, and I said,
“God knows I knew that she was dead.”
And there, all white, my sister slept.

Then kneeling, upon Christmas morn
A little after twelve o'clock,
We said, ere the first quarter struck,
“Christ's blessing on the newly born!”

FOR AN ANNUNCIATION

EARLY GERMAN

The lilies stand before her like a screen
Through which, upon this warm and solemn day,
God surely hears. For there she kneels to pray
Who wafts our prayers to God—Mary the Queen
She was Faith's Present, parting what had been
From what began with her, and is for aye.
On either hand, God's twofold system lay:
With meek bowed face a Virgin prayed between.

So prays she, and the Dove flies in to her,
And she has turned. At the low porch is one
Who looks as though deep awe made him to smile.
Heavy with heat, the plants yield shadow there;
The loud flies cross each other in the sun;
And the aisled pillars meet the poplar-aisle.

167

AVE

Mother of the Fair Delight,
Thou handmaid perfect in God's sight,
Now sitting fourth beside the Three,
Thyself a woman-Trinity,—
Being a daughter born to God,
Mother of Christ from stall to rood,
And wife unto the Holy Ghost:—
Oh when our need is uttermost,
Think that to such as death may strike
Thou once wert sister sisterlike!
Thou headstone of humanity,
Groundstone of the great Mystery,
Fashioned like us, yet more than we!

Mind'st thou not (when June's heavy breath
Warmed the long days in Nazareth,)
That eve thou didst go forth to give
Thy flowers some drink that they might live
One faint night more amid the sands?
Far off the trees were as pale wands
Against the fervid sky: the sea
Sighed further off eternally
As human sorrow sighs in sleep.
Then suddenly the awe grew deep,
As of a day to which all days
Were footsteps in God's secret ways:
Until a folding sense, like prayer,
Which is, as God is, everywhere,
Gathered about thee; and a voice
Spake to thee without any noise,
Being of the silence:—“Hail,” it said,
“Thou that art highly favourèd;
The Lord is with thee here and now;
Blessed among all women thou.”

Ah! knew'st thou of the end, when first
That Babe was on thy bosom nurs'd?—
Or when He tottered round thy knee
Did thy great sorrow dawn on thee?—
And through His boyhood, year by year
Eating with Him the Passover,
Didst thou discern confusedly
That holier sacrament, when He,
The bitter cup about to quaff,
Should break the bread and eat thereof?—
Or came not yet the knowledge, even
Till on some day forecast in Heaven
His feet passed through thy door to press
Upon His Father's business?—
Or still was God's high secret kept?

Nay, but I think the whisper crept
Like growth through childhood. Work and play,
Things common to the course of day,
Awed thee with meanings unfulfill'd;
And all through girlhood, something still'd
Thy senses like the birth of light,
When thou hast trimmed thy lamp at night

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Or washed thy garments in the stream;
To whose white bed had come the dream
That He was thine and thou wast His
Who feeds among the field-lilies.
O solemn shadow of the end
In that wise spirit long contain'd!
O awful end! and those unsaid
Long years when It was Finishèd!

Mind'st thou not (when the twilight gone
Left darkness in the house of John,)
Between the naked window-bars
That spacious vigil of the stars?—
For thou, a watcher even as they,
Wouldst rise from where throughout the day
Thou wroughtest raiment for His poor;
And, finding the fixed terms endure
Of day and night which never brought
Sounds of His coming chariot,
Wouldst lift through cloud-waste unexplor'd
Those eyes which said, “How long, O Lord?”
Then that disciple whom He loved,
Well heeding, haply would be moved
To ask thy blessing in His name;
And that one thought in both, the same
Though silent, then would clasp ye round
To weep together,—tears long bound,
Sick tears of patience, dumb and slow.
Yet, “Surely I come quickly,”—so
He said, from life and death gone home.
Amen: even so, Lord Jesus, come!

But oh! what human tongue can speak
That day when Michael came to break
From the tir'd spirit, like a veil,
Its covenant with Gabriel
Endured at length unto the end?
What human thought can apprehend
That mystery of motherhood
When thy Beloved at length renew'd
The sweet communion severèd,—
His left hand underneath thine head
And His right hand embracing thee?—
Lo! He was thine, and this is He!

Soul, is it Faith, or Love, or Hope,
That lets me see her standing up
Where the light of the Throne is bright?
Unto the left, unto the right,
The cherubim, succinct, conjoint,
Float inward to a golden point,
And from between the seraphim
The glory issues for a hymn.
O Mary Mother, be not loth
To listen,—thou whom the stars clothe,
Who seëst and mayst not be seen!
Hear us at last, O Mary Queen!
Into our shadow bend thy face,
Bowing thee from the secret place,
O Mary Virgin, full of grace!

A Church legend of the Blessed Virgin's death.

169

THE PORTRAIT

This is her picture as she was:
It seems a thing to wonder on,
As though mine image in the glass
Should tarry when myself am gone.
I gaze until she seems to stir,—
Until mine eyes almost aver
That now, even now, the sweet lips part
To breathe the words of the sweet heart:—
And yet the earth is over her.

Alas! even such the thin-drawn ray
That makes the prison-depths more rude,—
The drip of water night and day
Giving a tongue to solitude.
Yet only this, of love's whole prize,
Remains; save what in mournful guise
Takes counsel with my soul alone,—
Save what is secret and unknown,
Below the earth, above the skies.

In painting her I shrined her face
'Mid mystic trees, where light falls in
Hardly at all; a covert place
Where you might think to find a din
Of doubtful talk, and a live flame
Wandering, and many a shape whose name
Not itself knoweth, and old dew,
And your own footsteps meeting you,
And all things going as they came.

A deep dim wood; and there she stands
As in that wood that day: for so
Was the still movement of her hands
And such the pure line's gracious flow.
And passing fair the type must seem,
Unknown the presence and the dream.
'Tis she: though of herself, alas!
Less than her shadow on the grass
Or than her image in the stream.

That day we met there, I and she
One with the other all alone;
And we were blithe; yet memory
Saddens those hours, as when the moon
Looks upon daylight. And with her
I stopped to drink the spring-water,
Athirst where other waters sprang:
And where the echo is, she sang,—
My soul another echo there.

But when that hour my soul won strength
For words whose silence wastes and kills,
Dull raindrops smote us, and at length
Thundered the heat within the hills.
That eve I spoke those words again
Beside the pelted window-pane;
And there she hearkened what I said,
With under-glances that surveyed
The empty pastures blind with rain.

170

Next day the memories of these things,
Like leaves through which a bird has flown,
Still vibrated with Love's warm wings;
Till I must make them all my own
And paint this picture. So, 'twixt ease
Of talk and sweet long silences,
She stood among the plants in bloom
At windows of a summer room,
To feign the shadow of the trees.

And as I wrought, while all above
And all around was fragrant air,
In the sick burthen of my love
It seemed each sun-thrilled blossom there
Beat like a heart among the leaves.
O heart that never beats nor heaves,
In that one darkness lying still,
What now to thee my love's great will
Or the fine web the sunshine weaves?

For now doth daylight disavow
Those days—nought left to see or hear.
Only in solemn whispers now
At night-time these things reach mine ear;
When the leaf-shadows at a breath
Shrink in the road, and all the heath,
Forest and water, far and wide,
In limpid starlight glorified,
Lie like the mystery of death.

Last night at last I could have slept,
And yet delayed my sleep till dawn,
Still wandering. Then it was I wept:
For unawares I came upon
Those glades where once she walked with me:
And as I stood there suddenly,
All wan with traversing the night,
Upon the desolate verge of light
Yearned loud the iron-bosomed sea.

Even so, where Heaven holds breath and hears
The beating heart of Love's own breast,—
Where round the secret of all spheres
All angels lay their wings to rest,—
How shall my soul stand rapt and awed,
When, by the new birth borne abroad
Throughout the music of the suns,
It enters in her soul at once
And knows the silence there for God!

Here with her face doth memory sit
Meanwhile, and wait the day's decline,
Till other eyes shall look from it,
Eyes of the spirit's Palestine,
Even than the old gaze tenderer:
While hopes and aims long lost with her
Stand round her image side by side,
Like tombs of pilgrims that have died
About the Holy Sepulchre.

171

FOR OUR LADY OF THE ROCKS

BY LEONARDO DA VINCI

Mother, is this the darkness of the end,
The Shadow of Death? and is that outer sea
Infinite imminent Eternity?
And does the death-pang by man's seed sustained
In Time's each instant cause thy face to bend
Its silent prayer upon the Son, while He
Blesses the dead with His hand silently
To His long day which hours no more offend?

Mother of grace, the pass is difficult,
Keen as these rocks, and the bewildered souls
Throng it like echoes, blindly shuddering through.
Thy name, O Lord, each spirit's voice extols,
Whose peace abides in the dark avenue
Amid the bitterness of things occult.

AT THE SUN-RISE IN 1848

God said, Let there be light; and there was light.
Then heard we sounds as though the Earth did sing
And the Earth's angel cried upon the wing:
We saw priests fall together and turn white:
And covered in the dust from the sun's sight,
A king was spied, and yet another king.
We said: “The round world keeps its balancing;
On this globe, they and we are opposite,—
If it is day with us, with them 'tis night.”
Still, Man, in thy just pride, remember this:—
Thou hadst not made that thy sons' sons shall ask
What the word king may mean in their day's task,
But for the light that led: and if light is,
It is because God said, Let there be light.

172

AUTUMN SONG

Know'st thou not at the fall of the leaf
How the heart feels a languid grief
Laid on it for a covering,
And how sleep seems a goodly thing
In Autumn at the fall of the leaf?

And how the swift beat of the brain
Falters because it is in vain,
In Autumn at the fall of the leaf
Knowest thou not? and how the chief
Of joys seems—not to suffer pain?

Know'st thou not at the fall of the leaf
How the soul feels like a dried sheaf
Bound up at length for harvesting,
And how death seems a comely thing
In Autumn at the fall of the leaf?

THE LADY'S LAMENT

Never happy any more!
Aye, turn the saying o'er and o'er,
It says but what it said before,
And heart and life are just as sore.
The wet leaves blow aslant the floor
In the rain through the open door.
No, no more.

Never happy any more!
The eyes are weary and give o'er,
But still the soul weeps as before.
And always must each one deplore
Each once, nor bear what others bore?
This is now as it was of yore.
No, no more.

Never happy any more!
Is it not but a sorry lore
That says, “Take strength, the worst is o'er”?
Shall the stars seem as heretofore?
The day wears on more and more—
While I was weeping the day wore.
No, no more.

173

Never happy any more!
In the cold behind the door
That was the dial striking four:
One for joy the past hours bore,
Two for hope and will cast o'er,
One for the naked dark before.
No, no more.

Never happy any more!
Put the light out, shut the door,
Sweep the wet leaves from the floor.
Even thus Fate's hand has swept her floor,
Even thus Love's hand has shut the door
Through which his warm feet passed of yore.
Shall it be opened any more?
No, no, no more.

MARY'S GIRLHOOD

(For a Picture)

I

This is that blessed Mary, pre-elect
God's Virgin. Gone is a great while, and she
Dwelt young in Nazareth of Galilee.
Unto God's will she brought devout respect,
Profound simplicity of intellect,
And supreme patience. From her mother's knee
Faithful and hopeful; wise in charity;
Strong in grave peace; in pity circumspect.

So held she through her girlhood; as it were
An angel-watered lily, that near God
Grows and is quiet. Till, one dawn at home
She woke in her white bed, and had no fear
At all,—yet wept till sunshine, and felt awed:
Because the fulness of the time was come.

II

These are the symbols. On that cloth of red
I' the centre is the Tripoint: perfect each,
Except the second of its points, to teach
That Christ is not yet born. The books—whose head
Is golden Charity, as Paul hath said—
Those virtues are wherein the soul is rich:
Therefore on them the lily standeth, which
Is Innocence, being interpreted.

The seven-thorn'd briar and the palm seven-leaved
Are her great sorrow and her great reward.
Until the end be full, the Holy One
Abides without. She soon shall have achieved
Her perfect purity: yea, God the Lord
Shall soon vouchsafe His Son to be her Son.

174

THE CARD-DEALER

Could you not drink her gaze like wine?
Yet though its splendour swoon
Into the silence languidly
As a tune into a tune,
Those eyes unravel the coiled night
And know the stars at noon.

The gold that's heaped beside her hand,
In truth rich prize it were;
And rich the dreams that wreathe her brows
With magic stillness there;
And he were rich who should unwind
That woven golden hair.

Around her, where she sits, the dance
Now breathes its eager heat;
And not more lightly or more true
Fall there the dancers' feet
Than fall her cards on the bright board
As 'twere a heart that beat.

Her fingers let them softly through,
Smooth polished silent things;
And each one as it falls reflects
In swift light-shadowings,
Blood-red and purple, green and blue,
The great eyes of her rings.

Whom plays she with? With thee, who lov'st
Those gems upon her hand;
With me, who search her secret brows;
With all men, bless'd or bann'd.
We play together, she and we,
Within a vain strange land:

A land without any order,—
Day even as night, (one saith,)—
Where who lieth down ariseth not
Nor the sleeper awakeneth;
A land of darkness as darkness itself
And of the shadow of death.

What be her cards, you ask? Even these:—
The heart, that doth but crave
More, having fed; the diamond,
Skilled to make base seem brave;
The club, for smiting in the dark;
The spade, to dig a grave.

175

And do you ask what game she plays?
With me 'tis lost or won;
With thee it is playing still; with him
It is not well begun;
But 'tis a game she plays with all
Beneath the sway o'the sun.

Thou seest the card that falls,—she knows
The card that followeth:
Her game in thy tongue is called Life,
As ebbs thy daily breath:
When she shall speak, thou'lt learn her tongue
And know she calls it Death.

VOX ECCLESIÆ, VOX CHRISTI

I saw under the altar the souls of them that were slain for the word of God, and for the testimony which they held; and they cried with a loud voice, saying, How long, O Lord, holy and true, dost Thou not judge and avenge our blood on them that dwell on the earth? —Rev. vi. 9, 10.

