Brand-New Ballads | ||
THE RISE AND FALL OF GLORYVILLE.
And the sager kinds of sage-bush in the middle distance rise,
There the cultured eye descending from the dream-like azure hill,
Lights in an æsthetic foreground on the town of Gloryville.
So I found the hoary legend written on an ancient slate—
That one Ezry Jenks prospecting, when he reached this blooming spot,
Thus uplifted to his pardner: “Glory! Moses, let us squat!”
Which in the untrammelled silence of this wilderness was heard,
And I arnswer, dimly feelin' like a prophet, grand and slow,
‘Glory kinder sounds like Money—up to glory let her go!’”
As if by an inspiration he recorded on a slate,
Which 't was said in later ages—six weeks after—used to hang
As a curiositary in the principal shebang.
As their eyes remarked the symptom thus their tongues responsive spoke:
“In this undiscovered section there is pay-dirt, sure as smoke!”
To a carcase, folks came flying, and the town of Glory rose;
As in country schools the urchins cast each one a spittle-ball,
Till at last a monstrous paper fungus gathers on the wall.
As if each man to his neighbour kind of wished to have his say;
But 't was also said that like two rows of teeth the houses grew,
Threatening uncommon danger to the stranger passing through.
Every person in the party was a most uncommon sharp;
And it got to be a saying that from such an ornery cuss
As a regular Gloryvillin—oh, good Law deliver us!
Since when all resources failed them nary copper did they mind,
For they had fine-answering Genius, which is never left behind.
Spreading memoirs of their splendour over many a distant land,
Mind I say in distant places—people near them never knew
Into what unearthly beauty the great town of Glory grew.
Even unto distant Holland, loaded up with many a bond,
Splendidly engraved in London, having just the proper touch;
Quite imposing—rather—for they did impose upon the Dutch.
Of the town of Gloryville a-bathing in the sunset's glow;
Who was told to draw a city comme il faut dans l'Amérique.
Out of scenery in an opera, “Cortez in the Mexico.”
Therefore all his work expanded with expensive fallacies:
Castles, towered walls, pavilions, real-estately palaces.
Bore up cocoa-nuts and monkeys to the smiling heaven above;
Jet-black Indian chieftains, at their feet, too, lovely girls were sighin',
With an elephant beyond them—here and there a casual lion.
Like a hub in half a cart-wheel raying light o'er all the land.
Well, in that, it is the felloes of the wheel which cause the blaze,
So in Gloryville the fellows were the ones who made the rays.
Where to Mynheer Schmuel Ganef first of all he made his slam,
At a glance each “saw” the other—at a glance they went aside,
And without a word of bother soon the plan was cut and dried.
Gave away the full fee-simple of the town of Gloryville.
“Dat for you,” said Schmuel Ganef, “is, I dink, not much too much,
But I makesh de shtock a million ven I sells him to the Dutch.”
Known to the police in Paris as the vol Américain,
Whereby he who does the spilling manages the man who 's spilt
Very nicely, for he makes him an accomplice in the guilt.
And to all he slyly whispered, “I vill let you in de first
On de ground floor—sell out quickly—for you know de ding may burst.”
Even the greatest will discover in due time his master-thief.
True, he “let them in,” and truly on the very bottom floor,
But was with the Gloryvillins in the cellar long before.
Here the Governor leaves my story, and he comes not in again.
I will pass to later ages, when all Gloryville, you bet,
Found itself extreme encumbered with an extra booming debt.
Little knew they of its glory over seas or great renown.
They had nothing of the fruitage, though, alas! they held the plant,
Nothing saw they of the picture, save, indeed, the Elephant.
Terribly he trampled on them, very awful was his roar!
Very dreadful is the silence when no human voice responds
To a legal requisition for the interest of our bonds
Wings is given to muskeeters—like muskeeters men can fly;
Ef a strawberry-vine can travel with its roots, then why not I?”
Got a three-inch plank and sawed it into surreptitious wheels,
Put his hut and things on axles, and quite lonely drove away
There, no more a man of glory, Moses Adams dropped his load,
And when resting from his labour and refreshing from his jug,
Having known a town called Julesberg, called his shanty Splendourbug.
And the Gloryvillins followed his example, one by one,
While he smiled upon the city, as on other things beneath,
'T was observed one snag was wanting in the double row of teeth.
And each man surveyed his neighbour with a shrewd and genial squint;
Seven more houses in the morning were a-wanting in the town.
Just like swallows in the autumn to another soil they flew;
Only that unlike the swallows which we hear of in the song,
When the Gloryvillins squandered each one took his nest along.
Who for want of wheels and credit could not follow up the game,
So the others had to leave him, which they did without regret,
Left him there without a copper—just one million deep in debt.
All of them at length established in the town of Splendourbug,
Points him out an ancient darkey who a million dollars owes.
IN THE WRONG BOX.
I was sittin' by his side,
'T was in Boston, Massachusetts; and he said to me “Old boy!
This climate—as you see—
Isn't quite the size for me;
Dead or livin', take me back if you can to Ellanoy!”
But he'd just run out his sand,
And his breath was gone for ever—before a word would come;
Then I and other three
Together did agree
In a party for to travel and to funeralize him home.
As he looked upon the dead,
Weepin' mildly, “Just remark my observation what I say:
Was in life a curious cuss,
And somethin' unexpectable will happen on the way.
Till he doubled round the Horn
Of Death, all his measurements and pleasurements were odd,
And odd his line will be,
As you're registered to see,
Till his walnut case is underneath the gravel and the sod.”
When we all four got together
At the depôt with the coffin in an extra packin' box,
And a friend, with good intent,
A cask of whisky sent,
Just to keep our boats from wrackin', as they say, upon the rocks.
Seein' mournin', says to me,
“Can I get the cards, or help you in your trouble, Mister Brown?”
So with solemn words I said,
As I pinted to the dead,
“There you'll find, I guess, our pilgrimage and shrine is written down.”
We sat grimly in the cars,
Sometimes sleepin', sometimes thinkin', sometimes drinkin', till the dawn;
And each man went in his turn
To the baggage-crate to learn
If the box was keepin' time with us, and how 't was gettin' on.
Still the train went rushin' on,
While we still kep' as silent as grave-stones as we went:
Playing euchre solemnly,
Which we kinder did agree
With the stakes to build for Davis a decent monument.
Some mourner took a smile,
But we did no other smilin' as we travelled day or night;
And once in every hour
Some one went into the bower,
And reported the receptacle of Davis was all right
Which we still were flyin' fast,
“Where we are it should be freezin'
And our very breaths a-squeezin',
Whereas the air is hot enough to bake persimmen pies.
As of summer flowers in bloom?
'T is magnolias a-peddled by yon humble coloured boy:
Now, I never yet did know
That the sweet mag-no-li-o
Grew in winter in the latitude of Northern Ellanoy.”
“I behold a field of cotton,
And I wonder how in thunder such a veg'table got here.
I don't know how we're fixed,
But the climate 's getting mixed,
And it's spilin' very rapidly with warmness as I fear.”
“I perceive on yonder land
That sugar-cane is bloomin', correctly, all in rows,
To Republican delusions,
But the niggers air a-getting' all around as thick as crows.”
Till along a fellow come.
And I says, says I, “Conductor, now tell us what it means,
Just inform us where we be?”
“Wall, now, gentlemen,” said he,
“I reckon we air comin' to the spot called New Or-leéns.”
When we got to the depôt,
To the baggage-crate, a-wonderin' at these transformation scenes;
And we found out unexpected
That the box had been directed
Not unto Ellanoy, but to a man in New Or-leéns!
I straightway took a hatchet,
And busted off the cover without openin' my mouth;
Which we'd followed for our banner
All the way from Massachusetts unto the sunny South!
I can see into this mess,
And explain the startlin' error which has given you such shocks.
When that Boston fellow, he
Asked the route I'd take of me,
I pinted, inadvertional, unto another box.”
Beneath the Northern skies,
Where the snow is on the pine-tree while we are with the palm,
But I reckon if his spirit
Should ever come to hear it,
He'll be perfectly contented with the story in this psalm
ZION JERSEY BOGGS.
A LEGEND OF PHILADELPHIA.
Had ever run from pole to pole,
Or telegirls sent telegrams
To cheer the weary waiting soul;
When all things went about as slow
As terrapins could run on clogs,
Was played a game
By one whose name
Was Mister Zion Jersey Boggs.
Was printed then on Chestnut Street;
While 'crost the way, just opposite,
There lived a sufferin' rival sheet,
Whose editors could get no news,
Which made 'em cross as starvin' hogs;
The first, I guess,
Had an express
Which kind o' b'longed to Mister Boggs.
Which reëly opened readers' eyes,
Was of the New York lottery,
And who by luck had got a prize.
All other news, for all they cared,
Might travel to the orful dogs;
And this they got
All piping hot—
Though surreptitiously—from Boggs.
That Boggs did any horses own.
All sportin' amputations he
Did most concussively disown;
For he had serious subtle aims,
His wheels were full of secret cogs,—
Well oiled and slow,
Yet sure to go,
Was Mister Zion Jersey Boggs.
An' smilin' quite ironical,
Spoke to the other editor,
The man who run the Chronicle.
“The Ledger has a hoss express
By which your lottery news he flogs.”
But what 's to do?”
Replied the man to Mister Boggs.
And with a long deep knowing wink,
Said, “Hosses travel mighty fast—
But ther air faster things, I think;
An' kerrier-pidgings, as you know,
Kin find their way thro' storm and fogs:
Them air the bugs
To fly like slugs!”
Said Mister Zion Jersey Boggs.
Which lies acrost the Delaware,
I hev a lot upon the spot,—
Just twenty dollars fur a pair.
These gentle insects air the things
To make the Ledger squeal like hogs;
That is the game
To hit 'em lame!”
Said Mister Zion Jersey Boggs.
And saw him better on his wink.
Say, Boggs, what is your style of drink?
Step to the bar of Congress Hall;—
We'll try your poultry on, by Gogs!
An' let 'em fly
Tarnation high!”
“Amen!” said Zion Jersey Boggs.
They lit upon the lofty wall;
They made ther five an' ninety miles
In just about no time at all.
Compared to them, the Ledger team
Went just as slow as haulin' logs.
But all was mum,
Shut close an' dumb,
By the request of Mister Boggs.
Lookin' profounder as he prowled,
This son of sin an' mystery
Into the Ledger orfice owled.
“An' oh! to think,” he sadly groaned,
“That earth should bear setch skalliwogs!
Setch all-fired snakes,
And no mistakes!”
Said Mister Zion Jersey Boggs.
“It seems you've had some awful shoves.”
“The Chronicle,” his agent cried,
“Has went an' bin an' bought some doves!
Them traitors, wretches, swindlers, cheats,
Hev smashed us up like polywogs.
They've knocked, I guess,
Our hoss express
Higher than any kite,” said Boggs.
“To keep the fellows off our walks?”
“I hev,” said Boggs, as grim as death;
“What do you think of pidging-horks?
For in my glorious natyve land,
Acrost the river, 'mong the frogs,
I hev a lot
All sharply sot
To eat them pidgings up,” said Boggs.
They fly like arrers through the air,
Or Angels sent by orful Death,—
Jist fifty dollars fur a pair;
An' cheap to keep, because, you see,
Upon the enemy they progs.”
And now begone!”
Said Mister Swain to Mister Boggs.
Fresh as a rose with recent rain.
The pidgins tortled through the air,
But nary one came home again.
Some feathers dropped in Chestnut Street,
Some bills and claws among the logs:
Wipin' a tear,
“I greatly fear
That all's not right,” said Mr. Boggs.
Twice as mysterious as before,
“And hev you heard the orful news?”
He whispered as he shet the door.
“Oh, I hev come to tell a tale
Of crime, which all creation flogs,
Of wretchery
And treachery
That bangs tarnation sin,” said Boggs.
Hev slopped clean over crime's dark cup.
And they hev et our pidgings up.
Oh, whut is life wuth livin' fur
When editors behave like hogs?
An' ragin' crime
Makes double time;
Oh, darn setch villany!” cried Boggs.
In deep revenge may dry your tears;
I hev a plan which, you'll allow,
Beats all-git-out when it eppears.
The ragin' eagle of the North,
The bird which all creation flogs,
Will cause them horks
To walk ther chalks,
An' give us grand revenge,” said Boggs.
Them symbols of our country's fame,
Wild, sarsy, furious, and free,
Indeliably rowdy game;
They shall revenge them gentile doves
Our harmless messengers, by Gogs!
In which the horks
Hev stuck ther forks,”
Cried Mister Zion Jersey Boggs.
Acrost the river, down below,
I hev a farm, and in the barn
Six captyve eagles in a row.
One hundred dollars fur a pair;
Fetch out the flimsies frum your togs,
An' up on high
I'll make 'em fly,”
Said Mister Zion Jersey Boggs.
Some hint or rumour, faint or dim,
How Mister Boggs, it was averred,
Was coming Paddy over him.
An earlier tale of soapy deeds
Then gave his memory startling jogs,
And full of wrath
Right in his path
He went for Zion Jersey Boggs.
That was enough to raise his Dutch:
He saw it all—and also saw
The eagle—“Just one bird too much.”
Too mad to mind his shootin'-iron,
And throw good powder to the dogs,
And then and there
Corrected Zion Jersey Boggs.
And Morse's telegraph came in,
Still on the facing rival roofs
Two grey old cages could be seen,
And young reporters o'er their drinks
Would tell each other,—jolly dogs,—
Of ancient time,
What in this rhyme
I've told of Zion Jersey Boggs.
THE BALLAD OF THE GREEN OLD MAN.
And all amid the buttercups the bees did butterfly;
While the butterflies were being enraptured in the flowers,
And winsome frogs were singing soft morals to the showers.
And green too were the verdant boughs which rippled in the rain,
Far green likewise the apple hue which clad the distant hill,
But at the station sat a man who looked far greener still.
A being who had little tongue, and nary bit of cheek.
He sat a-counting money in a brownsome pocket-book.
You'd better stow away that cash while you're in this here crowd;
There's many a chap about this spot who'd clean you out like ten.”
“And can it be,” exclaimed the man, “there are such wicked men?
And keep it buttoned very tight, and at the button look.”
He said it with a simple tone, and gave a simple smile,—
You never saw a half-grown shad one-half so void of guile.
While distant frogs were frogging amid the summer showers,
All nature seemed a-naturing as there the old man sat.
Amid the waiting passengers he took his lemonade,
Until he met two travellers who looked cosmopolite.
They seemed to be of that degree which sports about the town.
Amid terrestrial mice, I ween, their destiny was Cat;
If ever men were gonoffs, I should say these two were that.
And gazed him counting greenbacks in that brown-some pocket-book;
And the elder softly warbled with benevolential phiz,
“Green peas has come to market, and the veg'tables is riz.”
The rush upon the gliding brook kept rushing all alone,
And every mortal human man kept on his little game.
How that zealousy policeman had given him the tip,
And how his cash was buttoned in his pocket dark and dim,
And how he guessed no man alive on earth could gammon him.
And in that good man's confidence the younger party deeped.
The p'liceman, as he shadowed them, exclaimed in blooming rage,
“They're stuffin' of that duck, I guess, and leavin' out the sage.”
And watched the reappearance of that brownsome pocket-book,
Had interchanged, obliging-like, a greensome coloured note.
Went out into the Infinite by taking of the train;
Then up the blue policeman came, and said, “My ancient son,
Now you have gone and did it; say what you have been and done?”
They were as nice a two young men as I did ever see;
But they were in such misery their story made me cry;
So I lent 'em twenty dollars—which they'll pay me by-and-bye.
They got from me a fifty bill, and gimme thirty change;
“That note,” out cried the constable, “you'll never see again!”
Because I do not care a cuss how far it keeps away;
For if I'm a judge of money, and I reether think I am,
The one I shoved was never worth a continental dam.
They hev got uncommon swallows and an extry lot of mouth.
In the next train to the North'ard I expect to widely roam,
And if any come inquirin', jist say I ain't at home.”
I s'pose the light was fervent, for a tear were in his eyes,
Just buy yourself a beaver tile and charge that tile to me.”
And the pigeons still a-pigeoning among the gleam of May,
All out of doors kept out of doors as suchlike only can,
A-singing of an endless hymn about that good old man
CARRYING COALS.