Not 'neath the altar only,—yet, in sooth,
There more than elsewhere,—is the cry, “How long?”
The right sown there hath still borne fruit in wrong—
The wrong waxed fourfold. Thence, (in hate of truth)
O'er weapons blessed for carnage, to fierce youth
From evil age, the word hath hissed along:—
“Ye are the Lord's: go forth, destroy, be strong:
Christ's Church absolves ye from Christ's law of ruth.”

Therefore the wine-cup at the altar is
As Christ's own blood indeed, and as the blood
Of Christ's elect, at divers seasons spilt
On the altar-stone, that to man's church, for this,
Shall prove a stone of stumbling,—whence it stood
To be rent up ere the true Church be built.

ON REFUSAL OF AID BETWEEN NATIONS

Not that the earth is changing, O my God!
Nor that the seasons totter in their walk,—
Not that the virulent ill of act and talk
Seethes ever as a winepress ever trod,—
Not therefore are we certain that the rod
Weighs in thine hand to smite thy world; though now
Beneath thine hand so many nations bow,
So many kings:—not therefore, O my God!—

But because Man is parcelled out in men
To-day; because, for any wrongful blow
No man not stricken asks, “I would be told
Why thou dost thus;” but his heart whispers then,
“He is he, I am I.” By this we know
That our earth falls asunder, being old.

176

SHAKESPEAR

[_]

Probably there is no character in which is so much of Shakespear himself as in Hamlet except in Falstaff.

Dear friend, if there be any bond
Which friendship wins not much beyond—
So old and fond, since thought began—
It may be that whose subtle span
Binds Shakespear to an English man.

BLAKE

To the memory of William Blake, a Painter and Poet, whose greatness may be named even here since it was equalled by his goodness, this tablet is now erected,—years after his death, at the age of sixty-eight, on August 12th, 1827, in poverty and neglect, by one who honours his life and works.

Epitaph

All beauty to pourtray,
Therein his duty lay,
And still through toilsome strife
Duty to him was life—
Most thankful still that duty
Lay in the paths of beauty.

A TRIP TO PARIS AND BELGIUM

I LONDON TO FOLKESTONE

(Half-past one to half-past five)

A constant keeping-past of shaken trees,
And a bewildered glitter of loose road;
Banks of bright growth, with single blades atop
Against white sky; and wires—a constant chain—
That seem to draw the clouds along with them
(Things which one stoops against the light to see
Through the low window; shaking by at rest,
Or fierce like water as the swiftness grows);
And, seen through fences or a bridge far off,
Trees that in moving keep their intervals
Still one 'twixt bar and bar; and then at times
Long reaches of green level, where one cow,
Feeding among her fellows that feed on,
Lifts her slow neck, and gazes for the sound.

There are six of us: I that write away;
Hunt reads Dumas, hard-lipped, with heavy jowl
And brows hung low, and the long ends of hair
Standing out limp. A grazier at one end

177

(Thank luck not my end!) has blocked out the air,
And sits in heavy consciousness of guilt.
The poor young muff who's face to face with me
Is pitiful in loose collar and black tie,
His latchet-button shaking as we go.
There are flowers by me, half upon my knees,
Owned by a dame who's fair in soul, no doubt:
The wind that beats among us carries off
Their scent, but still I have them for my eye.

Fields mown in ridges; and close garden-crops
Of the earth's increase; and a constant sky
Still with clear trees that let you see the wind;
And snatches of the engine-smoke, by fits
Tossed to the wind against the landscape, where
Rooks stooping heave their wings upon the day.

Brick walls we pass between, passed so at once
That for the suddenness I cannot know
Or what, or where begun, or where at end.
Sometimes a Station in grey quiet; whence,
With a short gathered champing of pent sound,
We are let out upon the air again.
Now nearly darkness; knees and arms and sides
Feel the least touch, and close about the face
A wind of noise that is along like God.
Pauses of water soon, at intervals,
That has the sky in it;—the reflexes
O' the trees move towards the bank as we go by,
Leaving the water's surface plain. I now
Lie back and close my eyes a space; for they
Smart from the open forwardness of thought
Fronting the wind—

—I did not scribble more,
Be certain, after this; but yawned, and read,
And nearly dozed a little, I believe;
Till, stretching up against the carriage-back,
I was roused altogether, and looked out
To where, upon the desolate verge of light,
Yearned, pale and vast, the iron-coloured sea.

II BOULOGNE TO AMIENS AND PARIS

(3 to 11 P.M.; 3rd class)

Strong extreme speed, that the brain hurries with,
Further than trees, and hedges, and green grass
Whitened by distance,—further than small pools
Held among fields and gardens,—further than
Haystacks and windmill-sails and roofs and herds,—
The sea's last margin ceases at the sun.

The sea has left us, but the sun remains.
Sometimes the country spreads aloof in tracts
Smooth from the harvest; sometimes sky and land
Are shut from the square space the window leaves
By a dense crowd of trees, stem behind stem

178

Passing across each other as we pass:
Sometimes tall poplar-wands stand white, their heads
Outmeasuring the distant hills. Sometimes
The ground has a deep greenness; sometimes brown
In stubble; and sometimes no ground at all,
For the close strength of crops that stand unreaped.
The water-plots are sometimes all the sun's,—
Sometimes quite green through shadows filling them,
Or islanded with growths of reeds,—or else
Masked in grey dust like the wide face o'the fields.
And still the swiftness lasts; that to our speed
The trees seem shaken like a press of spears.

There is some count of us:—folks travelling-capped,
Priesthood, and lank hard-featured soldiery,
Females (no women), blouses, Hunt, and I.

We are relayed at Amiens. The steam
Snorts, chafes, and bridles, like three-hundred horse,
And flings its dusky mane upon the air.
Our company is thinned, and lamps alight:
But still there are the folks in travelling-caps—
No priesthood now, but always soldiery,
And babies to make up for show in noise,
Females (no women), blouses, Hunt, and I.

Our windows at one side are shut for warmth;
Upon the other side, a leaden sky,
Hung in blank glare, makes all the country dim,
Which too seems bald and meagre,—be it truth,
Or of the waxing darkness. Here and there
The shade takes light, where in thin patches stand
The unstirred dregs of water.
Hunt can see
A moon, he says; but I am too far back.
Still the same speed and thunder. We are stopped
Again, and speech tells clearer than in day.

Hunt has just stretched to tell me that he fears
I and my note-book may be taken for
The stuff that goes to make an “émissaire
De la perfide.” Let me abate my zeal:
There is a stout gendarme within the coach.

This cursed pitching is too bad. My teeth
Jingle together in it; and my legs
(Which I got wet at Boulogne this good day
Wading for star-fish) are so chilled that I
Would don my coat, were not these seats too hard
To spare it from beneath me, and were not
The love of ease less than the love of sloth.

Hunt has just told me it is nearly eight:
We do not reach till half-past ten. Drat verse,
And steam, and Paris, and the fins of Time!
Marry, for me, look you, I will go sleep.

Most of them slept; I could not—held awake
By jolting clamour, with shut eyes; my head
Willing to nod and fancy itself vague.
Only at Stations I looked round me, when

179

Short silence paused among us, and I felt
A creeping in my feet from abrupt calm.
At such times Hunt would jerk himself, and then
Tumble uncouthly forward in his sleep.
This lasted near three hours. The darkness now
Stayeth behind us on the sullen road,
And all this light is Paris. Dieu merci.

Paris. Saturday Night, 29.

Send me, dear William, by return of post,
As much as you can manage of that rhyme
Incurred at Ventnor. Bothers and delays
Have still prevented me from copying this
Till now; now that I do so, let it be
Anticipative compensation.
Numéro 4 Rue Geoffroy Marie,
Faubourg Montmartre, près des Boulevards.
Dear William, labelled thus the thing will reach.

III THE STAIRCASE OF NOTRE DAME, PARIS

As one who, groping in a narrow stair,
Hath a strong sound of bells upon his ears,
Which, being at a distance off, appears
Quite close to him because of the pent air:
So with this France. She stumbles file and square
Darkling and without space for breath: each one
Who hears the thunder says: “It shall anon
Be in among her ranks to scatter her.”

This may be; and it may be that the storm
Is spent in rain upon the unscathed seas,
Or wasteth other countries ere it die:
Till she,—having climbed always through the swarm
Of darkness and of hurtling sound,—from these
Shall step forth on the light in a still sky.

IV PLACE DE LA BASTILLE, PARIS

How dear the sky has been above this place!
Small treasures of this sky that we see here
Seen weak through prison-bars from year to year;
Eyed with a painful prayer upon God's grace
To save, and tears which stayed along the face
Lifted at sunset. Yea, how passing dear
Those nights when through the bars a wind left clear
The heaven, and moonlight soothed the limpid space!

So was it, till one night the secret kept
Safe in low vault and stealthy corridor
Was blown abroad on gospel-tongues of flame.
O ways of God, mysterious evermore!
How many on this spot have cursed and wept
That all might stand here now and own Thy Name.

180

V ON A HANDFUL OF FRENCH MONEY

These coins that jostle on my hand do own
No single image: each name here and date
Denoting in man's consciousness and state
New change. In some, the face is clearly known,—
In others marred. The badge of that old throne
Of Kings is on the obverse; or this sign
Which says, “I France am all—lo, I am mine!”
Or else the Eagle that dared soar alone.
Even as these coins, so are these lives and years
Mixed and bewildered; yet hath each of them
No less its part in what is come to be
For France. Empire, Republic, Monarchy,—
Each clamours or keeps silence in her name,
And lives within the pulse that now is hers.

VI TO THE P. R. B.

Woolner and Stephens, Collinson, Millais,
And my first brother, each and every one,
What portion is theirs now beneath the sun
Which, even as here, in England makes to-day?
For most of them life runs not the same way
Always, but leaves the thought at loss: I know
Merely that Woolner keeps not even the show
Of work, nor is enough awake for play.
Meanwhile Hunt and myself race at full speed
Along the Louvre, and yawn from school to school,
Wishing worn-out those masters known as old.
And no man asks of Browning; though indeed
(As the book travels with me) any fool
Who would might hear Sordello's story told.

VII IN THE TRAIN, AND AT VERSAILLES

In a dull swiftness we are carried by
With bodies left at sway and shaking knees.
The wind has ceased, or is a feeble breeze
Warm in the sun. The leaves are not yet dry
From yesterday's dense rain. All, low and high,
A strong green country; but, among its trees,
Ruddy and thin with Autumn. After these
There is the city still before the sky.
Versailles is reached. Pass we the galleries
And seek the gardens. A great silence here,
Through the long planted alleys, to the long
Distance of water. More than tune or song,
Silence shall grow to awe within thine eyes,
Till thy thought swim with the blue turning sphere.

181

VIII LAST VISIT TO THE LOUVRE

The Cry of the P. R. B., after a careful Examination of the Canvases of Rubens, Correggio, et hoc genus omne.

Non noi pittori! God of Nature's truth,
If these, not we! Be it not said, when one
Of us goes hence: “As these did, he hath done;
His feet sought out their footprints from his youth.”
Because, dear God! the flesh Thou madest smooth
These carked and fretted, that it seemed to run
With ulcers; and the daylight of thy sun
They parcelled into blots and glares, uncouth
With stagnant grouts of paint. Men say that these
Had further sight than man's, but that God saw
Their works were good. God that didst know them foul!
In such a blindness, blinder than the owl,
Leave us! Our sight can reach unto thy seas
And hills: and 'tis enough for tears of awe.

IX LAST SONNETS AT PARIS

I

Chins that might serve the new Jerusalem;
Streets footsore; minute whisking milliners,
Dubbed graceful, but at whom one's eye demurs,
Knowing of England; ladies, much the same;
Bland smiling dogs with manes—a few of them
At pains to look like sporting characters;
Vast humming tabbies smothered in their furs;
Groseille, orgeat, meringues à la crême—
Good things to study; ditto bad—the maps
Of sloshy colour in the Louvre; cinq-francs
The largest coin; and at the restaurants
Large Ibrahim Pachas in Turkish caps
To pocket them. Un million d' habitants:
Cast up, they'll make an Englishman—perhaps.

II

Tiled floors in bedrooms; trees (now run to seed—
Such seed as the wind takes) of Liberty;
Squares with new names that no one seems to see;
Scrambling Briarean passages, which lead
To the first place you came from; urgent need
Of unperturbed nasal philosophy;
Through Paris (what with church and gallery)
Some forty first-rate paintings,—or indeed
Fifty mayhap; fine churches; splendid inns;
Fierce sentinels (toy-size without the stands)
Who spit their oaths at you and grind their r's
If at a fountain you would wash your hands;
One Frenchman (this is fact) who thinks he spars:—
Can even good dinners cover all these sins?

182

III

Yet in the mighty French metropolis
Our time has not gone from us utterly
In waste. The wise man saith, “An ample fee
For toil, to work thine end.” Aye that it is.
Should England ask, “Was narrow prejudice
Stretched to its utmost point unflinchingly,
Even unto lying, at all times, by ye?”
We can say firmly: “Lord, thou knowest this,
Our soil may own us.” Having but small French,
Hunt passed for a stern Spartan all the while,
Uncompromising, of few words: for me—
I think I was accounted generally
A fool, and just a little cracked. Thy smile
May light on us, Britannia, healthy wench.

X FROM PARIS TO BRUSSELS

(11 P.M. 15 October to half-past 1 P.M. 16)

Proem at the Paris Station

In France (to baffle thieves and murderers)
A journey takes two days of passport work
At least. The plan's sometimes a tedious one,
But bears its fruit. Because, the other day,
In passing by the Morgue, we saw a man
(The thing is common, and we never should
Have known of it, only we passed that way)
Who had been stabbed and tumbled in the Seine,
Where he had stayed some days. The face was black,
And, like a negro's, swollen; all the flesh
Had furred, and broken into a green mould.

Now, very likely, he who did the job
Was standing among those who stood with us,
To look upon the corpse. You fancy him—
Smoking an early pipe, and watching, as
An artist, the effect of his last work.
This always if it had not struck him that
'Twere best to leave while yet the body took
Its crust of rot beneath the Seine. It may:
But, if it did not, he can now remain
Without much fear. Only, if he should want
To travel, and have not his passport yet,
(Deep dogs these French police!) he may be caught.

Therefore you see (lest, being murderers,
We should not have the sense to go before
The thing were known, or to stay afterwards)
There is good reason why—having resolved
To start for Belgium—we were kept three days
To learn about the passports first, then do
As we had learned. This notwithstanding, in
The fullness of the time 'tis come to pass.