And the spirit of silence for ages has slept,
In the great shaft of Potsville, way down in the hole,
There came seven parties, all dealers in coal;
But they never had been in that chasm before,
Nor had the sensation of darkness all o'er,
Which so greatly expandeth the soul.
To be infinite deep into no end of night,
Where the heavenly sunshine can't manage to spring,—
And, talking of that, I've a notion, by Jing!
Let we ourselves mine out some coal lumps to-day
To show to the folks,—which I think, by the way,
Would be a poetical thing.”
And in the hotel they unveiled 'em all out;
But their glances grew strange as they turned o'er the weight,
Till one of them shouted, “By thunder, it 's slate!”
Yet the youngest among them had dealered in coal,
And unto that traffic surrendered his soul,
Since the Anno Eighteen Forty-eight.
Which passeth away like a plate of ice-cream,
And the best of experience fails, as we mark,
If you go for to dig when you're all in the dark;
For there 's always a moral inside of a tale,
And big things in little things always prevail
As sure as there 's wood in the bark.
CAREY, OF CARSON.
As o'er the roads we pass,
Lies in the morning sparkling
As dewdrops on the grass.
E'en so the deeds of darkness,
Which come like midnight dews,
Appear as sparkling items
Next morning in the news.
Far in the Silver Land,
There lives one Justice Carey,
A man of head and hand;
And as upon his table
The Judge a-smoking sat
There rowdied in a rougher
Who wore a gallows hat.
But Justice did not budge
Until the younger warbled,
“Say—don't you know me, Judge?”
“Your face full well I know,—
I sent you up for stealing
A horse a year ago.”
I am, and that 's my line;
And here is twenty dollars
I've brought to pay the fine.”
“You owe no fine,” said Carey,
“Your punishment is o'er.”
“Not yet,” replied the rover,
“I've come to have some more.
I'm goin' to commit,
And you're the mournful victim
That I intend to hit,
And give you such a scrampin'
As never was, nohow;
And so, to save the lawin',
I guess I'll settle now.”
“Young man, your start is fair,
Sail in, my son, sail over,
And we will call it square!
Perhaps you may not miss;
I like to see young heroes
Ambitionin' like this.”
Went in with all his heft,
And, like a flyin' boulder,
At once let out his left;
The Court, in haste, ducked under
Its head uncommon spry,
Then lifted the intruder
With a puncher in the eye,—
And like a cannon-ball,
The young man, when percussioned
Went over on the wall.
In just about a second,
The Court, with all its vim,
Like squash-vines o'er a meadow,
Went climbing over him.
Above an Indian grave,
Or as the Mississippi
Inunders with its wave,
A town in happy sport,
E'en so that man was clambered
All over by the Court.
That party was so raw,
He would have seemed a stranger
Unto his dearest squaw;
Till he was soft and tender,
This morsel once so tough,
And then, in sad surrender,
He moaned aloud, “Enough!”
Said to him ere he went,
“I do not think the fightin'
You did was worth a cent.
I charge for time two dollars,
As lawyers should, 't is plain;
The balance of the twenty
I give you back again.
To folks with all my powers,
So when you next want fightin'
Don't come in office hours;
For what 's in legal time,—
Drop in, my son, this evenin',
And I'll not charge a dime.”
As he had ta'en the scars;
Then took himself awayward
To the 'Ginia City cars.
'T is glorious when heroes
Go in to right their wrongs;
But if you're only hair-pins,
Oh, then beware of tongs!
JOSEPHI IN BENICIA.
A-prisoning until there came a war;
And with the war there came an enemy,
And with the enemy came dynamite,
And with the dynamite the engineers
Histed that prison-house, and with it all
That was therein. And when the man came down
And lay a-dying, round the chaplain lit,
And asked him “What of life?” and he replied,
“To me this life has been a blasted cell.”
And so he died like any other man,
And thus it is things work among mankind.
When in the land of California
Was duly published for Benicia,
Yet never once put in; and then arose
Dame Rumour with a hundred thousand tongues,
And people said that he had bust his wires,
And had neuralgia in his sounding-board,
And the dyspepsia in his pedal joint,
Yet all was false, and I will tell you why.
The day before he was to have gone in
Unto his glory in Benicia,
There came a visitor whose sun-grilled face
And grand prize pumpkin air had all the style
Of a Maud Muller's father; and this man,
Being shown in, remarked, “I s'pose you air
Mister Joseephee?” To him in reply
The small piano-smasher nodded “Yes.”
And thus the agriculturist went on:—
I'm from Beneesh, I am, and I belong
To the Town Council—that is my posish.
Down here disposin' of my barley, and
I thort I'd call and see yer, being as
Yer comin' down ter-morrer fur to play.”
“Ja, dot is so,” replied the music man.
“Ye see, yer comin' to a stranger town,
And so I thort I'd let yer hev some pints
About the programme. We're a-payin' yer
A pot o' money, and of course yer want
To suit the ordience.” “Vell, vot you like,
Exclaimed the great musician. “I can blay
Chopin, Beethoven, Liszt—ja! all de crate
Gombosers, and I gifes you vot you shoose.”
“I never heerd them tunes,” replied his guest.
“Do yer know ‘Nancy Lee’?” “Not I, bei Gott!”
“The ‘Spanish Doana’—the ‘Monastery Bells’?”
“Gott's dammerwetter! Himmelspotzen—NEIN!”
Wall, now, whar did ye learn? My darter Sue
Goes to Miss Lynch's, and she knows 'em all,
An' plays 'em all by heart right straight along.
I never thought her no great shakes, and yet
She's clean ahead of you.” A gloomy pause
Ensued, and two long glares. Then he set on,
What kind o' dancing music are ye gwine
“Tantz musik!” Oh, the horror of the voice
Of great Josephi when he heard these words.
“Yes, certinly. Ain't ye a-goin' to play
Fur dancing arter supper? Wot d'ye s'pose
We're gwine to pay yer fur?” (Here came the squall.)
“Go to der Teufel mit your tantz musik!
Dere to your tauter also. Sapperment!
Verflucht sei deine seele—do you dink
I coom to blay fur caddle? I ton't go
Unto Benicia. Dell your veller-bigs
Your tauter blays in my blace—in de blace
Of Herr Josephi—do you oonderstand,
You hundert tousend plasted Schweinigal!”
And in the rustic's face he slammed the door.
And in that town he is not popular;
And in its leading circles seven out
Of eight regard him as a German fraud,
Who cannot even play “My Mary Ann.”
And thus it is they think he is a sell,
And thus it is things work among mankind.
THE STORY OF A LIE.
Should take it not amiss if it be thrown
On his own head, as echo answers song.
The greatest liar in Connecticut.
For there are giants among the Brobdignags.
Sat in the shade, when Jess came riding by.
When wolves run past your door-step let them run.
And tell us a big lie.” Jesse liked it not.
Ne'er ask a hangman how to tie a noose.
“This is no time for lying now; oh, woe!”
A wanton widow may wear darkest weeds.
An hour ago, and you would have me lie!”
Who weaveth nets is often caught in them.
And for a coffin. William, learn from this
Never while living ask a man to lie.”
And he and she and all the family
Burst into tears. The thistle soon bears thorns.
They posted off and on, four miles away.
The eagle hastens at the eaglet's cry.
In the large kitchen, but in ne'er a grief.
It pains a man at times to miss his pain.
In a great water-melon, lush and red.
Life's sweetest things are water, after all:
As rainy tears. And William almost wept
For rage, because he had no cause to cry.
Another man to tell a lie to him.
Burnt child seeks not a second time the fire.
THE LEGEND OF SAINT ANTHONY
The perfect form of fawn-like springfulness,
And rich as a bonanza just unbound.
Catherine Van Peyster, of Fifth Avenue.
In all the hearts of all who met her there;
And then her pa allowed her boundless cash,
Which she laid out in glorious works of art.
And heavenly hats by Virot, and all things
Refined, æsthetic, swell, and classical;
Yea, even a picture—she bought everything.
And when she ordered it she simply said,
“I know that I am very beautiful,
My mirror tells me that—distinctively;
For I am of a clever family,
Papa and sisters all are awful smart;
Now you must make it somehow sparkle out
I'll show you how to fix it—wait a bit.