183

XI ON THE ROAD

October, and eleven after dark:
Both mist and night. Among us in the coach
Packed heat on which the windows have been shut:
Our backs unto the motion—Hunt's and mine.
The last lamps of the Paris Station move
Slow with wide haloes past the clouded pane;
The road in secret empty darkness. One
Who sits beside me, now I turn, has pulled
A nightcap to his eyes. A woman here,
Knees to my knees—a twenty-nine-year-old—
Smiles at the mouth I open, seeing him:
I look her gravely in the jaws, and write.
Already while I write heads have been leaned
Upon the wall,—the lamp that's overhead
Dropping its shadow to the waist and hands.

Some time 'twixt sleep and wake. A dead pause then,
With giddy humming silence in the ears.
It is a Station. Eyes are opening now,
And mouths collecting their propriety.
From one of our two windows, now drawn up,
A lady leans, hawks a clear throat, and spits.

Hunt lifts his head from my cramped shoulder where
It has been lying—long stray hairs from it
Crawling upon my face and teazing me.
Ten minutes' law. Our feet are in the road.
A weak thin dimness at the sky, whose chill
Lies vague and hard. The mist of crimson heat
Hangs, a spread glare, about our engine's bulk.
I shall get in again, and sleep this time.

A heavy clamour that fills up the brain
Like thought grown burdensome; and in the ears
Speed that seems striving to o'ertake itself;
And in the pulses torpid life, which shakes
As water to a stir of wind beneath.

Poor Hunt, who has the toothache and can't smoke,
Has asked me twice for brandy. I would sleep;
But man proposes, and no more. I sit
With open eyes, and a head quite awake,
But which keeps catching itself lolled aside
And looking sentimental. In the coach,
If any one tries talking, the voice jolts,
And stuns the ear that stoops for it.

Amiens.
Half-an-hour's rest. Another shivering walk
Along the station, waiting for the bell.
Ding-dong. Now this time, by the Lord, I'll sleep.

I must have slept some while. Now that I wake,
Day is beginning in a kind of haze
White with grey trees. The hours have had their lapse.

184

A sky too dull for cloud. A country lain
In fields, where teams drag up the furrow yet;
Or else a level of trees, the furthest ones
Seen like faint clouds at the horizon's point.
Quite a clear distance, though in vapour. Mills
That turn with the dry wind. Large stacks of hay
Made to look bleak. Dead autumn, and no sun.

The smoke upon our course is borne so near
Along the earth, the earth appears to steam.
Blanc-Misseron, the last French station, passed.
We are in Belgium. It is just the same:—
Nothing to write of, and no good in verse.

Curse the big mounds of sand-weed! curse the miles
Of barren chill,—the twentyfold relays!
Curse every beastly Station on the road!

As well to write as swear. Hunt was just now
Making great eyes because outside the pane
One of the stokers passed whom he declared
A stunner. A vile mummy with a bag
Is squatted next me: a disgusting girl
Broad opposite. We have a poet, though,
Who is a gentleman, and looks like one;
Only he seems ashamed of writing verse,
And heads each new page with “Mon cher Ami.”
Hunt's stunner has just come into the coach,
And set us hard agrin from ear to ear.

Another Station. There's a stupid horn
Set wheezing. Now I should just like to know
—Just merely for the whim—what good that is.
These Stations for the most part are a kind
Of London coal-merchant's back premises;
Whitewashed, but as by hands of coal-heavers;
Grimy themselves, and always circled in
With foul coke-loads that make the nose aroint.

Here is a Belgian village,—no, a town
Moated and buttressed. Next, a water-track
Lying with draggled reeds in a flat slime.
Next, the old country, always all the same.
Now by Hans Hemmling and by John Van Eyck,
You'll find, till something's new, I write no more.

(4 Hours)

There is small change of country; but the sun
Is out, and it seems shame this were not said:
For upon all the grass the warmth has caught;
And betwixt distant whitened poplar-stems
Makes greener darkness; and in dells of trees
Shows spaces of a verdure that was hid;
And the sky has its blue floated with white,
And crossed with falls of the sun's glory aslant
To lay upon the waters of the world;
And from the road men stand with shaded eyes
To look; and flowers in gardens have grown strong,
And our own shadows here within the coach
Are brighter; and all colour has more bloom.

185

So, after the sore torments of the route:—
Toothache, and headache, and the ache of wind,
And huddled sleep, and smarting wakefulness,
And night, and day, and hunger sick at food,
And twentyfold relays, and packages
To be unlocked, and passports to be found,
And heavy well-kept landscape;—we were glad
Because we entered Brussels in the sun.

XII ON THE ROAD TO WATERLOO: 17 October

(En vigilante, 2 hours)

It is grey tingling azure overhead
With silver drift. Beneath, where from the green
The trees are reared, the distance stands between
At peace: and on this side the whole is spread
For sowing and for harvest, subjected
Clear to the sky and wind. The sun's slow height
Holds it through noon, and at the furthest night
It lies to the moist starshine and is fed.
Sometimes there is no country seen (for miles
You think) because of the near roadside path
Dense with long forest. Where the waters run
They have the sky sunk into them—a bath
Of still blue heat; and in their flow, at whiles,
There is a blinding vortex of the sun.

XIII A HALF-WAY PAUSE

The turn of noontide has begun.
In the weak breeze the sunshine yields.
There is a bell upon the fields.
On the long hedgerow's tangled run
A low white cottage intervenes:
Against the wall a blind man leans,
And sways his face to have the sun.

Our horses' hoofs stir in the road,
Quiet and sharp. Light hath a song
Whose silence, being heard, seems long.
The point of noon maketh abode,
And will not be at once gone through.
The sky's deep colour saddens you,
And the heat weighs a dreamy load.

XIV ON THE FIELD OF WATERLOO

So then, the name which travels side by side
With English life from childhood—Waterloo—
Means this. The sun is setting. “Their strife grew
Till the sunset, and ended,” says our guide.

186

It lacked the “chord” by stage-use sanctified,
Yet I believe one should have thrilled. For me,
I grinned not, and 'twas something;—certainly
These held their point, and did not turn but died:

So much is very well. “Under each span
Of these ploughed fields” ('tis the guide still) “there rot
Three nations' slain, a thousand-thousandfold.”
Am I to weep? Good sirs, the earth is old:
Of the whole earth there is no single spot
But hath among its dust the dust of man.

RETURNING TO BRUSSELS

Upon a Flemish road, when noon was deep,
I passed a little consecrated shrine,
Where, among simple pictures ranged in line,
The blessed Mary holds her child asleep.
To kneel here, shepherd-maidens leave their sheep
When they feel grave because of the sunshine,
And again kneel here in the day's decline;
And here, when their life ails them, come to weep.
Night being full, I passed on the same road
By the same shrine; within, a lamp was lit
Which through the silence of clear darkness glowed.
Thus, when life's heat is past and doubts arise
Darkling, the lamp of Faith must strengthen it,
Which sometimes will not light and sometimes dies.

XVI ANTWERP TO GHENT

We are upon the Scheldt. We know we move
Because there is a floating at our eyes
Whatso they seek; and because all the things
Which on our outset were distinct and large
Are smaller and much weaker and quite grey,
And at last gone from us. No motion else.

We are upon the road. The thin swift moon
Runs with the running clouds that are the sky,
And with the running water runs—at whiles
Weak 'neath the film and heavy growth of reeds.
The country swims with motion. Time itself
Is consciously beside us, and perceived.
Our speed is such the sparks our engine leaves
Are burning after the whole train has passed.

The darkness is a tumult. We tear on,
The roll behind us and the cry before,
Constantly, in a lull of intense speed
And thunder. Any other sound is known
Merely by sight. The shrubs, the trees your eye
Scans for their growth, are far along in haze.
The sky has lost its clouds, and lies away
Oppressively at calm: the moon has failed:

187

Our speed has set the wind against us. Now
Our engine's heat is fiercer, and flings up
Great glares alongside. Wind and steam and speed
And clamour and the night. We are in Ghent.

XVII ANTWERP AND BRUGES

I climbed the stair in Antwerp church,
What time the circling thews of sound
At sunset seem to heave it round.
Far up, the carillon did search
The wind, and the birds came to perch
Far under, where the gables wound.

In Antwerp harbour on the Scheldt
I stood along, a certain space
Of night. The mist was near my face;
Deep on, the flow was heard and felt.
The carillon kept pause, and dwelt
In music through the silent place.

John Memmeling and John van Eyck
Hold state at Bruges. In sore shame
I scanned the works that keep their name.
The carillon, which then did strike
Mine ears, was heard of theirs alike:
It set me closer unto them.

I climbed at Bruges all the flight
The belfry has of ancient stone.
For leagues I saw the east wind blown;
The earth was grey, the sky was white.
I stood so near upon the height
That my flesh felt the carillon.

XVIII ON LEAVING BRUGES

The city's steeple-towers remove away,
Each singly; as each vain infatuate Faith
Leaves God in heaven, and passes. A mere breath
Each soon appears, so far. Yet that which lay
The first is now scarce further or more grey
Than the last is. Now all are wholly gone.
The sunless sky has not once had the sun
Since the first weak beginning of the day.

The air falls back as the wind finishes,
And the clouds stagnate. On the water's face
The current breathes along, but is not stirred.
There is no branch that thrills with any bird.
Winter is to possess the earth a space,
And have its will upon the extreme seas.

188

XIX ASHORE AT DOVER

On landing, the first voice one hears is from
An English police-constable; a man
Respectful, conscious that at need he can
Enforce respect. Our custom-house at home
Strict too, but quiet. Not the foul-mouthed scum
Of passport-mongers who in Paris still
Preserve the Reign of Terror; not the till
Where the King haggles, all through Belgium.
The country somehow seems in earnest here,
Grave and sufficient:—England, so to speak;
No other word will make the thing as clear.
“Ah! habit,” you exclaim, “and prejudice!”
If so, so be it. One don't care to shriek,
“Sir, this shall be!” But one believes it is.

FOR A VENETIAN PASTORAL BY GIORGIONE

(In the Louvre)

Water, for anguish of the solstice:—nay,
But dip the vessel slowly,—nay, but lean
And hark how at its verge the wave sighs in
Reluctant. Hush! beyond all depth away
The heat lies silent at the brink of day:
Now the hand trails upon the viol-string
That sobs, and the brown faces cease to sing,
Sad with the whole of pleasure. Whither stray
Her eyes now, from whose mouth the slim pipes creep
And leave it pouting, while the shadowed grass
Is cool against her naked side? Let be:—
Say nothing now unto her lest she weep,
Nor name this ever. Be it as it was,—
Life touching lips with Immortality.

FOR AN ALLEGORICAL DANCE OF WOMEN BY ANDREA MANTEGNA

(In the Louvre)

Scarcely, I think; yet it indeed may be
The meaning reached him, when this music rang
Clear through his frame, a sweet possessive pang,
And he beheld these rocks and that ridged sea.
But I believe that, leaning tow'rds them, he
Just felt their hair carried across his face
As each girl passed him; nor gave ear to trace
How many feet; nor bent assuredly

189

His eyes from the blind fixedness of thought
To know the dancers. It is bitter glad
Even unto tears. Its meaning filleth it,
A secret of the wells of Life: to wit:—
The heart's each pulse shall keep the sense it had
With all, though the mind's labour run to nought.

FOR “RUGGIERO AND ANGELICA”

BY INGRES

I

A remote sky, prolonged to the sea's brim:
One rock-point standing buffeted alone,
Vexed at its base with a foul beast unknown,
Hell-birth of geomaunt and teraphim:
A knight, and a winged creature bearing him,
Reared at the rock: a woman fettered there,
Leaning into the hollow with loose hair
And throat let back and heartsick trail of limb.

The sky is harsh, and the sea shrewd and salt:
Under his lord the griffin-horse ramps blind
With rigid wings and tail. The spear's lithe stem
Thrills in the roaring of those jaws: behind,
That evil length of body chafes at fault.
She does not hear nor see—she knows of them.

II

Clench thine eyes now,—'tis the last instant, girl:
Draw in thy senses, set thy knees, and take
One breath for all: thy life is keen awake,—
Thou mayst not swoon. Was that the scattered whirl
Of its foam drenched thee?—or the waves that curl
And split, bleak spray wherein thy temples ache?
Or was it his the champion's blood to flake
Thy flesh?—or thine own blood's anointing, girl?

Now, silence: for the sea's is such a sound
As irks not silence; and except the sea,
All now is still. Now the dead thing doth cease
To writhe, and drifts. He turns to her: and she,
Cast from the jaws of Death, remains there, bound,
Again a woman in her nakedness.

190

FOR A VIRGIN AND CHILD BY HANS MEMMELINCK

(In the Academy of Bruges)

Mystery: God, man's life, born into man
Of woman. There abideth on her brow
The ended pang of knowledge, the which now
Is calm assured. Since first her task began
She hath known all. What more of anguish than
Endurance oft hath lived through, the whole space
Through night till day, passed weak upon her face
While the heard lapse of darkness slowly ran?

All hath been told her touching her dear Son,
And all shall be accomplished. Where He sits
Even now, a babe, He holds the symbol fruit
Perfect and chosen. Until God permits,
His soul's elect still have the absolute
Harsh nether darkness, and make painful moan.

FOR A MARRIAGE OF ST. CATHERINE BY THE SAME

(In the Hospital of St. John at Bruges)

Mystery: Catherine the bride of Christ.
She kneels, and on her hand the holy Child
Now sets the ring. Her life is hushed and mild,
Laid in God's knowledge—ever unenticed
From God, and in the end thus fitly priced.
Awe, and the music that is near her, wrought
Of angels, have possessed her eyes in thought:
Her utter joy is hers, and hath sufficed.

There is a pause while Mary Virgin turns
The leaf, and reads. With eyes on the spread book,
That damsel at her knees reads after her.
John whom He loved, and John His harbinger,
Listen and watch. Whereon soe'er thou look,
The light is starred in gems and the gold burns.

191

THE SEA-LIMITS

Consider the sea's listless chime:
Time's self it is, made audible,—
The murmur of the earth's own shell.
Secret continuance sublime
Is the sea's end: our sight may pass
No furlong further. Since time was,
This sound hath told the lapse of time.