Ain't there a saint they call Saint Catherine?
One of my beaux, I think, once called me that.”
“Dere is a Santa Catarina, who
Is beautiful most of the oder sants,
Vitch giusto suit so lovely mad as you!
“I see!” cried Miss Van Peyster—“just the thing
The wheel of fortune—and the loveliest saint;
That 's me exactly What a perfect fit!”
Saint Catherine and Miss Catherine, went across
Unto New York; and many people came
To call and worship—or to make believe.
A blooming broker, and a mighty man,
Who did not think small brewings of himself,
Albeit his studies had been very small,
Were greasiness and grossness well combined,
With sneeriness and nearness in the eyes;
He seemed a kind of coarsest Capuchin.
Of being taken as a holy saint,
And said, “I'd like to try that thing myself.
How could a feller fix it—Catherine?”
“You've only got to send your photograph
Out to my man in Florence, and to say,
‘Vous peignez moi comme le Saint Anthony.’
And he will fix it for you comme il faut.”
That very hour the heavy shaver wrote,
And sent the order for his portraiture.
'T was in the Custom House—and thence 't was sent
To the Spring Exhibition in New York,
There was no time to send it to “the House.”
Till it had hung a week upon “the walls,”
And all the newspapers had served it up,
And all the world had merry made withal.
A vile abomination. In his hand
A monstrous rosary. The Sunday Press
Said 't was a rope of onions, meant to feed
So vast in its proportions that it seemed
As Anthony were waiting on the hog,
And not the hog upon Saint Anthony.
Of Padua is painted, with his pig,
Only a little more so. And thus ends
The tale of the great hog and Anthony.
A RUSSIAN LYRIC.
Of Russia to his captain of the guard,
“I will retire; the night is growing cooler
Have all the troops been posted in the yard?”
‘They have, my liege, and in the tower o'er you
The watchman, with an opera glass, afar
Looks out to see that no one comes to bore you:
Bogu Tsarachnie! God protect the Tsar!”
And wanted me to buy a lightning-rod?”
“He sleeps beneath the Neva, as a warning
To others like him, not as yet in quod.”
“The girl who bored us for a contribution
To send her blessed clergyman afar?”
“She 's strangled by the Seventh Resolution:
Bogu Tsarachnie! God protect the Tsar!”
That cheeky man from the United States,
Who came unto my bedside for subscriptions
To—what was it?—the ‘Life of Sergeant Bates’?”
“Upon a special train that man is flying
Unto Siberia in a third-class car;
Thou badest him ‘dry up!’ and he is drying:
Bogu Tsarachnie! God protect the Tsar!’
On life or fire, who down the chimney came?”
“My liege, beneath our feet in deepest durance
He pays with penance for his little game.”
“And, after him, the pedlar who came plungin'
Into the parlour, smoking a cigar?”
“Ask of the vipers in the palace dungeon:
Bogu Tsarachnie! God protect the Tsar!
‘That is the kind of hair-pin that I am’?”
‘My liege, the strychnine in his vitals playing
May tell you how I stopped that kind of flam.
“And he who at this day is still repeating,
‘What, never, never?’” “In a butt of tar
We coopered him. His heart's no longer beating:
Bogu Tsarachnie! God protect the Tsar!”
Inscribed Pop's Bitters, and Take Fooler's Pills?”
“My lord, his medicines were no defences,
In Hades he atones for earthly ills.”
“And that confounded nuisance of a Scotch Guard
Who played his bagpipes up and down the car?”
“My lord, the imperial headsman wears his watch-guard:
Bogu Tsarachnie! God protect the Tsar!”
That every Nihilist has had his dose,
And that a fresh conspiracy is undone,
And keep the gum-drop, corn-ball peddlers close
Who spread sedition in the trains to 'stress me;
And keep the gates of anarchy ajar;
So may Saint Feoderskidobry bless thee!
Bogu Tsarachnie! God protect the Tsar
MELODRAMNATION.
“Now Mr. Gallagher is satisfied.”So says the Boston Post. The facts are these:
He is the chief of a theatric club,
And as he deems that he can melodram,
He melodrammed for it a mighty piece
Of thundering incidents and awful scenes,
Which called for just nine actors. And they all
Of all the parts, and that 't was written thus
To boom the fame of selfish Gallagher;
So the first night they came upon the boards,
With hearts like hornets and with souls like snakes
And feeling like old pizen, all agog
To be revenged upon the common foe,
Who was to act the hero. Act the first:
The hero and his mother meet to part,
And on her shoulders and o'er all her bust
The parent had put pins by papers-full,
Till she was like a frightful porcupine;
And when she pressed her darling to her breast,
The pins en masse entered his very soul,
And pricked his nose, and ran into his cheeks,
So that he howled; but his mamma held on,
Easing her heart with rapturous revenge
While agonizing his. In the next act
He was on shipboard, and 't was in the plot
That he should be knocked down and cuffed about
By a most cruel captain; and, God knows,
The captain played that part most perfectly,
Since in the start he went for Gallagher
With a belaying-pin, and laid him out
Secundem artem, and then let him up,
Only to let into him twice as hot,
'Mid rapturous hurrahs. In the next act
And Gallagher was glorious; but just then
Some one let down the trap on which he stood,
And there he was, up to his waist in stage,
Unable to get up or to go down,
And thus they kept him in captivity
While all the audience guyed him. When he strove
To climb they lowered him, and when he sought
To dodge beneath they highered him again;
So he went up and down like Erie stock
Until the scene was shifted. In the next
He fought the villain of the play, and this
Was Mr. Hencoop Smith, a stalwart rogue,
Extremely high on muscle, and the way
He lathered Gallagher about the stage
Was Awful Gardener. And when Smith should cry,
“Forgive me—I am crushed!” and Gallagher
Replied, “I'll have your life!” the hero lay
Under the table, while his adversary
Bemauled him with a chair-leg. It was o'er,
And Gallagher, all black and blue, went home
To plotter out revenge. On the next night
The piece was adverred to be played again,
And Gallagher sent round a messenger,
Who said he was too ill to play his part,
But he would send a substitute. He did—
A giant-like ferocious prize-fighter,
He squeezed the mother into raving fits,
And jerked her wig away by accident,
And threw the cruel captain down the trap,
And larruped all the actors; and when Smith
Came on to fight, he took him by the heels
And mopped the stage with him until 't was clean,
Then hurled him through the flat. All was a wreck:
And in the front seat sat the Gallagher,
And laughed until he cried. Revenge is sweet!
A TALE OF IDAHO.
And polished up the climate and the crops,
And glorified the different kinds of bugs,
And told in turn their lies about the snakes,
And fish and deer and things, of Idaho,
A pensive cuss in spectacles inquired,
“All this is well enough; now how about
Your educational facilities?
And let me see in dots the time they go.”
Replied the Ancient, with a silvery sigh;
“We do defect in that ostensibly.
We have the schools, but then we cannot git
The folks to run 'em, or who will remain
Adjacent to 'em, for they will not keep.”
How!—do they die?” “Wall, some on 'em expired,
Though Idaho ain't an expirin' State;
But I will tell you just the time they go.
He licked the boys, and also kissed the gals,
And was all round uncommon popular,
Bein' likewise an awful fightin' man,
He met a grizzly bar upon the prowl,
And whistled to it, and the grizzly come;
But when he went he carried by express
All of that fine young man inside of him;
And that is just about the time they go.
A widder run him down, and married him
Inside the very school-house where he taught,
Just as an Injun cooks a terrapin
In its own shell, or as a lovely deer
Is sometimes aboriginally biled
Inside of its own skin, for that poor man
Has been in bilin' water ever sense:
They say she makes it solemn hot for him.
And that is just about the time they go.
I needn't tell you how that one got spiled;
For sense he couldn't run, one day, of course,
The Injuns overtook him, and the way
They treated him was pretty nigh as bad
As if they had been widders, and that man
Their lawful spouse. They also made it hot,
Because they took and briled him at the stake.
And that is just about the time they go.
We writ for one. She came; and as she lit
Down from the stage, a man proposed to her
And was accepted, and she married him
That very night; in fact, within an hour
He gin a party, and we had a dance;
But Education suffered all the same,
To conjugate—excuse my little joke
But that is just about the time they go.