No quiet, which is death's,—it hath
The mournfulness of ancient life,
Enduring always at dull strife.
As the world's heart of rest and wrath,
Its painful pulse is in the sands.
Last utterly, the whole sky stands,
Grey and not known, along its path.

Listen alone beside the sea,
Listen alone among the woods;
Those voices of twin solitudes
Shall have one sound alike to thee:
Hark where the murmurs of thronged men
Surge and sink back and surge again,—
Still the one voice of wave and tree.

Gather a shell from the strown beach
And listen at its lips: they sigh
The same desire and mystery,
The echo of the whole sea's speech.
And all mankind is thus at heart
Not anything but what thou art:
And Earth, Sea, Man, are all in each.

WORLD'S WORTH

'Tis of the Father Hilary.
He strove, but could not pray; so took
The steep-coiled stair, where his feet shook
A sad blind echo. Ever up
He toiled. 'Twas a sick sway of air
That autumn noon within the stair,
As dizzy as a turning cup.
His brain benumbed him, void and thin;
He shut his eyes and felt it spin;
The obscure deafness hemmed him in.
He said: “O world, what world for me?”

He leaned unto the balcony
Where the chime keeps the night and day;
It hurt his brain, he could not pray.
He had his face upon the stone:
Deep 'twixt the narrow shafts, his eye
Passed all the roofs to the stark sky,
Swept with no wing, with wind alone.
Close to his feet the sky did shake
With wind in pools that the rains make;
The ripple set his eyes to ache.
He said: “O world, what world for me?”

192

He stood within the mystery
Girding God's blessed Eucharist:
The organ and the chaunt had ceas'd.
The last words paused against his ear
Said from the altar: drawn round him
The gathering rest was dumb and dim.
And now the sacring-bell rang clear
And ceased; and all was awe,—the breath
Of God in man that warranteth
The inmost utmost things of faith.
He said: “O God, my world in Thee!”

SONG AND MUSIC

O leave your hand where it lies cool
Upon the eyes whose lids are hot:
Its rosy shade is bountiful
Of silence, and assuages thought.
O lay your lips against your hand
And let me feel your breath through it,
While through the sense your song shall fit
The soul to understand.

The music lives upon my brain,
Between your hands, within mine eyes;
It stirs your lifted throat like pain,
An aching pulse of melodies.
Lean nearer, let the music pause:
The soul may better understand
Your music, shadowed in your hand,
Now while the song withdraws.

SACRAMENT HYMN

On a fair Sabbath day, when His banquet is spread,
It is pleasant to feast with my Lord:
His stewards stand robed at the foot and the head
Of the soul-filling, life-giving board.

All the guests here had burthens; but by the King's grant
We left them behind when we came;
The burthen of wealth and the burthen of want,
And even the burthen of shame.

And oh, when we take them again at the gate,
Though still we must bear them awhile,
Much smaller they'll seem in the lane that grows strait,
And much lighter to lift at the stile.

For that which is in us is life to the heart,
Is dew to the soles of the feet,
Fresh strength to the loins, giving ease from their smart.
Warmth in frost, and a breeze in the heat.

No feast where the belly alone hath its fill,—
He gives me His body and blood;
The blood and the body (I'll think of it still)
Of my Lord, which is Christ, which is God.

193

DENNIS SHAND

The shadows fall along the wall,
It's night at Haye-la-Serre;
The maidens weave since day grew eve,
The lady's in her chair.

O passing slow the long hours go
With time to think and sigh,
When weary maidens weave beneath
A listless lady's eye.

It's two days that Earl Simon's gone
And it's the second night;
At Haye-la-Serre the lady's fair,
In June the moon is light.

O it's “Maids, ye'll wake till I come back,”
And the hound's i' the lady's chair:
No shuttles fly, the work stands by,
It's play at Haye-la-Serre.

The night is worn, the lamp's forlorn,
The shadows waste and fail;
There's morning air at Haye-la-Serre,
The watching maids look pale.

O all unmarked the birds at dawn
Where drowsy maidens be;
But heard too soon the lark's first tune
Beneath the trysting tree.

“Hold me thy hand, sweet Dennis Shand,”
Says the Lady Joan de Haye,
“That thou to-morrow do forget
To-day and yesterday.

“For many a weary month to come
My lord keeps house with me,
And sighing summer must lie cold
In winter's company.

“And many an hour I'll pass thee by
And see thee and be seen;
Yet not a glance must tell by chance
How sweet these hours have been.

“We've all to fear; there's Maud the spy,
There's Ann whose face I scor'd,
There's Blanch tells Huot everything,
And Huot loves my lord.

“But O and it's my Dennis 'll know,
When my eyes look weary dim,
Who finds the gold for his girdle-fee
And who keeps love for him.”

The morrow's come and the morrow-night,
It's feast at Haye-la-Serre,
And Dennis Shand the cup must hand
Beside Earl Simon's chair.

194

And still when the high pouring's done
And cup and flagon clink,
Till his lady's lips have touched the brim
Earl Simon will not drink.

But it's, “Joan my wife,” Earl Simon says,
“Your maids are white and wan.”
And it's, “O,” she says, “they've watched the night
With Maud's sick sister Ann.”

But it's, “Lady Joan and Joan my bird,
Yourself look white and wan.”
And it's, “O, I've walked the night myself
To pull the herbs for Ann:

“And some of your knaves were at the hutch
And some in the cellarage,
But the only one that watched with us
Was Dennis Shand your page.

“Look on the boy, sweet honey lord,
How drooped his eyelids be:
The rosy colour's not yet back
That paled in serving me.”

O it's, “Wife, your maids are foolish jades,
And you're a silly chuck,
And the lazy knaves shall get their staves
About their ears for luck:

“But Dennis Shand may take the cup
And pour the wine to his hand;
Wife, thou shalt touch it with thy lips,
And drink thou, Dennis Shand!”

THE MIRROR

She knew it not:—most perfect pain
To learn: this too she knew not. Strife
For me, calm hers, as from the first.
'Twas but another bubble burst
Upon the curdling draught of life,—
My silent patience mine again.

As who, of forms that crowd unknown
Within a distant mirror's shade,
Deems such an one himself, and makes
Some sign; but when the image shakes
No whit, he finds his thought betray'd,
And must seek elsewhere for his own.

195

A YOUNG FIR-WOOD

These little firs to-day are things
To clasp into a giant's cap,
Or fans to suit his lady's lap.
From many winters many springs
Shall cherish them in strength and sap
Till they be marked upon the map,
A wood for the wind's wanderings.

All seed is in the sower's hands:
And what at first was trained to spread
Its shelter for some single head,—
Yea, even such fellowship of wands,—
May hide the sunset, and the shade
Of its great multitude be laid
Upon the earth and elder sands.

DURING MUSIC

O cool unto the sense of pain
That last night's sleep could not destroy;
O warm unto the sense of joy,
That dreams its life within the brain.

What though I lean o'er thee to scan
The written music cramped and stiff;—
'Tis dark to me, as hieroglyph
On those weird bulks Egyptian.

But as from those, dumb now and strange,
A glory wanders on the earth,
Even so thy tones can call a birth
From these, to shake my soul with change.

O swift, as in melodious haste
Float o'er the keys thy fingers small;
O soft, as is the rise and fall
Which stirs that shade within thy breast.

ON THE VITA NUOVA OF DANTE

As he that loves oft looks on the dear form
And guesses how it grew to womanhood,
And gladly would have watched the beauties bud
And the mild fire of precious life wax warm:
So I, long bound within the threefold charm
Of Dante's love sublimed to heavenly mood,
Had marvelled, touching his Beatitude,
How grew such presence from man's shameful swarm.

At length within this book I found pourtrayed
Newborn that Paradisal Love of his,
And simple like a child; with whose clear aid
I understood. To such a child as this,
Christ, charging well His chosen ones, forbade
Offence: “for lo! of such my kingdom is.”

196

WELLINGTON'S FUNERAL

18th November 1852

“Victory!”
So once more the cry must be.
Duteous mourning we fulfil
In God's name; but by God's will,
Doubt not, the last word is still
“Victory!”

Funeral,
In the music round this pall,
Solemn grief yields earth to earth;
But what tones of solemn mirth
In the pageant of new birth
Rise and fall?

For indeed,
If our eyes were opened,
Who shall say what escort floats
Here, which breath nor gleam denotes,—
Fiery horses, chariots
Fire-footed?

Trumpeter,
Even thy call he may not hear;
Long-known voice for ever past,
Till with one more trumpet-blast
God's assuring word at last
Reach his ear.

Multitude,
Hold your breath in reverent mood:
For while earth's whole kindred stand
Mute even thus on either hand,
This soul's labour shall be scann'd
And found good.

Cherubim,
Lift ye not even now your hymn?
Lo! once lent for human lack,
Michael's sword is rendered back.
Thrills not now the starry track,
Seraphim?

Gabriel,
Since the gift of thine “All hail!”
Out of Heaven no time hath brought
Gift with fuller blessing fraught
Than the peace which this man wrought
Passing well.

Be no word
Raised of bloodshed Christ-abhorr'd.
Say: “'Twas thus in His decrees
Who Himself, the Prince of Peace,
For His harvest's high increase
Sent a sword.”

197

Veterans,
He by whom the neck of France
Then was given unto your heel,
Timely sought, may lend as well
To your sons his terrible
Countenance.

Waterloo!
As the last grave must renew,
Ere fresh death, the banshee-strain,—
So methinks upon thy plain
Falls some presage in the rain,
In the dew.

And O thou,
Watching, with an exile's brow
Unappeased, o'er death's dumb flood:—
Lo! the saving strength of God
In some new heart's English blood
Slumbers now.

Emperor,
Is this all thy work was for?—
Thus to see thy self-sought aim,
Yea thy titles, yea thy name,
In another's shame, to shame
Bandied o'er?

Wellington,
Thy great work is but begun.
With quick seed his end is rife
Whose long tale of conquering strife
Shows no triumph like his life
Lost and won.

Date of the Coup d'Etat: 2nd December 1851.

TO THOMAS WOOLNER

First Snow, 9 February 1853

Woolner, to-night it snows for the first time.
Our feet know well the path where in this snow
Mine leave one track: how all the ways we know
Are hoary in the long-unwonted rime!
Grey as their ghosts which now in your new clime
Must haunt you while those singing spirits reap
All night the field of hospitable sleep—
Whose song, past the whole sea, finds counter-chime.
Can the year change, and I not think of thee,
With whom so many changes of the year
So many years were watched—our love's degree
Alone the same? Ah still for thee and me,
Winter or summer, Woolner, here or there,
One grief, one joy, one loss, one victory.

198

THE CHURCH-PORCHES

I

(TO M.F.R.)

Sister, first shake we off the dust we have
Upon our feet, lest it defile the stones
Inscriptured, covering their sacred bones
Who lie i'the aisles which keep the names they gave,
Their trust abiding round them in the grave;
Whom painters paint for visible orisons,
And to whom sculptors pray in stone and bronze;
Their voices echo still like a spent wave.

Without here, the church-bells are but a tune,
And on the carven church-door this hot noon
Lays all its heavy sunshine here without:
But having entered in, we shall find there
Silence, and sudden dimness, and deep prayer,
And faces of crowned angels all about.

II

(TO C.G.R.)

Sister, arise: We have no more to sing
Or say. The priest abideth as is meet
To minister. Rise up out of thy seat,
Though peradventure 'tis an irksome thing
To cross again the threshold of our King
Where His doors stand against the evil street,
And let each step increase upon our feet
The dust we shook from them at entering.

Must we of very sooth go home? The air,
Whose heat outside makes mist that can be seen,
Is very clear and cool where we have been.
The priest abideth ministering. Lo!
As he for service, why not we for prayer?
It is so bidden, sister, let us go.

PENUMBRA

I did not look upon her eyes,
(Though scarcely seen, with no surprise,
'Mid many eyes a single look,)
Because they should not gaze rebuke,
At night, from stars in sky and brook.

I did not take her by the hand,
(Though little was to understand
From touch of hand all friends might take,)
Because it should not prove a flake
Burnt in my palm to boil and ache.

I did not listen to her voice,
(Though none had noted, where at choice
All might rejoice in listening,)
Because no such a thing should cling
In the wood's moan at evening.

199

I did not cross her shadow once,
(Though from the hollow west the sun's
Last shadow runs along so far,)
Because in June it should not bar
My ways, at noon when fevers are.

They told me she was sad that day,
(Though wherefore tell what love's soothsay,
Sooner than they, did register?)
And my heart leapt and wept to her,
And yet I did not speak nor stir.

So shall the tongues of the sea's foam
(Though many voices therewith come
From drowned hope's home to cry to me,)
Bewail one hour the more, when sea
And wind are one with memory.

THE HONEYSUCKLE

I plucked a honeysuckle where
The hedge on high is quick with thorn,
And climbing for the prize, was torn,
And fouled my feet in quag-water;
And by the thorns and by the wind
The blossom that I took was thinn'd,
And yet I found it sweet and fair.

Thence to a richer growth I came,
Where, nursed in mellow intercourse,
The honeysuckles sprang by scores,
Not harried like my single stem,
All virgin lamps of scent and dew.
So from my hand that first I threw,
Yet plucked not any more of them.

WORDS ON THE WINDOW-PANE

Did she in summer write it, or in spring,
Or with this wail of autumn at her ears,
Or in some winter left among old years
Scratched it through tettered cark? A certain thing
That round her heart the frost was hardening,
Not to be thawed of tears, which on this pane
Channelled the rime, perchance, in fevered rain,
For false man's sake and love's most bitter sting.

Howbeit, between this last word and the next
Unwritten, subtly seasoned was the smart,
And here at least the grace to weep: if she,
Rather, midway in her disconsolate text,
Rebelled not, loathing from the trodden heart
That thing which she had found man's love to be.

For a woman's fragmentary inscription.

200

ON THE SITE OF A MULBERRY-TREE;

Planted by Wm. Shakspeare; felled by the Rev. F. Gastrell

This tree, here fall'n, no common birth or death
Shared with its kind. The world's enfranchised son,
Who found the trees of Life and Knowledge one,
Here set it, frailer than his laurel-wreath.
Shall not the wretch whose hand it fell beneath
Rank also singly—the supreme unhung?
Lo! Sheppard, Turpin, pleading with black tongue
This viler thief's unsuffocated breath!