About the middle of the week she come;
But telegraphed unto the Institute,
‘Send on some more; keep sending of 'em on.
And so they kept a-comin,' but they kep’
A-going speedier than they arrove,
For the third lady was abducted by
A highwayman before she got to us—
She took it awful kindly, I believe.
And that is just about the time they go.”
“Don't you obtain a scareful, ugly one—
Some hideous old faggot, just like that
Tremendous terror with the lantern-jaws
By yonder ticket-window? She would keep.”
“Alas! how strange,” replied the Ancient Man;
“How is it that you people from the East
Will never understand us pioneers?
That woman is my wife—the very one
I cut away from school; and she 's by far
The handsomest there was in all the drove.
For that is just about the time they go.”
A CALIFORNIAN ROMANCE.
“Nix mangiare é il diavolo!
Ma peggior la donna”? that 's to say,
“'T is hard to be hard up, but harder still
To get ahead of women.” Never much,
While in Night's cushion stars like pin-heads shine.
Is of Chicago, and the latest out,
And by the noble Tribune novelist.
“Say, do you mean it, honest Injun, now?”
Said Vivian O'Riley to his sire.
“And faith I do,” the earnest sire replied:
“Marry this girl if so ye choose, me son,
But—if ye do—the divil a ha'penny
Of all me fortune will yees ever see,
While in Night's cushion stars like pin-hids shine.”
Slow rolling tramway cars, until there comes
The one which Vivian wants, and soon it lands
O'Rourke, the father of bellissima,
The Lady Ethelberta. Lo, she sits
In her boudoir (the high-toned word for “room‘),
Casting her soul in reverie o'er the trees,
While in Night's cushion stars like pin-heads shine.
Said Vivian in sad tones unto his love.
“Cusses and crocuses upon my luck!
And damns and daffodils on everything!”
And as he spoke there came into his face
A grey old scaly look which seemed to say,
Don't bluff or you'll be called. “My dad and I
Have had a round about, and he has dis—
Sis—sis—inherited me; and I have
Been given the g.-b. on your account,
My be—b—beau—tiful. And I am now
A beg—egg—eggar for you, Bertie dear!
While in Night's cushion stars like pin-heads shine.”
Poor as a busted Indian, and of course
It follows in the logic of our life
That I must give you up. I cannot ask
To come and share a fate which runs upon
A thousand annual dollars. Ne'er a case.
While in Night's cushion stars like pin-heads shine.”
Rich, passionate, scarlet-sanguine crimson flush
Surging into her cheeks. If it had been
A full, 't is probable that Vivian
Would have gone under; but a flush
Could never scare him or his similar,
While in Night's cushion stars like pin-heads shine.
“Oh, do you think I will let up on you?
And do you deem I would go back upon
The note I signed, and run to protest?—no—
Not while the snowy paper of my truth
Is quired by the young-eyed cherubim,
And in Night's cushion stars like pin-heads shine.
Upon a golden Californian
December afternoon, with azure skies
Like those of summer as they are produced
In less expensive countries, men beheld
A diamondaine wedding at the house
And his fair bride sat in the car—ri—age
Which bore them to the station, ever on
She gazed upon him like a Lamia
With a strange look, which one might call, in fact,
A weirdly precious smile. He gazed at her.
“And so you would not leave me, love?” he cooed,
“Even when you thought me poor?” And she replied,
“Never, my precious one. I learned lang syne
That when a sucker once drops off the hook
It never bites again. And well you know
That you were on the point of dropping off,
And so your pa and I put up the job
So as to land you, dear—as faith we did—
A little quicker. Oh, men, men, men, men!
If ye thus round, girls will get square with you,
While in Night's cushion stars like pin-heads shine.”
THE STORY OF MR. SCROPER, ARCHITECT.
To the memory of Scroper, late departed architect—
How it came that he departed so abruptly in the train;
Why it was he 's been so late, too, in returnin' back again.
And some justly stand and take it as it dollops on their head;
But in this sublime Republic, where it 's help and help again,
We all generally make it in cahoot with other men.
Likewise really d-ambitious, for he was so bound to rise,
Till at last he got the contract for our new great City Hall.
The contractors have the hardest parts to play, I will engage;
Specially in bran-new cities, just between the knead and bake,
And where all the population are severely on the make.
Politicians, Press, and preachers, Scroper fell uncommon short.
All of such as come a plummin' when a puddin 's to be had;
All against his best contractin' counter-actin' mighty bad.
All who'd not been edifishing with him soon got up a hiss;
Likewise called the architexture architechnically bad.
Mr. Scroper all in silence gently took the Northern train;
All he left was one small message to a friend who shared his home,—
When the darned affair blows over, telegraph for me to come.
Musin' on his recent patrons, while at heart he darned 'em all,
When there came a little letter datin' fron his recent home,—
“All the thing is quite blown over, back again we bid you come.
Up there came a real guster, which blew down the whole shebang.
(Shebang's a word from Hebrew, meanin' Seven, sayeth Krupp,
And applied to any shanty where they play at seven-up.)
And the winds of heaven are blowing o'er the ruins as I write.”
Gentlemen, the story's over. It would last for many a day
If it told of every buildin' built upon the swindlin' lay.
THAT INTERESTIN' BOY.
He sat upon the window-sill and jingled ninety cents. There came along another boy, who said, “How are you, Pence? You're goin' out a-Christmassin', I guess, among the Dutch, to buy some gifts.” The other spoke: “No —not exactly much I am in luck, this year, I am. I haven't any bills. My sister's sick, and can't expect no presents but her pills. My brother Ben 's in Canada, away upon the wing. Of course, you know he can't suppose I'll buy him anything. My mother pulled my hair, last night, until she made me squall. Of course she knows that she 's gone up for anything at all.” “But there 's your father,” said his friend. “Well,—yes—I really thought that I was stuck on the old man, and that he had me caught, and I was kinder looking round to hunt him up a pipe; but then, this very mornin' he hit me such a wipe! That fixed his Christmas goose for him, and took away his joy. Now all this money 's goin' to a good and clever boy, to buy him lots of pea-nuts and candy, I'll engage—with caramels; and that good boy is just my size and age.”
MISS MILES, THE TELEGRAPH GIRL.
On whose cold brink I stand;
Oh, buckle on my spirit's skate,
And take me by the hand!
To where the ice is thin,
That it may break beneath my feet,
And let a lover in.
I always ran to seed
In seeking One who'd gone and done
Some great heroic deed;
And deemed I'd find Life's Earnest Truth
In Gloriana Clarke,
Whose eyes were like two carriage lamps
Advancing through the dark.
Before the fire of noon,
Or sparrows yield in sylvan glades
To mocking-birds in June,
Its wheat all turned to chaff—
When I got in with Mary Miles,
Who ran the telegraph.
I knew my final queen;
A soul divine in gaiter-boots,
A Dream in crinoline.
Her parasol a glory seemed
Around a vivid saint,
The whole one spirit-photograph
Illumed with heavenly paint.
That mission-mantled maid;
And thus she spoke with golden grace,
And sacredly she said—
A-pointing at me all the time
With that same parasol,
The light which gleams from silent lands
Around her seemed to fall—
I s'pose they all are true—
But in our telegraphic line
We've some adventures, too;
Of what I ever done,
One thing my Moral Consciousness
Declares was Number One.
A-travelling might and main,
When all at once the engine broke—
They couldn't run the train;
And if another train should come
'T would rather make us scream.”
List to the glorious deed she did,
This angel of my dream.
Was running by our rout,
Though not a house or a machine
Was anywhere about.
And the conductor said, said he,
With his wild eyes of light.
‘Miss Miles, if we'd a battery,
I'd fix this scrape all right.
Some twenty miles below,
And ask for help.’ I looked at him—
‘I'll fix the business, Joe.
If so, those nippers bring;
And if you can't, a sharp-edged file
Would be a heaven-sent thing.’”
I cried in rapturous joy;
“And didst thou climb the post thyself?”
Said she, “I did, my boy.
A higher law of moral truth
Gave courage to my soul;
I did not show my garters once
In going up the pole.
In touching of his lyre
As I did when I found there came
A message through the wire.
That wire I cut, and 'tween my teeth
I held it—ay, with pride—
And with my tongue the current clicked
To the wire on t' other side.