We'll search thy glossary, Shakspeare! whence almost,
And whence alone, some name shall be reveal'd
For this deaf drudge, to whom no length of ears
Sufficed to catch the music of the spheres;
Whose soul is carrion now,—too mean to yield
Some Starveling's ninth allotment of a ghost.

A MATCH WITH THE MOON

Weary already, weary miles to-night
I walked for bed: and so, to get some ease,
I dogged the flying moon with similes.
And like a wisp she doubled on my sight
In ponds; and caught in tree-tops like a kite;
And in a globe of film all liquorish
Swam full-faced like a silly silver fish;—
Last like a bubble shot the welkin's height
Where my road turned, and got behind me, and sent
My wizened shadow craning round at me,
And jeered, “So, step the measure,—one two three!”
And if I faced on her, looked innocent.
But just at parting, halfway down a dell,
She kissed me for good-night. So you'll not tell.

SUDDEN LIGHT

I have been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet, keen smell,
The sighing sound, the lights around the shore.

You have been mine before,—
How long ago I may not know:
But just when at that swallow's soar
Your neck turned so,
Some veil did fall,—I knew it all of yore.

Has this been thus before?
And shall not thus time's eddying flight
Still with our lives our love restore
In death's despite,
And day and night yield one delight once more?

201

STRATTON WATER

“O have you seen the Stratton flood
That's great with rain to-day?
It runs beneath your wall, Lord Sands,
Full of the new-mown hay.

“I led your hounds to Hutton bank
To bathe at early morn:
They got their bath by Borrowbrake
Above the standing corn.”

Out from the castle-stair Lord Sands
Looked up the western lea;
The rook was grieving on her nest,
The flood was round her tree.

Over the castle-wall Lord Sands
Looked down the eastern hill:
The stakes swam free among the boats,
The flood was rising still.

“What's yonder far below that lies
So white against the slope?”
“O it's a sail o'your bonny barks
The waters have washed up.”

“But I have never a sail so white,
And the water's not yet there.”
“O it's the swans o'your bonny lake
The rising flood doth scare.”

“The swans they would not hold so still,
So high they would not win.”
“O it's Joyce my wife has spread her smock
And fears to fetch it in.”

“Nay, knave, it's neither sail nor swans,
Nor aught that you can say;
For though your wife might leave her smock,
Herself she'd bring away.”

Lord Sands has passed the turret-stair,
The court, and yard, and all;
The kine were in the byre that day,
The nags were in the stall.

Lord Sands has won the weltering slope
Whereon the white shape lay:
The clouds were still above the hill,
And the shape was still as they.

Oh pleasant is the gaze of life
And sad is death's blind head;
But awful are the living eyes
In the face of one thought dead!

“In God's name, Janet, is it me
Thy ghost has come to seek?”
“Nay, wait another hour, Lord Sands,—
Be sure my ghost shall speak.”

202

A moment stood he as a stone,
Then grovelled to his knee.
“O Janet, O my love, my love,
Rise up and come with me!”
“O once before you bade me come,
And it's here you have brought me!

“O many's the sweet word, Lord Sands,
You've spoken oft to me;
But all that I have from you to-day
Is the rain on my body.

“And many's the good gift, Lord Sands,
You've promised oft to me;
But the gift of yours I keep to-day
Is the babe in my body.

“O it's not in any earthly bed
That first my babe I'll see;
For I have brought my body here
That the flood may cover me.”

His face was close against her face,
His hands of hers were fain:
O her wet cheeks were hot with tears,
Her wet hands cold with rain.

“They told me you were dead, Janet,—
How could I guess the lie?”
“They told me you were false, Lord Sands,—
What could I do but die?”

“Now keep you well, my brother Giles,—
Through you I deemed her dead!
As wan as your towers seem to-day,
To-morrow they'll be red.

“Look down, look down, my false mother,
That bade me not to grieve:
You'll look up when our marriage fires
Are lit to-morrow eve:

“O more than one and more than two
The sorrow of this shall see:
But it's to-morrow, love, for them,—
To-day's for thee and me.”

He's drawn her face between his hands
And her pale mouth to his:
No bird that was so still that day
Chirps sweeter than his kiss.

The flood was creeping round their feet.
“O Janet, come away!
The hall is warm for the marriage-rite,
The bed for the birthday.”

“Nay, but I hear your mother cry,
‘Go bring this bride to bed!
And would she christen her babe unborn,
So wet she comes to wed?’

203

“I'll be your wife to cross your door
And meet your mother's e'e.
We plighted troth to wed i'the kirk,
And it's there you'll wed with me.”

He's ta'en her by the short girdle
And by the dripping sleeve:
“Go fetch Sir Jock my mother's priest,—
You'll ask of him no leave.

“O it's one half-hour to reach the kirk
And one for the marriage-rite;
And kirk and castle and castle-lands
Shall be our babe's to-night.”

“The flood's in the kirkyard, Lord Sands,
And round the belfry-stair.”
“I bade you fetch the priest,” he said,
“Myself shall bring him there.

“It's for the lilt of wedding bells
We'll have the hail to pour,
And for the clink of bridle-reins
The plashing of the oar.”

Beneath them on the nether hill
A boat was floating wide:
Lord Sands swam out and caught the oars
And rowed to the hill-side.

He's wrapped her in a green mantle
And set her softly in;
Her hair was wet upon her face,
Her face was grey and thin;
And “Oh!” she said, “lie still, my babe,
It's out you must not win!”

But woe's my heart for Father John
As hard as he might pray,
There seemed no help but Noah's ark
Or Jonah's fish that day.

The first strokes that the oars struck
Were over the broad leas;
The next strokes that the oars struck
They pushed beneath the trees;

The last stroke that the oars struck,
The good boat's head was met,
And there the gate of the kirk-yard
Stood like a ferry-gate.

He's set his hand upon the bar
And lightly leaped within:
He's lifted her to his left shoulder,
Her knees beside his chin.

204

The graves lay deep beneath the flood
Under the rain alone;
And when the foot-stone made him slip,
He held by the head-stone.

The empty boat thrawed i'the wind,
Against the postern tied.
“Hold still, you've brought my love with me,
You shall take back my bride.”

But woe's my heart for Father John
And the saints he clamoured to!
There's never a saint but Christopher
Might hale such buttocks through!

And “Oh!” she said, “on men's shoulders
I well had thought to wend,
And well to travel with a priest,
But not to have cared or ken'd.

“And oh!” she said, “it's well this way
That I thought to have fared,—
Not to have lighted at the kirk
But stopped in the kirkyard.

“For it's oh and oh I prayed to God,
Whose rest I hoped to win,
That when to-night at your board-head
You'd bid the feast begin,
This water past your window-sill
Might bear my body in.”

Now make the white bed warm and soft
And greet the merry morn;
The night the mother should have died,
The young son shall be born.

BEAUTY AND THE BIRD

She fluted with her mouth as when one sips,
And gently waved her golden head, inclin'd
Outside his cage close to the window-blind;
Till her fond bird, with little turns and dips,
Piped low to her of sweet companionships.
And when he made an end, some seed took she
And fed him from her tongue, which rosily
Peeped as a piercing bud between her lips.

And like the child in Chaucer, on whose tongue
The Blessed Mary laid, when he was dead,
A grain,—who straightway praised her name in song:
Even so, when she, a little lightly red,
Now turned on me and laughed, I heard the throng
Of inner voices praise her golden head.

205

DAWN ON THE NIGHT-JOURNEY

Till dawn the wind drove round me. It is past
And still, and leaves the air to lisp of bird,
And to the quiet that is almost heard
Of the new-risen day, as yet bound fast
In the first warmth of sunrise. When the last
Of the sun's hours to-day shall be fulfilled,
There shall another breath of time be stilled
For me, which now is to my senses cast
As much beyond me as eternity,
Unknown, kept secret. On the newborn air
The moth quivers in silence. It is vast,
Yea, even beyond the hills upon the sea,
The day whose end shall give this hour as sheer
As chaos to the irrevocable Past.

THE WOODSPURGE

The wind flapped loose, the wind was still,
Shaken out dead from tree and hill:
I had walked on at the wind's will,—
I sat now, for the wind was still.

Between my knees my forehead was,—
My lips, drawn in, said not Alas!
My hair was over in the grass,
My naked ears heard the day pass.

My eyes, wide open, had the run
Of some ten weeds to fix upon;
Among those few, out of the sun,
The woodspurge flowered, three cups in one.

From perfect grief there need not be
Wisdom or even memory:
One thing then learnt remains to me,—
The woodspurge has a cup of three.

AFTER THE FRENCH LIBERATION OF ITALY

As when the last of the paid joys of love
Has come and gone; and with a single kiss
At length, and with one laugh of satiate bliss,
The wearied man a minute rests above
The wearied woman, no more urged to move
In those long throes of longing, till they glide,
Now lightlier clasped, each to the other's side,
In joys past acting, not past dreaming of:—

So Europe now beneath this paramour
Lies for a little out of use,—full oft
Submissive to his lust, a loveless whore.
He wakes, she sleeps, the breath falls slow and soft.
Wait: the bought body holds a birth within,
An harlot's child, to scourge her for her sin.

206

EVEN SO

So it is, my dear.
All such things touch secret strings
For heavy hearts to hear.
So it is, my dear.

Very like indeed:
Sea and sky, afar, on high,
Sand and strewn seaweed,—
Very like indeed.

But the sea stands spread
As one wall with the flat skies,
Where the lean black craft like flies
Seem well-high stagnated,
Soon to drop off dead.

Seemed it so to us
When I was thine and thou wast mine,
And all these things were thus,
But all our world in us?

Could we be so now?
Not if all beneath heaven's pall
Lay dead but I and thou,
Could we be so now!

A LITTLE WHILE

A little while a little love
The hour yet bears for thee and me
Who have not drawn the veil to see
If still our heaven be lit above.
Thou merely, at the day's last sigh,
Hast felt thy soul prolong the tone;
And I have heard the night-wind cry
And deemed its speech mine own.

A little while a little love
The scattering autumn hoards for us
Whose bower is not yet ruinous
Nor quite unleaved our songless grove.
Only across the shaken boughs
We hear the flood-tides seek the sea,
And deep in both our hearts they rouse
One wail for thee and me.

A little while a little love
May yet be ours who have not said
The word it makes our eyes afraid
To know that each is thinking of.
Not yet the end: be our lips dumb
In smiles a little season yet:
I'll tell thee, when the end is come,
How we may best forget.

207

A NEW-YEAR'S BURDEN

Along the grass sweet airs are blown
Our way this day in Spring.
Of all the songs that we have known
Now which one shall we sing?
Not that, my love, ah no!—
Not this, my love? why, so!—
Yet both were ours, but hours will come and go.

The grove is all a pale frail mist,
The new year sucks the sun.
Of all the kisses that we kissed
Now which shall be the one?
Not that my love, ah no!—
Not this, my love?—heigh-ho
For all the sweets that all the winds can blow!

The branches cross above our eyes,
The skies are in a net:
And what's the thing beneath the skies
We two would most forget?
Not birth, my love, no, no,—
Not death, my love, no, no,—
The love once ours, but ours long hours ago.

THE SONG OF THE BOWER

Say, is it day, is it dusk in thy bower,
Thou whom I long for, who longest for me?
Oh! be it light, be it night, 'tis Love's hour,
Love's that is fettered as Love's that is free.
Free love has leaped to that innermost chamber,
Oh! the last time, and the hundred before:
Fettered love, motionless, can but remember,
Yet something that sighs from him passes the door.

Nay, but my heart when it flies to thy bower,
What does it find there that knows it again?
There it must droop like a shower-beaten flower,
Red at the rent core and dark with the rain.
Ah! yet what shelter is still shed above it,—
What waters still image its leaves torn apart?
Thy soul is the shade that clings round it to love it,
And tears are its mirror deep down in thy heart.

What were my prize, could I enter thy bower,
This day, to-morrow, at eve or at morn?
Large lovely arms and a neck like a tower,
Bosom then heaving that now lies forlorn.
Kindled with love-breath, (the sun's kiss is colder!)
Thy sweetness all near me, so distant to-day;
My hand round thy neck and thy hand on my shoulder,
My mouth to thy mouth as the world melts away.

208

What is it keeps me afar from thy bower,—
My spirit, my body, so fain to be there?
Waters engulfing or fires that devour?—
Earth heaped against me or death in the air?
Nay, but in day-dreams, for terror, for pity,
The trees wave their heads with an omen to tell;
Nay, but in night-dreams, throughout the dark city,
The hours, clashed together, lose count in the bell.

Shall I not one day remember thy bower,
One day when all days are one day to me?—
Thinking, “I stirred not, and yet had the power!”—
Yearning, “Ah God, if again it might be!”
Peace, peace! such a small lamp illumes, on this highway,
So dimly so few steps in front of my feet,—
Yet shows me that her way is parted from my way....
Out of sight, beyond light, at what goal may we meet?

ON CERTAIN ELIZABETHAN REVIVALS

O ruff-embastioned vast Elizabeth,
Bush to these bushel-bellied casks of wine,
Home-growth, 'tis true, but rank as turpentine—
What would we with such skittle-plays at death?
Say, must we watch these brawlers' brandished lathe,
Or to their reeking wit our ears incline,
Because all Castaly flowed crystalline
In gentle Shakspeare's modulated breath?

What! must our drama with the rat-pit vie,
Nor the scene close while one is left to kill?
Shall this be poetry? And thou—thou man
Of blood, thou cannibalic Caliban,
What shall be said of thee? A poet?—Fie!
“An honourable murderer, if you will.”

DANTIS TENEBRÆ

(In Memory of my Father)

And didst thou know indeed, when at the font
Together with thy name thou gav'st me his,
That also on thy son must Beatrice
Decline her eyes according to her wont,
Accepting me to be of those that haunt
The vale of magical dark mysteries
Where to the hills her poet's foot-track lies,
And wisdom's living fountain to his chaunt
Trembles in music? This is that steep land
Where he that holds his journey stands at gaze
Tow'rd sunset, when the clouds like a new height
Seem piled to climb. These things I understand:
For here, where day still soothes my lifted face,
On thy bowed head, my father, fell the night.