From some man in New York:
‘But if you can, at ninety-five,
Five thousand sides of pork.’
I changed as in a flash:
‘Send down an engine right away,
Or we shall go to smash.’
Yet life is but a Dream.
I live—thou livest in a cloud:
We are not what we seem.
Still craving for the Infinite
In Time's ideal lodge,
I grasped a Truth—yet after all
'T was but an earthly dodge.”
Upon my knees I sank,
And from mine eyes the burning sand
The scalding tear-drops drank.
Then soft she smiled: “If deeds like this
Can yield such victory,
And I am in your line, my love,
Then, love, I yield to thee.”
Ho, matrons of Lucerne!
Look out for us next summer, when
We give your shop a turn.
I have booked her for a wife;
And the Fancy and the Real
Are united in my life.
AN AMERICAN COCK-TALE.
Has travelled in Europe more than a year,
And no one need ever be troubled with pangs
At telling him aught which he thought was severe
For there 's ne'er a Yankee of any size,
No matter how sharply he chaffs or slangs,
That can boast he ever has taken a rise
On Professor Luther Cranmer Bangs.
Read a lecture to on a morning call—
Read it clear through from bill to tail;
And Bangs like Old Piety bore it all.
Said Snayle, when the sheets were all up-read,
“I'm a-going with this to Boston, you know”—
“I'm glad to hear it,” his listener said:
“I always did hate those Bostonians so!”
The Professor and I went riding down,
While the driver politely gave to us
Opinions on things about the town.
And came from the Western land afar,
He told him just what one ought to believe
In politics, piety, love, and war.
Looking as mild as cambric tea,
He said: “I once 'ad—but I soon got cured
Of—a wish to go to Amerikee.
I was tired of always a-drivin' these cusses,
And so I thought I would like to range”—
“You were right,” said Bangs. “In our Yankee 'busses
It 's the driver who takes (and keeps) the change!”
“What scared me of goin' was this, d'ye see,—
I'd a friend in New York, whose letters I read;
And he wrote: In the whole of your country,
He 'ad looked the biggest graveyards through,
Looked 'em through with uncommon keer,
But never 'ad come to a single view
Of a cove as vos aged fifty year.
I think there 's nothink on hearth for cure'n
A chap hof a fancy to hemigrate
Like readin' of them graveyards of yourn.
So I thought I'd rather perlong my breath,
Tho' sometimes here a fellow they hangs”—
“You are right, my friend. Choose your own way of death.
I go in for that,” said Professor Bangs.
Why no aged person is ever found
Among us. We only want young blood
On our driving, thriving, Yankee ground.
Youth alone has the power to go it;
Old men are a drag on putting it through,
So we kill them off—and our tombstones show it—
Before they arrive at a dozen and two.”
And gazed at the Yankee, dark and wan,
As if he had woke the wrong passenger up
While calmly Professor Bangs went on:
“In walking up and down Broadway,
Large mourning sign-boards at times appear
With this inscription in letters grey—
‘Elderly persons extinguished here.’
Adapted to people of different stations,
Which cites the law, and exhorts them all
To dismiss in peace their old relations.
Why let them linger in a vale,’
It states, ‘where often colds they catch?
Send them to us, and we'll end the tale
With politeness, humanity, and dispatch.
We've a merciful man who 's a practised shot,
With an elegant room, and a careful nigger
To lay them genteelly out on the spot.
Our principal has a chemist of fame,
Whom he exclusively employs on
Those who set their checks on a different game
And like to pass to heaven by poison.’
They love to die without pain or pangs
By a nice little globule—who could refuse it?
None but a man,” said Professor Bangs.
“A saw buck extra they always charge
For the stylish mode of extinguishing breath.
A saw buck's ten dollars. It 's rather large,
But then it ensures you a cocktail death”
In the tone of a greatly altered man.
I observed that he seemed to be growing weakly
Since the Professor his story began.
“A cocktail 's a tipple—America vaunts of it.
So flavoured, so foamy, so spiced, and whirled,
That he who can get as much as he wants of it
Very soon drinks himself out of the world.
Where the American heaven is found,
Where everything brick-like and fast and rare is—
The cocks with tumblers for tails run round.
They cut to the bar for all things thinkable,—
All that is nice is a gratis boon,—
Then they come back with your favourite drinkable,
And their sickle-feather 's a silver spoon!
The man before you. Thus came the hint:
I had once been kissing a pretty Jewess,
Who just before had been nibbling mint;
And in order to recall the taste
Which I found in pressing her luscious two lips,
I mingled brandy and mint, in haste,
With sugar and ice—and thus made Juleps.
Which gives us a menthal spirit of wine;
And finding myself thereby respected,
I sought to make bitter and sweet combine.
So I took of bitters aromatic
(I prefer the tincture of bark myself,
With orange flavoured, but if you lack it,
Try any kind on the bar-room shelf)
In a silver tumbler, lightning-quick, sir,
Which I shook till all their several merits
Were combined in one subtle and strange elixir.
Then I passed it through a silver sieve
Kept carefully free from spot or rust;
And the final jimglorious touch to give,
I threw in a sprinkle of nutmeg-dust.
That in the American Paris-heaven,
Though they've fancy drinks which are total snappers,
There 's nothing better than mine are given.
So they die in New York without any pangs,
For they know in the next world, to requite 'em,
They'll sit over Paris,” said Mister Bangs,
“A-drinking cocktails ad infinitum.”
“Vell, you're of the kind that will allers bang 'em!”
And turning our mocassins homeward, we sped
To that great American wigwam, the Langham.
Said Bangs, “O'er my eyes there is drawn no wool.
That man has no heart who would tell you a mock tale;
But story for story I told to the Bull,
What I call
Cove. A word erroneously supposed to be slang. It is derived from the Gipsy covo or covi, meaning that—that fellow, that thing.
JUDGE WYMAN.
A RURAL YANKEE LEGEND.
There lived a Judge—a good old soul,
Rather well up in the “genial vein,”
And not by any means “down on” the bowl.
N.B.—By “bowl” I mean the “cup,”
And by “cup”—N.B.—I mean a glass,
Since neither bowls nor cups go up
At present when we our liquor pass.
(Although I recall—
'T is three years this Fall—
When travelling in the wilderness,
And things were all in an awful mess,
And our crockery, with a horrible crash,
Had gone its way to eternal smash
(It came, as the driver allowed, from racin'),
We drank champagne from a tin wash-basin.
Excuse the digression—non est crimen—
And return to our Judge, whose name was Wyman.)
Kept by a man whose name was Sterret,
Where he met with jolly company,
But where the whisky was void of merit.
The real Minie rifle brand,
That at forty rods kills out of hand.
At Sterret's, after a long, hot day,
Got so tight that he couldn't budge,
And found himself “well over the bay,”
With a “snake in his boot” and one in his hat,
Like a biled owl, or a monkey horned,
Tangle-legged, hawk-eyed, on a bat,
Peepy, skewered, and slewed, and corned.
Couldn't tell a skunk from a pint of Cologne,
Couldn't see the difference 'tween fips and cents.
And when he attempted to walk alone,
Simply made a Virginia fence;
Till liquor yielded at last to sleep,
And he sank into Dream River—four miles deep.
“Saint Ives the Briton first took a brief,
For, though a lawyer, he wasn't a thief.”
This is what the story declares,
Which says he listens to lawyers' prayers.
Whenever a lawyer tries to pray!
But another legend, old and quaint,
Assigns them a different kind of saint,
With a singular foot and peculiar hue,
Whose breath is tinged with a beautiful blue;
And this was rather the saint, I think,
Who inspired the young lawyers, twenty-four,
Who helped Judge Wyman to stow his drink,
And made them rejoice to hear him snore.
Who, save the devil, would not have wept
To see these graceless legal loons
Tricking the good old Judge as he slept,
And filling his pockets with Sterret's spoons?
With silver spoons; likewise for butter
A handsome ten-dollar silver knife;
Then put Judge Wyman on a shutter,
And carried him home to his loving wife.
Which in Edgar A. Poetry are called “runes,”
They may just imagine what sort of times
Mrs. Wyman had when she found the spoons!
The Judge's grief was full of merit,
And his lady wasn't inclined to flout it;
But she quietly took the spoons to Sterret,
And nothing more was said about it.