209

THE SEED OF DAVID

(For a Picture)

Christ sprang from David Shepherd, and even so
From David King, being born of high and low.
The Shepherd lays his crook, the King his crown,
Here at Christ's feet, and high and low bow down.

ASPECTA MEDUSA

(For a Drawing)

Andromeda, by Perseus saved and wed,
Hankered each day to see the Gorgon's head:
Till o'er a fount he held it, bade her lean,
And mirrored in the wave was safely seen
That death she lived by.

Let not thine eyes know
Any forbidden thing itself, although
It once should save as well as kill: but be
Its shadow upon life enough for thee.

PLIGHTED PROMISE

In a soft-complexioned sky,
Fleeting rose and kindling grey,
Have you seen Aurora fly
At the break of day?
So my maiden, so my plighted may
Blushing cheek and gleaming eye
Lifts to look my way.

Where the inmost leaf is stirred
With the heart-beat of the grove,
Have you heard a hidden bird
Cast her note above?
So my lady, so my lovely love,
Echoing Cupid's prompted word,
Makes a tune thereof.

Have you seen, at heaven's mid-height,
In the moon-rack's ebb and tide,
Venus leap forth burning white,
Dian pale and hide?
So my bright breast-jewel, so my bride,
One sweet night, when fear takes flight,
Shall leap against my side.

210

THE PASSOVER IN THE HOLY FAMILY

(For a Drawing )

Here meet together the prefiguring day
And day prefigured. “Eating, thou shalt stand,
Feet shod, loins girt, thy road-staff in thine hand,
With blood-stained door and lintel,”—did God say
By Moses' mouth in ages passed away.
And now, where this poor household doth comprise
At Paschal-Feast two kindred families,—
Lo! the slain lamb confronts the Lamb to slay.

The pyre is piled. What agony's crown attained,
What shadow of Death the Boy's fair brow subdues
Who holds that blood wherewith the porch is stained
By Zachary the priest? John binds the shoes
He deemed himself not worthy to unloose;
And Mary culls the bitter herbs ordained.

The scene is in the house-porch, where Christ holds a bowl of blood from which Zacharias is sprinkling the posts and lintel. Joseph has brought the lamb and Elizabeth lignts the pyre. The shoes which John fastens and the bitter herbs which Mary is gathering form part of the ritual.

VENUS VERTICORDIA

(For a Picture)

She hath the apple in her hand for thee,
Yet almost in her heart would hold it back;
She muses, with her eyes upon the track
Of that which in thy spirit they can see.
Haply, “Behold, he is at peace,” saith she;
“Alas! the apple for his lips,—the dart
That follows its brief sweetness to his heart,—
The wandering of his feet perpetually!”

A little space her glance is still and coy;
But if she give the fruit that works her spell,
Those eyes shall flame as for her Phrygian boy.
Then shall her bird's strained throat the woe foretell,
And her far seas moan as a single shell,
And through her dark grove strike the light of Troy.

211

PANDORA

(For a Picture)

What of the end, Pandora? Was it thine,
The deed that set these fiery pinions free?
Ah! wherefore did the Olympian consistory
In its own likeness make thee half divine?
Was it that Juno's brow might stand a sign
For ever? and the mien of Pallas be
A deadly thing? and that all men might see
In Venus' eyes the gaze of Proserpine?

What of the end? These beat their wings at will,
The ill-born things, the good things turned to ill,—
Powers of the impassioned hours prohibited.
Aye, clench the casket now! Whither they go
Thou mayst not dare to think: nor canst thou know
If Hope still pent there be alive or dead.

A SEA-SPELL

(For a Picture)

Her lute hangs shadowed in the apple-tree,
While flashing fingers weave the sweet-strung spell
Between its chords; and as the wild notes swell,
The sea-bird for those branches leaves the sea.
But to what sound her listening ear stoops she?
What netherworld gulf-whispers doth she hear,
In answering echoes from what planisphere,
Along the wind, along the estuary?

She sinks into her spell: and when full soon
Her lips move and she soars into her song,
What creatures of the midmost main shall throng
In furrowed surf-clouds to the summoning rune;
Till he, the fated mariner, hears her cry,
And up her rock, bare-breasted, comes to die?

FOR “THE WINE OF CIRCE”

BY EDWARD BURNE JONES

Dusk-haired and gold-robed o'er the golden wine
She stoops, wherein, distilled of death and shame,
Sink the black drops; while, lit with fragrant flame,
Round her spread board the golden sunflowers shine.
Doth Helios here with Hecaté combine
(O Circe, thou their votaress!) to proclaim
For these thy guests all rapture in Love's name,
Till pitiless Night give Day the countersign?

Lords of their hour, they come. And by her knee
Those cowering beasts, their equals heretofore,
Wait; who with them in new equality
To-night shall echo back the sea's dull roar
With a vain wail from passion's tide-strown shore
Where the dishevelled seaweed hates the sea.

212

LOVE-LILY

Between the hands, between the brows,
Between the lips of Love-Lily,
A spirit is born whose birth endows
My blood with fire to burn through me;
Who breathes upon my gazing eyes,
Who laughs and murmurs in mine ear,
At whose least touch my colour flies,
And whom my life grows faint to hear.

Within the voice, within the heart,
Within the mind of Love-Lily,
A spirit is born who lifts apart
His tremulous wings and looks at me;
Who on my mouth his finger lays,
And shows, while whispering lutes confer,
That Eden of Love's watered ways
Whose winds and spirits worship her.

Brows, hands, and lips, heart, mind, and voice,
Kisses and words of Love-Lily,—
Oh! bid me with your joy rejoice
Till riotous longing rest in me!
Ah! let not hope be still distraught,
But find in her its gracious goal,
Whose speech Truth knows not from her thought
Nor Love her body from her soul.

ENGLISH MAY

Would God your health were as this month of May
Should be, were this not England,—and your face
Abroad, to give the gracious sunshine grace
And laugh beneath the budding hawthorn-spray.
But here the hedgerows pine from green to grey
While yet May's lyre is tuning, and her song
Is weak in shade that should in sun be strong;
And your pulse springs not to so faint a lay.

If in my life be breath of Italy,
Would God that I might yield it all to you!
So, when such grafted warmth had burgeoned through
The languor of your Maytime's hawthorn-tree,
My spirit at rest should walk unseen and see
The garland of your beauty bloom anew.

213

CASSANDRA

(For a Drawing )

I

Rend, rend thine hair, Cassandra: he will go.
Yea, rend thy garments, wring thine hands, and cry
From Troy still towered to the unreddened sky.
See, all but she that bore thee mock thy woe:—
He most whom that fair woman arms, with show
Of wrath on her bent brows; for in this place
This hour thou bad'st all men in Helen's face
The ravished ravishing prize of Death to know.

What eyes, what ears hath sweet Andromache,
Save for her Hector's form and step; as tear
On tear make salt the warm last kiss he gave?
He goes. Cassandra's words beat heavily
Like crows above his crest, and at his ear
Ring hollow in the shield that shall not save.

II

“O Hector, gone, gone, gone! O Hector, thee
Two chariots wait, in Troy long bless'd and curs'd;
And Grecian spear and Phrygian sand athirst
Crave from thy veins the blood of victory.
Lo! long upon our hearth the brand had we,
Lit for the roof-tree's ruin: and to-day
The ground-stone quits the wall,—the wind hath way,—
And higher and higher the wings of fire are free.

“O Paris, Paris! O thou burning brand,
Thou beacon of the sea whence Venus rose,
Lighting thy race to shipwreck! Even that hand
Wherewith she took thine apple let her close
Within thy curls at last, and while Troy glows
Lift thee her trophy to the sea and land.”

The subject shows Cassandra prophesying among her kindred, as Hector leaves them for his last battle. They are on the platform of a fortress, from which the Trojan troops are marching out. Helen is arming Paris; Priam soothes Hecuba; and Andromache holds the child to her bosom.

214

MARY MAGDALENE

At the Door of Simon the Pharisee

(For a Drawing )

“Why wilt thou cast the roses from thine hair?
Nay, be thou all a rose,—wreath, lips, and cheek.
Nay, not this house,—that banquet-house we seek;
See how they kiss and enter; come thou there.
This delicate day of love we two will share
Till at our ear love's whispering night shall speak.
What, sweet one,—hold'st thou still the foolish freak?
Nay, when I kiss thy feet they'll leave the stair.”

“Oh loose me! Seest thou not my Bridegroom's face
That draws me to Him? For His feet my kiss,
My hair, my tears He craves to-day:—and oh!
What words can tell what other day and place
Shall see me clasp those blood-stained feet of His?
He needs me, calls me, loves me: let me go!”

In the drawing Mary has left a procession of revellers, and is ascending by a sudden impulse the steps of the house where she sees Christ. Her lover has followed her, and is trying to turn her back.

MICHAEL SCOTT'S WOOING

(For a Drawing)

Rose-sheathed beside the rosebud tongue
Lurks the young adder's tooth;
Milk-mild from new-born hemlock-bluth
The earliest drops are wrung:
And sweet the flower of his first youth
When Michael Scott was young.

TROY TOWN

Heavenborn Helen, Sparta's queen,
(O Troy Town!)
Had two breasts of heavenly sheen,
The sun and moon of the heart's desire:
All Love's lordship lay between.
(O Troy's down,
Tall Troy's on fire!)

Helen knelt at Venus' shrine,
(O Troy Town!)
Saying, “A little gift is mine,
A little gift for a heart's desire.
Hear me speak and make me a sign!
(O Troy's down,
Tall Troy's on fire!)

215

“Look, I bring thee a carven cup;
(O Troy Town!)
See it here as I hold it up,—
Shaped it is to the heart's desire,
Fit to fill when the gods would sup.
(O Troy's down,
Tall Troy's on fire!)

“It was moulded like my breast;
(O Troy Town!)
He that sees it may not rest,
Rest at all for his heart's desire.
O give ear to my heart's behest!
(O Troy's down,
Tall Troy's on fire!)

“See my breast, how like it is;
(O Troy Town!)
See it bare for the air to kiss!
Is the cup to thy heart's desire?
O for the breast, O make it his!
(O Troy's down,
Tall Troy's on fire!)

“Yea, for my bosom here I sue;
(O Troy Town!)
Thou must give it where 'tis due,
Give it there to the heart's desire.
Whom do I give my bosom to?
(O Troy's down,
Tall Troy's on fire!)

“Each twin breast is an apple sweet.
(O Troy Town!)
Once an apple stirred the beat
Of thy heart with the heart's desire:—
Say, who brought it then to thy feet?
(O Troy's down,
Tall Troy's on fire!)

“They that claimed it then were three:
(O Troy Town!)
For thy sake two hearts did he
Make forlorn of the heart's desire.
Do for him as he did for thee!
(O Troy's down,
Tall Troy's on fire!)

“Mine are apples grown to the south,
(O Troy Town!)
Grown to taste in the days of drouth,
Taste and waste to the heart's desire:
Mine are apples meet for his mouth.”
(O Troy's down,
Tall Troy's on fire!)

216

Venus looked on Helen's gift,
(O Troy Town!)
Looked and smiled with subtle drift,
Saw the work of her heart's desire:—
“There thou kneel'st for Love to lift!”
(O Troy's down,
Tall Troy's on fire!)

Venus looked in Helen's face,
(O Troy Town!)
Knew far off an hour and place,
And fire lit from the heart's desire;
Laughed and said, “Thy gift hath grace!”
(O Troy's down,
Tall Troy's on fire!)

Cupid looked on Helen's breast,
(O Troy Town!)
Saw the heart within its nest,
Saw the flame of the heart's desire,—
Marked his arrow's burning crest.
(O Troy's down,
Tall Troy's on fire!)

Cupid took another dart,
(O Troy Town!)
Fledged it for another heart,
Winged the shaft with the heart's desire,
Drew the string and said, “Depart!”
(O Troy's down,
Tall Troy's on fire!)

Paris turned upon his bed,
(O Troy Town!)
Turned upon his bed and said,
Dead at heart with the heart's desire—
“Oh to clasp her golden head!”
(O Troy's down,
Tall Troy's on fire!)

FIRST LOVE REMEMBERED

Peace in her chamber, wheresoe'er
It be, a holy place:
The thought still brings my soul such grace
As morning meadows wear.

Whether it still be small and light,
A maid's who dreams alone,
As from her orchard-gate the moon
Its ceiling showed at night:

Or whether, in a shadow dense
As nuptial hymns invoke,
Innocent maidenhood awoke
To married innocence:

There still the thanks unheard await
The unconscious gift bequeathed:
For there my soul this hour has breathed
An air inviolate.

217

AN OLD SONG ENDED

“How should I your true love know
From another one?”
“By his cockle-hat and staff
And his sandal-shoon.”

“And what signs have told you now
That he hastens home?”
“Lo! the spring is nearly gone,
He is nearly come.”

“For a token is there nought,
Say, that he should bring?”
“He will bear a ring I gave
And another ring.”

“How may I, when he shall ask,
Tell him who lies there?”
“Nay, but leave my face unveiled
And unbound my hair.”

“Can you say to me some word
I shall say to him?”
“Say I'm looking in his eyes
Though my eyes are dim.”

AFTER THE GERMAN SUBJUGATION OF FRANCE, 1871

Lo the twelfth year—the wedding-feast come round
With years for months—and lo the babe new-born;
Out of the womb's rank furnace cast forlorn,
And with contagious effluence seamed and crown'd.
To hail this birth, what fiery tongues surround
Hell's Pentecost—what clamour of all cries
That swell, from Absalom's scoff to Shimei's,
One scornful gamut of tumultuous sound!

For now the harlot's heart on a new sleeve
Is prankt; and her heart's lord of yesterday
(Spurned from her bed, whose worm-spun silks o'erlay
Such fretwork as that other worm can weave)
Takes in his ears the vanished world's last yell,
And in his flesh the closing teeth of Hell.

218

DOWN STREAM

Between Holmscote and Hurstcote
The river-reaches wind,
The whispering trees accept the breeze,
The ripple's cool and kind;
With love low-whispered 'twixt the shores,
With rippling laughters gay,
With white arms bared to ply the oars,
On last year's first of May.