Had not spread a whisper to urge remorse,
And Judge Wyman sat on the legal bench,
Trying a fellow for stealing a horse.
The evidence was all due north,
It froze the prisoner every minute,
Till Judge Wyman called the culprit forth,
And asked what “he had to say agin it?”
Of the little rural court-house ceiling,
At all the jury in a line,
Then answered, his only small card dealing,
“Judge, I hev lots of honesty,
But when I'm drunk I can't control it;
And as for this 'ere hoss—d'ye see?—
I was drunk as blazes when I stole it.”
Answered the Judge, “If this Court were a dunce,
She would say, in law that is no excuse;
For the Court held that opinion once,
But of late her connection's been gettin' loose.
One may be certain on law to-day,
And find himself to-morrow dumb.—
But answer me one thing truly, and say
Where'bouts it was you got your rum?”
“I drank because I was invited,
And got my rum at Sterret's, d'ye see?”
“This instant set that poor man free!
The liquor that Sterret sells, by thunder!
Would make a man do anything,
And some time or other, I shouldn't wonder
If it made a saint on the gallows swing;
It will run a man to perdition quicker
Than it takes a fiddler to reel off tunes;
Why, this Court herself once got drunk on that liquor,
And stole the whole of old Sterret's spoons!”
IN NEVADA.
Breathing fire and screeching hell-some,
With a pack of hounds behind him,
As if hunted by the devil,
Came the smoking locomotive,
Followed by the cars and tender,
Down among the mountain gorges,
Till it stopped before a village
As the starry night came on.
Where there was a howling shindy,
Just around a bran-new gallows,
With a roaring blazing bonfire,
Casting a red light upon it,
While a crowd of roughest rowdies
Shouted, “Cuss him! darn his vitals!
Bust him! sink him! burn him! skin him!”
Evidently much excited
As the starry night came on.
Shrieking painfully for mercy.
As the train and engine halted,
Louder yelled the gasping victim.
Then out cried the grim conductor,
“What in thunder is the matter?
What 's ye doin' with that feller?
Why've ye got both fire and gallows?”
And unto him some one answered,
As the starry night came on:—
Whom you see upon the gallows,
Lately stole the loveliest mewel
That you ever sot your peeps on,
For a hundred shiny dollars,
Went and sold it to the Greasers.
But, as you perceive, we've nailed him,
And at present we're debatin'
Whether we had better hang him,
Or else roast him like an Injun,
Ere the starry night comes on.
Here to grace this gay occasion,
We had better take an' burn him.
'T would be kinder interestin',
Or, as folks might say, romantic,
To behold an execution,
As we do 'em here in Hell Town,
In the real frontier fashion,
Ere the starry night comes on.”
And from all the passengeros,
Went a scream of protestation,—
“What! for nothing but a mewel!
Only for a hundred dollars
Roast alive a fine young fellow!
Never, never, never, ne—ver!”
Falling on her knees, a damsel
Begged the maddened crowd to spare him
And to her replied the spokesman,
As the starry night came on:—
And as we ar' galiant fellers,
We will smash the tail of Jestis,
And will spare this orful miscrint,
Ef you'll raise a hundred dollars
To replace the vanished mewel.
May go wanderin' to thunder,
Soon as he darnation pleases,
Ere the starry night comes on.”
And the other passageros,
Went the hat around in circle.
Dollars, quarters, halves, and greenbacks
Rained into it till the hundred
Was accomplished, and the ransom
Paid unto Judge Lynch in person,
Who received it very gracious,
And at once released the prisoner,
Sternly bidding him to squaddle,
Just as fast as he could make it,
Ere the starry night came on.
Had destroyed the path of justice,
Seized upon the fine young fellow,
He who had the mulomania,
Or who was a kleptomuliac;
And she led him by the halter,
While the reckless population
Made atrocious puns upon it;
And she stowed him in the Pullman
As the starry night came on.
Blew a signal of departure;
Still the dying bonfire flickering
Showed on high the ghastly gallows,
Seeming like some hungry monster
Disappointed of a victim,
Gasping as in fitful anger,
Pouring out unto the gallows
Or the sympathetic scaffold
All the story of its sorrow,
As the clouds passed o'er the moon-face,
As the starry night came on.
Reached and passed a second station,
And was speeding ever onward,
When at once a shriek came ringing—
'T was an utterance from the lady
Who by tears had baffled justice;
Loud she cried, “Where is my hero?
Where, oh, where 's the handsome prisoner?”
And the affable conductor
Searched the train from clue to ear-ring,
But they could not find the captive.
At the station just behind them,
As the starry night came on.
Hitherto: “I heard the fellow
Say just now to the conductor,
Ere we reached the second teapot,
That he reckoned he must hook it
This here time a little sooner,
If he hoped to get his portion
Of the hundred, since the last time
He came awful nigh to lose it;
For it might be anted off all
'Fore he got a chance to strike it,
Ere the starry night came on.
“They hev hed that gallows standin'
All the summer, and the people
Mostly git ther livin' from it,
For they take ther turns in bein'
Mournful victims who hev stolen
Every one a lovely mewel;
And they always every evenin'
Hev the awful death-fire kindled,
And the ghastly captive ready.
Comin' through and never missed it,
Only for a variation
Now and then they hire a nigger
For the people from New England,
As the starry night comes on.
Just as good as a bonanza,
For they got the Legislater
Lately to incopperate it;
And I hear the stock is risin'
Up like prairie smoke in autumn.
Yes, in this world men diskiver
Cur'ous ways to make a livin',
Ez you'll find when you hev tried it
For a year or so about here.”
And the passengers in silence
Mused upon this new experience,
Most of all the fine young lady,
As the dragon darted onward,
And the starry night came on.
THE PHILANTHROPIC CLUB.
Whose object is to give rewards for philanthropic deeds.
We root for magnanimity as spiders hunt for flies,
So we lately held a meeting to award our annual prize.
The case of Dayball Carter, a man in Tennessee,
Who plunged into a burning store as if his doom had come,
But emergéd with an infant—and a gallon jug of rum.
If the baby or the liquor had inspired the noble act,
For 't was proved he kept the liquor while he let the infant go,
So the case of Mr. Carter was adjourned in dubio.
The wondrous case of courage of General Pompey Jones.
And roped his neck and led him off where he could do no harm.
To have to state that Jones had no idea the dog was mad,
And that in circles where he moved 't was very freely said
He'd picked it up intending to come out one dog ahead.
Was that of Huckleberry Pod, a man in Iowa,
Who slopped into a raging flood to save a drowning maid,
And did it like a beaver, as admiring neighbours said.
And said he'd found that Mr. Pod refused to make the jump
Till offered fifty dollars by the people of the town,
And that then he wouldn't do it till he got the money down
Who went into an awful well to save a fellow's life,
A man who always spoke of Fife as of a blooming fool,
And who recently had done him blind in trading for a mule;
He refused a quarter-dollar for this noble manly act,
And when they asked him what he'd drink, or if he'd take a bite,
He jumped in silence on his mule and rode into the night.
Was much the most deserving, and the nearest to the hub;
And each allowed he'd never heard the like in all his life,
So, by general acclamation, they bestowed the prize on Fife:—
With the words, “If sold at auction always do as you are bid,”
That this, too, was not an instance of the pure unmingled good.
Who make it their profession to discover virtuous deeds,
And every day turns out a lot, but still 't is on our mind
That a case without a speck in it is very hard to find.
THE COLOURED FORTUNE-HUNTER.
Pete Jonsing went to see the County ClerkAbout a marriage license, and the man
Said unto him for fun, but seriously:
“I hope the bride possesses fifty cents,
Because the Legislature's passed a law
That any girl with less must not be wed.”
“Jis' go ahead wid dat 'ar paper, Boss,”
Peter replied; then whispered, bending down:
“Dar's rumers—and dey is reliable—
Dat de young woman dat I'm goin' fur,
Has got two dollars and a quarter—shoa.
And dat's de reason wy I marries her.”
PENN.
ON A TEXT BY ROBERT BURDETTE.
To get the charter of his Promised Land
In Pennsylvaniá,
'T was in his usual free-and-easy style,
With hands in pockets and his hat on side—
Singing Lard-dardy day!