Between Holmscote and Hurstcote
The river's brimmed with rain,
Through close-met banks and parted banks
Now near, now far again:
With parting tears caressed to smiles,
With meeting promised soon,
With every sweet vow that beguiles,
On last year's first of June.

Between Holmscote and Hurstcote
The river's flecked with foam,
'Neath shuddering clouds that hang in shrouds
And lost winds wild for home:
With infant wailings at the breast,
With homeless steps astray,
With wanderings shuddering tow'rds one rest
On this year's first of May.

Between Holmscote and Hurstcote
The summer river flows
With doubled flight of moons by night
And lilies' deep repose:
With lo! beneath the moon's white stare
A white face not the moon,
With lilies meshed in tangled hair,
On this year's first of June.

Between Holmscote and Hurstcote
A troth was given and riven,
From heart's trust grew one life to two,
Two lost lives cry to Heaven:
With banks spread calm to meet the sky,
With meadows newly mowed,
The harvest-paths of glad July,
The sweet school-children's road.

219

THE CLOUD CONFINES

The day is dark and the night
To him that would search their heart;
No lips of cloud that will part
Nor morning song in the light:
Only, gazing alone,
To him wild shadows are shown,
Deep under deep unknown
And height above unknown height.
Still we say as we go,—
“Strange to think by the way,
Whatever there is to know,
That shall we know one day.”

The Past is over and fled;
Named new, we name it the old;
Thereof some tale hath been told
But no word comes from the dead;
Whether at all they be,
Or whether as bond or free,
Or whether they too were we,
Or by what spell they have sped.
Still we say as we go,—
“Strange to think by the way,
Whatever there is to know,
That shall we know one day.”

What of the heart of hate
That beats in thy breast, O Time?—
Red strife from the furthest prime,
And anguish of fierce debate;
War that shatters her slain,
And peace that grinds them as grain,
And eyes fixed ever in vain
On the pitiless eyes of Fate.
Still we say as we go,—
“Strange to think by the way,
Whatever there is to know,
That shall we know one day.”

What of the heart of love
That bleeds in thy breast, O Man?—
Thy kisses snatched 'neath the ban
Of fangs that mock them above;
Thy bells prolonged unto knells,
Thy hope that a breath dispels,
Thy bitter forlorn farewells
And the empty echoes thereof?
Still we say as we go,—
“Strange to think by the way,
Whatever there is to know,
That shall we know one day.”

220

The sky leans dumb on the sea,
Aweary with all its wings;
And oh! the song the sea sings
Is dark everlastingly.
Our past is clean forgot,
Our present is and is not,
Our future's a sealed seedplot,
And what betwixt them are we?—
We who say as we go—
“Strange to think by the way,
Whatever there is to know,
That shall we know one day.”

SUNSET WINGS

To-night this sunset spreads two golden wings
Cleaving the western sky;
Winged too with wind it is, and winnowings
Of birds; as if the day's last hour in rings
Of strenuous flight must die.

Sun-steeped in fire, the homeward pinions sway
Above the dovecote-tops;
And clouds of starlings, ere they rest with day,
Sink, clamorous like mill-waters, at wild play,
By turns in every copse:

Each tree heart-deep the wrangling rout receives,—
Save for the whirr within,
You could not tell the starlings from the leaves;
Then one great puff of wings, and the swarm heaves
Away with all its din.

Even thus Hope's hours, in ever-eddying flight,
To many a refuge tend;
With the first light she laughed, and the last light
Glows round her still; who natheless in the night
At length must make an end.

And now the mustering rooks innumerable
Together sail and soar,
While for the day's death, like a tolling knell,
Unto the heart they seem to cry, Farewell,
No more, farewell, no more!

Is Hope not plumed, as 'twere a fiery dart?
And oh! thou dying day,
Even as thou goest must she too depart,
And Sorrow fold such pinions on the heart
As will not fly away?

221

SOOTHSAY

Let no man ask thee of anything
Not yearborn between Spring and Spring.
More of all worlds than he can know,
Each day the single sun doth show.
A trustier gloss than thou canst give
From all wise scrolls demonstrative,
The sea doth sigh and the wind sing.

Let no man awe thee on any height
Of earthly kingship's mouldering might.
The dust his heel holds meet for thy brow
Hath all of it been what both are now;
And thou and he may plague together
A beggar's eyes in some dusty weather
When none that is now knows sound or sight.

Crave thou no dower of earthly things
Unworthy Hope's imaginings.
To have brought true birth of Song to be
And to have won hearts to Poesy,
Or anywhere in the sun or rain
To have loved and been beloved again,
Is loftiest reach of Hope's bright wings.

The wild waifs cast up by the sea
Are diverse ever seasonably.
Even so the soul-tides still may land
A different drift upon the sand.
But one the sea is evermore:
And one be still, 'twixt shore and shore,
As the sea's life, thy soul in thee.

Say, hast thou pride? How then may fit
Thy mood with flatterers' silk-spun wit?
Haply the sweet voice lifts thy crest,
A breeze of fame made manifest.
Nay, but then chaf'st at flattery? Pause:
Be sure thy wrath is not because
It makes thee feel thou lovest it.

Let thy soul strive that still the same
Be early friendship's sacred flame.
The affinities have strongest part
In youth, and draw men heart to heart:
As life wears on and finds no rest,
The individual in each breast
Is tyrannous to sunder them.

In the life-drama's stern cue-call,
A friend's a part well-prized by all:
And if thou meet an enemy,
What art thou that none such should be?
Even so: but if the two parts run
Into each other and grow one,
Then comes the curtain's cue to fall.

222

Whate'er by other's need is claimed
More than by thine,—to him unblamed
Resign it: and if he should hold
What more than he thou lack'st, bread, gold,
Or any good whereby we live,—
To thee such substance let him give
Freely: nor he nor thou be shamed.

Strive that thy works prove equal: lest
That work which thou hast done the best
Should come to be to thee at length
(Even as to envy seems the strength
Of others) hateful and abhorr'd,—
Thine own above thyself made lord,—
Of self-rebuke the bitterest.

Unto the man of yearning thought
And aspiration, to do nought
Is in itself almost an act,—
Being chasm-fire and cataract
Of the soul's utter depths unseal'd.
Yet woe to thee if once thou yield
Unto the act of doing nought!

How callous seems beyond revoke
The clock with its last listless stroke!
How much too late at length!—to trace
The hour on its forewarning face,
The thing thou hast not dared to do! ...
Behold, this may be thus! Ere true
It prove, arise and bear thy yoke.

Let lore of all Theology
Be to thy soul what it can be:
But know,—the Power that fashions man
Measured not out thy little span
For thee to take the meting-rod
In turn, and so approve on God
Thy science of Theometry.

To God at best, to chance at worst,
Give thanks for good things, last as first.
But windstrown blossom is that good
Whose apple is not gratitude.
Even if no prayer uplift thy face,
Let the sweet right to render grace
As thy soul's cherished child be nurs'd.

Didst ever say, “Lo, I forget”?
Such thought was to remember yet.
As in a gravegarth, count to see
The monuments of memory.
Be this thy soul's appointed scope:—
Gaze onward without claim to hope,
Nor, gazing backward, court regret.

223

WINTER

How large that thrush looks on the bare thorn-tree!
A swarm of such, three little months ago,
Had hidden in the leaves and let none know
Save by the outburst of their minstrelsy.
A white flake here and there—a snow-lily
Of last night's frost—our naked flower-beds hold;
And for a rose-flower on the darkling mould
The hungry redbreast gleams. No bloom, no bee.

The current shudders to its ice-bound sedge;
Nipped in their bath, the stark reeds one by one
Flash each its clinging diamond in the sun:
'Neath winds which for this winter's sovereign pledge
Shall curb great king-masts to the ocean's edge
And leave memorial forest-kings o'erthrown.

SPRING

Soft-littered is the new-year's lambing-fold,
And in the hollowed haystack at its side
The shepherd lies o'nights now, wakeful-eyed
At the ewes' travailing call through the dark cold.
The young rooks cheep 'mid the thick caw o'the old:
And near unpeopled stream-sides, on the ground,
By her spring-cry the moorhen's nest is found,
Where the drained flood-lands flaunt their marigold.

Chill are the gusts to which the pastures cower,
And chill the current where the young reeds stand
As green and close as the young wheat on land:
Yet here the cuckoo and the cuckoo-flower
Plight to the heart Spring's perfect imminent hour
Whose breath shall soothe you like your dear one's hand.

UNTIMELY LOST

Oliver Madox Brown. Born 1855; Died 1874

Upon the landscape of his coming life
A youth high-gifted gazed, and found it fair:
The heights of work, the floods of praise, were there.
What friendships, what desires, what love, what wife?—
All things to come. The fanned springtime was rife
With imminent solstice; and the ardent air
Had summer sweets and autumn fires to bear;—
Heart's ease full-pulsed with perfect strength for strife.

A mist has risen: we see the youth no more:
Does he see on and strive on? And may we
Late-tottering world-worn hence, find his to be
The young strong hand which helps us up that shore?
Or, echoing the No More with Nevermore,
Must Night be ours and his? We hope: and he?

224

PARTED PRESENCE

Love, I speak to your heart,
Your heart that is always here.
Oh draw me deep to its sphere,
Though you and I are apart,
And yield, by the spirit's art,
Each distant gift that is dear.
O love, my love, you are here!

Your eyes are afar to-day,
Yet, love, look now in mine eyes.
Two hearts sent forth may despise
All dead things by the way.
All between is decay,
Dead hours and this hour that dies.
O love, look deep in mine eyes!

Your hands to-day are not here,
Yet lay them, love, in my hands.
The hourglass sheds its sands
All day for the dead hours' bier;
But now, as two hearts draw near,
This hour like a flower expands.
O love, your hands in my hands!

Your voice is not on the air,
Yet, love, I can hear your voice:
It bids my heart to rejoice
As knowing your heart is there,—
A music sweet to declare
The truth of your steadfast choice.
O love, how sweet is your voice!

To-day your lips are afar,
Yet draw my lips to them, love.
Around, beneath, and above,
Is frost to bind and to bar;
But where I am and you are,
Desire and the fire thereof.
O kiss me, kiss me, my love!

Your heart is never away,
But ever with mine, for ever,
For ever without endeavour,
To-morrow, love, as to-day;
Two blent hearts never astray,
Two souls no power may sever,
Together, O my love, for ever!

225

A DEATH-PARTING

Leaves and rain and the days of the year,
(Water-willow and wellaway,)
All these fall, and my soul gives ear,
And she is hence who once was here.
(With a wind blown night and day.)

Ah! but now, for a secret sign,
(The willow's wan and the water white,)
In the held breath of the day's decline
Her very face seemed pressed to mine.
(With a wind blown day and night.)

O love, of my death my life is fain;
(The willows wave on the water-way,)
Your cheek and mine are cold in the rain,
But warm they'll be when we meet again.
(With a wind blown night and day.)

Mists are heaved and cover the sky;
(The willows wail in the waning light,)
O loose your lips, leave space for a sigh,—
They seal my soul, I cannot die.
(With a wind blown day and night.)

Leaves and rain and the days of the year,
(Water-willow and wellaway,)
All still fall, and I still give ear,
And she is hence, and I am here.
(With a wind blown night and day.)

THREE SHADOWS

I looked and saw your eyes
In the shadow of your hair,
As a traveller sees the stream
In the shadow of the wood;
And I said, “My faint heart sighs,
Ah me! to linger there,
To drink deep and to dream
In that sweet solitude.”

I looked and saw your heart
In the shadow of your eyes,
As a seeker sees the gold
In the shadow of the stream;
And I said, “Ah me! what art
Should win the immortal prize,
Whose want must make life cold
And Heaven a hollow dream?”

I looked and saw your love
In the shadow of your heart,
As a diver sees the pearl
In the shadow of the sea;
And I murmured, not above
My breath, but all apart,—
“Ah! you can love, true girl,
And is your love for me?”

226

ADIEU

Waving whispering trees,
What do you say to the breeze
And what says the breeze to you?
'Mid passing souls ill at ease,
Moving murmuring trees,
Would ye ever wave an Adieu?

Tossing turbulent seas,
Winds that wrestle with these,
Echo heard in the shell,—
'Mid fleeting life ill at ease,
Restless ravening seas,—
Would the echo sigh Farewell?

Surging sumptuous skies,
For ever a new surprise,
Clouds eternally new,—
Is every flake that flies,
Widening wandering skies,
For a sign—Farewell, Adieu?

Sinking suffering heart
That know'st how weary thou art,—
Soul so fain for a flight,—
Aye, spread your wings to depart,
Sad soul and sorrowing heart,—
Adieu, Farewell, Good-night.

ASTARTE SYRIACA

(For a Picture)

Mystery: lo! betwixt the sun and moon
Astarte of the Syrians: Venus Queen
Ere Aphrodite was. In silver sheen
Her twofold girdle clasps the infinite boon
Of bliss whereof the heaven and earth commune:
And from her neck's inclining flower-stem lean
Love-freighted lips and absolute eyes that wean
The pulse of hearts to the spheres' dominant tune.

Torch-bearing, her sweet ministers compel
All thrones of light beyond the sky and sea
The witnesses of Beauty's face to be:
That face, of Love's all-penetrative spell
Amulet, talisman, and oracle,—
Betwixt the sun and moon a mystery.

227

CHIMES

I

Honey-flowers to the honey-comb,
And the honey-bee's from home.

A honey-comb and a honey-flower,
And the bee shall have his hour.

A honeyed heart for the honey-comb,
And the humming bee flies home.

A heavy heart in the honey-flower,
And the bee has had his hour.

II

A honey-cell's in the honeysuckle,
And the honey-bee knows it well.

The honey-comb has a heart of honey,
And the humming bee's so bonny.

A honey-flower's the honeysuckle,
And the bee's in the honey-bell.

The honeysuckle is sucked of honey,
And the bee is heavy and bonny.

III

Brown shell first for the butterfly,
And a bright wing by and by.

Butterfly, good-bye to your shell,
And, bright wings, speed you well.

Bright lamplight for the butterfly
And a burnt wing by and by.

Butterfly, alas for your shell,
And, bright wings, fare you well.

IV

Lost love-labour and lullaby,
And lowly let love lie.

Lost love-morrow and love fellow
And love's life lying low.

Lovelorn labour and life laid by,
And lowly let love lie.

Late love-longing and life-sorrow
And love's life lying low.

228

V

Beauty's body and benison
With a bosom-flower new-blown.

Bitter beauty and blessing bann'd
With a breast to burn and brand.

Beauty's bower in the dust o'erblown
With a bare white breast of bone.

Barren beauty and bower of sand
With a blast on either hand.

VI

Buried bars in the breakwater
And bubble of the brimming weir.

Body's blood in the breakwater
And a buried body's bier.

Buried bones in the breakwater
And bubble of the brawling weir.

Bitter tears in the breakwater
And a breaking heart to bear.

VII

Hollow heaven and the hurricane
And hurry of the heavy rain.

Hurried clouds in the hollow heaven
And a heavy rain hard-driven.

The heavy rain it hurries amain
And heaven and the hurricane.

Hurrying wind o'er the heaven's hollow
And the heavy rain to follow.

TO PHILIP BOURKE MARSTON, INCITING ME TO POETIC WORK

Sweet Poet, thou of whom these years that roll
Must one day yet the burdened birthright learn,
And by the darkness of thine eyes discern
How piercing was the sight within thy soul;—
Gifted apart, thou goest to the great goal,
A cloud-bound radiant spirit, strong to earn,
Light-reft, that prize for which fond myriads yearn
Vainly light-blest,—the Seër's aureole.

And doth thine ear, divinely dowered to catch
All spheral sounds in thy song blent so well,
Still hearken for my voice's slumbering spell
With wistful love? Ah! let the Muse now snatch
My wreath for thy young brows, and bend to watch
Thy veiled transfiguring sense's miracle.

229

THE LAST THREE FROM TRAFALGAR

AT THE ANNIVERSARY BANQUET, 21ST OCTOBER 187*

In grappled ships around The Victory,
Three boys did England's Duty with stout cheer,
While one dread truth was kept from every ear,
More dire than deafening fire that churned the sea:
For in the flag-ship's weltering cockpit, he
Who was the Battle's Heart without a peer,
He who had seen all fearful sights save Fear,
Was passing from all life save Victory.

And round the old memorial board to-day,
Three greybeards—each a warworn British Tar—
View through the mist of years that hour afar:
Who soon shall greet, 'mid memories of fierce fray,
The impassioned soul which on its radiant way
Soared through the fiery cloud of Trafalgar.

FIAMMETTA

(For a Picture)

Behold Fiammetta, shown in Vision here.
Gloom-girt 'mid Spring-flushed apple-growth she stands;
And as she sways the branches with her hands,
Along her arm the sundered bloom falls sheer,
In separate petals shed, each like a tear;
While from the quivering bough the bird expands
His wings. And lo! thy spirit understands
Life shaken and shower'd and flown, and Death drawn near.

All stirs with change. Her garments beat the air:
The angel circling round her aureole
Shimmers in flight against the tree's grey bole:
While she, with reassuring eyes most fair,
A presage and a promise stands; as 'twere
On Death's dark storm the rainbow of the Soul.

MNEMOSYNE

(For a Picture)

Thou fill'st from the winged chalice of the soul
Thy lamp, O Memory, fire-winged to its goal.

230

JOHN KEATS

The weltering London ways where children weep
And girls whom none call maidens laugh,—strange road
Miring his outward steps, who inly trode
The bright Castalian brink and Latmos' steep:—
Even such his life's cross-paths; till deathly deep
He toiled through sands of Lethe; and long pain,
Weary with labour spurned and love found vain,
In dead Rome's sheltering shadow wrapped his sleep.

O pang-dowered Poet, whose reverberant lips
And heart-strung lyre awoke the Moon's eclipse,—
Thou whom the daisies glory in growing o'er,—
Their fragrance clings around thy name, not writ
But rumour'd in water, while the fame of it
Along Time's flood goes echoing evermore.

THOMAS CHATTERTON

With Shakspeare's manhood at a boy's wild heart,—
Through Hamlet's doubt to Shakspeare near allied,
And kin to Milton through his Satan's pride,—
At Death's sole door he stooped, and craved a dart;
And to the dear new bower of England's art,—
Even to that shrine Time else had deified,
The unuttered heart that soared against his side,—
Drove the fell point, and smote life's seals apart.

Thy nested home-loves, noble Chatterton;
The angel-trodden stair thy soul could trace
Up Redcliffe's spire; and in the world's armed space
Thy gallant sword-play:—these to many an one
Are sweet for ever; as thy grave unknown
And love-dream of thine unrecorded face.

WILLIAM BLAKE

(To Frederick Shields, on his sketch of Blake's work-room and death-room, 3 Fountain Court, Strand)

This is the place. Even here the dauntless soul,
The unflinching hand, wrought on; till in that nook,
As on that very bed, his life partook
New birth, and passed. Yon river's dusky shoal,
Whereto the close-built coiling lanes unroll,
Faced his work-window, whence his eyes would stare,
Thought-wandering, unto nought that met them there,
But to the unfettered irreversible goal.

This cupboard, Holy of Holies, held the cloud
Of his soul writ and limned; this other one,
His true wife's charge, full oft to their abode
Yielded for daily bread the martyr's stone,
Ere yet their food might be that Bread alone,
The words now home-speech of the mouth of God.

231

THE DAY-DREAM

(For a Picture)

The thronged boughs of the shadowy sycamore
Still bear young leaflets half the summer through;
From when the robin 'gainst the unhidden blue
Perched dark, till now, deep in the leafy core,
The embowered throstle's urgent wood-notes soar
Through summer silence. Still the leaves come new;
Yet never rosy-sheathed as those which drew
Their spiral tongues from spring-buds heretofore.

Within the branching shade of Reverie
Dreams even may spring till autumn; yet none be
Like woman's budding day-dream spirit-fann'd.
Lo! tow'rd deep skies, not deeper than her look,
She dreams; till now on her forgotten book
Drops the forgotten blossom from her hand.

SAMUEL TAYLOR COLERIDGE

His Soul fared forth (as from the deep home-grove
The father-songster plies the hour-long quest),
To feed his soul-brood hungering in the nest;
But his warm Heart, the mother-bird, above
Their callow fledgling progeny still hove
With tented roof of wings and fostering breast
Till the Soul fed the soul-brood. Richly blest
From Heaven their growth, whose food was Human Love.

Yet ah! Like desert pools that show the stars
Once in long leagues,—even such the scarce-snatched hours
Which deepening pain left to his lordliest powers:—
Heaven lost through spider-trammelled prison-bars.
Six years, from sixty saved! Yet kindling skies
Own them, a beacon to our centuries.

232

FOR SPRING BY SANDRO BOTTICELLI

(In the Accademia of Florence)

What masque of what old wind-withered New-Year
Honours this Lady? Flora, wanton-eyed
For birth, and with all flowrets prankt and pied:
Aurora, Zephyrus, with mutual cheer
Of clasp and kiss: the Graces circling near,
'Neath bower-linked arch of white arms glorified:
And with those feathered feet which hovering glide
O'er Spring's brief bloom, Hermes the harbinger.

Birth-bare, not death-bare yet, the young stems stand
This Lady's temple-columns: o'er her head
Love wings his shaft. What mystery here is read
Of homage or of hope? But how command
Dead Springs to answer? And how question here
These mummers of that wind-withered New-Year?

The same lady, here surrounded by the masque of Spring, is evidently the subject of a portrait by Botticelli formerly in the Pourtalès collection in Paris. This portrait is inscribed “Smeralda Bandinelli.”

FOR THE HOLY FAMILY BY MICHELANGELO.

(In the National Gallery )

Turn not the prophet's page, O Son! He knew
All that Thou hast to suffer, and hath writ.
Not yet Thine hour of knowledge. Infinite
The sorrows that Thy manhood's lot must rue
And dire acquaintance of Thy grief. That clue
The spirits of Thy mournful ministerings
Seek through yon scroll in silence. For these things
The angels have desired to look into.

Still before Eden waves the fiery sword,—
Her Tree of Life unransomed: whose sad Tree
Of Knowledge yet to growth of Calvary
Must yield its Tempter,—Hell the earliest dead
Of Earth resign,—and yet, O Son and Lord,
The seed o'the woman bruise the serpent's head.

In this picture the Virgin Mother is seen withholding from the Child Saviour the prophetic writings in which His sufferings are foretold. Angelic figures beside them examine a scroll.

233

TIBER, NILE, AND THAMES

The head and hands of murdered Cicero,
Above his seat high in the Forum hung,
Drew jeers and burning tears. When on the rung
Of a swift-mounted ladder, all aglow,
Fulvia, Mark Antony's shameless wife, with show
Of foot firm-poised and gleaming arm upflung,
Bade her sharp needle pierce that god-like tongue
Whose speech fed Rome even as the Tiber's flow.

And thou, Cleopatra's Needle, that hadst thrid
Great skirts of Time ere she and Antony hid
Dead hope!—hast thou too reached, surviving death,
A city of sweet speech scorned,—on whose chill stone
Keats withered, Coleridge pined, and Chatterton,
Breadless, with poison froze the God-fired breath?

“FOUND”

(For a Picture)

“There is a budding morrow in midnight:”—
So sang our Keats, our English nightingale.
And here, as lamps across the bridge turn pale
In London's smokeless resurrection-light,
Dark breaks to dawn. But o'er the deadly blight
Of Love deflowered and sorrow of none avail,
Which makes this man gasp and this woman quail,
Can day from darkness ever again take flight?

Ah! gave not these two hearts their mutual pledge,
Under one mantle sheltered 'neath the hedge
In gloaming courtship? And, O God! to-day
He only knows he holds her;—but what part
Can life now take? She cries in her locked heart,—
“Leave me—I do not know you—go away!”

CZAR ALEXANDER THE SECOND

(13TH MARCH 1881)

From him did forty million serfs, endow'd
Each with six feet of death-due soil, receive
Rich freeborn lifelong land, whereon to sheave
Their country's harvest. These to-day aloud
Demand of Heaven a Father's blood,—sore bow'd
With tears and thrilled with wrath; who, while they grieve,
On every guilty head would fain achieve
All torment by his edicts disallow'd.

He stayed the knout's red-ravening fangs; and first
Of Russian traitors, his own murderers go
White to the tomb. While he,—laid foully low
With limbs red-rent, with festering brain which erst
Willed kingly freedom,—'gainst the deed accurst
To God bears witness of his people's woe.

234

ALAS, SO LONG!

Ah! dear one, we were young so long,
It seemed that youth would never go,
For skies and trees were ever in song
And water in singing flow
In the days we never again shall know.
Alas, so long!
Ah! then was it all Spring weather?
Nay, but we were young and together.

Ah! dear one, I've been old so long,
It seems that age is loth to part,
Though days and years have never a song,
And oh! have they still the art
That warmed the pulses of heart to heart?
Alas, so long!
Ah! then was it all Spring weather?
Nay, but we were young and together.

Ah! dear one, you've been dead so long,—
How long until we meet again,
Where hours may never lose their song
Nor flowers forget the rain
In glad noonlight that never shall wane?
Alas, so long!
Ah! shall it be then Spring weather,
And ah! shall we be young together?

INSOMNIA

Thin are the night-skirts left behind
By daybreak hours that onward creep,
And thin, alas! the shred of sleep
That wavers with the spirit's wind:
But in half-dreams that shift and roll
And still remember and forget,
My soul this hour has drawn your soul
A little nearer yet.

Our lives, most dear, are never near,
Our thoughts are never far apart,
Though all that draws us heart to heart
Seems fainter now and now more clear.
To-night Love claims his full control,
And with desire and with regret
My soul this hour has drawn your soul
A little nearer yet.

Is there a home where heavy earth
Melts to bright air that breathes no pain,
Where water leaves no thirst again
And springing fire is Love's new birth?
If faith long bound to one true goal
May there at length its hope beget,
My soul that hour shall draw your soul
For ever nearer yet.

235

POSSESSION

There is a cloud above the sunset hill,
That wends and makes no stay,
For its goal lies beyond the fiery west;
A lingering breath no calm can chase away,
The onward labour of the wind's last will;
A flying foam that overleaps the crest
Of the top wave: and in possession still
A further reach of longing; though at rest
From all the yearning years,
Together in the bosom of that day
Ye cling, and with your kisses drink your tears.

PERCY BYSSHE SHELLEY

(Inscription for the couch, still preserved, on which he passed the last night of his life.)

'Twixt those twin worlds,—the world of Sleep, which gave
No dream to warn,—the tidal world of Death,
Which the earth's sea, as the earth, replenisheth,—
Shelley, Song's orient sun, to breast the wave,
Rose from this couch that morn. Ah! did he brave
Only the sea?—or did man's deed of hell
Engulph his bark 'mid mists impenetrable? ...
No eye discerned, nor any power might save.

When that mist cleared, O Shelley! what dread veil
Was rent for thee, to whom far-darkling Truth
Reigned sovereign guide through thy brief ageless youth?
Was the Truth thy Truth, Shelley?—Hush! All-Hail!
Past doubt, thou gav'st it; and in Truth's bright sphere
Art first of praisers, being most praisèd here.

RALEIGH'S CELL IN THE TOWER

Here writ was the World's History by his hand
Whose steps knew all the earth; albeit his world
In these few piteous paces then was furl'd.
Here daily, hourly, have his proud feet spann'd
This smaller speck than the receding land
Had ever shown his ships; what time he hurl'd
Abroad o'er new-found regions spiced and pearl'd
His country's high dominion and command.

Here dwelt two spheres. The vast terrestrial zone
His spirit traversed; and that spirit was
Itself the zone celestial, round whose birth
The planets played within the zodiac's girth;
Till hence, through unjust death unfeared, did pass
His spirit to the only land unknown.

236

SPHERAL CHANGE

In this new shade of Death, the show
Passes me still of form and face;
Some bent, some gazing as they go,
Some swiftly, some at a dull pace,
Not one that speaks in any case.

If only one might speak!—the one
Who never waits till I come near;
But always seated all alone
As listening to the sunken air,
Is gone before I come to her.

O dearest! while we lived and died
A living death in every day,
Some hours we still were side by side,
When where I was you too might stay
And rest and need not go away.

O nearest, furthest! Can there be
At length some hard-earned heart-won home,
Where,—exile changed for sanctuary,—
Our lot may fill indeed its sum,
And you may wait and I may come?