Let us drink and be merry, laugh, sing, and rejoice,
With claret and sherry, theorbo and voice,
Merry-ton-ton-ton ta-lay!
“Keep on your hat, young man!” said William Penn,
“It is our Quaker way;
And people will not know that you are bald;
Be quite at home to make your guests at home—
Singing Lard-dardy day!
This changeable world to our joys is unjust,
All treasure's uncertain, so down with your dust,
Merry-ton-ton-ton ta-lay!”
“For only one to cover at a time;
This is the courtly way.”
“Then you should have more covers,” warbled Penn
“Warm people's heads to make them merry men—
Singing Lard-dardy day!
And in frolics dispose of your shillings and pence,
Since we all shall be past it a hundred years hence,
Merry-ton-ton-ton ta-lay!
My hat around, loose, in a domicile
Where I don't know the way,
Unless some party gives a check for it;
I've travelled some—I have—and can't be bit—
Singing Lard-dardy day!
You'll be non est inventus a hundred years hence,
Merry-ton-ton-ton ta-lay!”
“He talks full well, but as it seems to me,
According to our way,
There 's a tremendous pig in this same Penn.”
“Bravo, young man!” said William; “try again—
Singing Lardy-dardy day!
You have brought me a terrible one on the nob,
But I bear you no malice, not being a snob,
Merry-ton-ton-ton ta-lay!”
And thus it is good men are slandered sore
From ever till to-day.
Some writer pastes a joke; it may remain
Safe in a corner from Time's wind and rain
Till Time has rolled away.
So, hurrah for King Charles! and hurrah, too, for Penn!
And all such and similar excellent men!
Merry-ton-ton-ton ta-lay!
BALLAD OF THE FOXES.
As of a picture by Carpaccio,
For it is of the early morning-time
When every man believed with tender faith
That animals could talk—oh, lovely lore!
So, lady, listen as the lay runs on.
Across the land for her dyspepsia,
And at the moontide sat to rest herself
In a small thicket, when there came along
Two starving foxes, perishing to find
Something which was not too-too-utter-ish
To serve for dinner. And as they were wild
For want of food, it was but natural
That they should likewise be confounded cross;
Oh, lady, listen as the lay runs on!
Of them observed, “If you were half as sharp
As books make out, you would not now, I'll bet,
Be ravenous enough to gnaw the grass.”
As you believe you are,” snarled Number Two,
“You'd be a lion of the largest size
Minus his roar, and pluck, and dignity.”
Oh, listen, lady, as the lay runs on!
From any fifteen-nickel quadruped
Of your peculiar shape,” snapped Number One.
“And if you give me but another note
Of your chin-music,” snarled out Number Two,
“I'll make a wreck of you, you wretched beast,
Beyond insurance—bet your tail on that!”
Oh, lady, listen as the lay runs on!
“And you the upper scum of all the frauds.”
“You are the weathercock of infamy.”
“And you the lightning-rod of falsehood's spire.”
“You are a thief!” “Ditto.” “You lie.” “I ain't.”
“Shut up, you goy!” And hearing this, the goose
Could bear no more, but walking from the bush,
Put on expression most benevolent,
And said, “Oh, gentlemen, for shame! for shame!
I'll settle this dispute: in the first place
Let me remark, as an impartial friend—”
Oh, listen, lady, as the lay runs on!
A rush at her and caught her by the throat,
And ate her up; and as they picked their teeth
With toothpicks made of her last pin-feathers,
The first observed, and that quite affably,
‘Only a goose would ever make attempt
To settle a dispute when foxes fight”—
Oh, lady, listen as the lay runs on!
For any peacemaker,” said Number Two,
‘I would suggest that I invariably
Have found, if they be really honest folk
Who interfere with reprobates like us,
They're always eaten up; there is, I think,
More clanship between devils any day
Than among all the angels. Interest
Binds us together, and howe'er we fight
Among ourselves to ease our bitter blood,
We do not hate each other half as much
As we do hate the good. Neighbours who fight
Can generally take most perfect care,
Not only of themselves, but of the goose
Who sticks her bill into the fuss they make.
This banquet now adjourns until it meets
Another wingéd angel of the sort
Which it has just discussed—may it be soon!”
Lady, this lyric runs no further on.
EST MODUS IN REBUS.
A NARRATIVE OF NEW YORK.
To win the admiration of mankind,”
Since he who never spreads can never shine,
And he who never shines is never seen,
And he who 's never seen is counted out
In the great game of life; yet what is spread
Too thin entirely, when the sun shines out
Must soon dry up and be a fly-away.
At a delightful table d'hôte, where he
Was waited on by an obedient youth,
Who, as a waiter, was a paragon
Of quick politeness. He'd apologize
If the sun shone too much, or if it rained,
And say in simple faith that he would speak
To the proprietor and have it changed,
Then vanish like an elfin fly-away.
Was one who greatly loved to spread himself
And finding that the waiter cushioned it,
Sat down on him severely. Every time
He spoke he called him names, and said that he
Forthwith would punish him in cruel wise
Unless he tortled faster, or unless
The steak was better cooked. And then he'd swear
Oh, death and dandelions! how he would swear!
Till all the blood of all the boarders round
Was almost turned to cherry-water ice,
And each and all wished they could fly away.
Of pretty stout pugnacity and pride,
And every time the boarder called him “fool,”
Or “low-born rooster,” he would add it up
To the preceding pile of expletives,
And think it over. He did not forget
A single word. Of all the abusatives
There was not one which proved a fly-away.
For some imagined fault, the boarder said
Unto the waiter, that unless he stirred
A little quicker he would bung his eye,
And take him by the legs instanter-ly
And wipe the floor with him. But with that word
Which overset the camel, and the drop
Which made the pail slop over. For the youth
On that let out his Injun. All at once
He turned both red and white, as fat and lean
Are seen in a beefsteak before 't is cooked,
And blew his soul out in a fly-away.
With all the meaning lost!—if you dare call
Me names again as you have often done,
I'll bung your pallid eyes. You've said too much,
So now just dwindle down. I've always been
Obedient and polite, and served you well,
As you were never served by any one,
And all you ever gave me was abuse,
And all because you were a vulgar fool.
Now stop your noise, or I will sling you out
Of yonder window for a fly-away!”
The waiter jerked his linen jacket off
And fairly danced about in gipsy style,
Impatient for a fight. But then the guest
As if with self-command restrained himself,
And said to the assembled company,
“There must be lines in all society
Which separate us from the vulgar herd,
With whom we may not fight. I draw the line
At waiters.” Here he looked about the room
To be applauded; but the only sound
Which rose was that of a tremendous slap
On his own face, and then a mighty roar
Of laughter from the happy company,
For all his valour was a fly-away.
And then the waiter took a dripping jug
Of ice-water and poured out every drop
Upon his head, yea, water, ice, and all,
And then that boarder burst in bitter tears,
And blubbered like a boy, while all the room
Rang with redoubled laughter. Then a guest
Proposed a vote of thanks to him who had
Put down a public nuisance, and the next
Passed round a hat and took collection up
To give the waiter as a small reward
For punishing a coward. Then he rose,
And since that hour has been a fly-away.
THE MASHER.
The word to “mash,” in the sense of causing love or attracting by a glance or fascinating look, came into ordinary slang from the American stage. Thus an actress was often fined for “mashing” or smiling at men in the audience. It was introduced by the well-known gipsy family, C., among whom Romany was habitually spoken. The word “masher” or “mash” means in that tongue to allure, delude, or entice. It was doubtless much aided in its popularity by its quasi identity with the English word. A girl could be called a masher as she could be called a man-killer, or killing. But there can be no doubt as to the gipsy origin of “mash” as used on the stage. I am indebted for this information to the late well-known impresario Palmer of New York, and I made a note of it years before the term had become at all popular.
And people in the country talk of going into town,
When the nights are crisp and cooling, though the sun is warm by day,
In the home-like town of Glasgow, in the State of Iowa;
That a young man met a stranger, who was still not all unknown,
For they had run-countered casual in riding in the car,
And the latter to the previous had offered a cigar.
It follows that the secondary man was Mister Dale;
This is called poetic justice when arrangements fit in time,
And Fate allows the titles to accommodate in rhyme.
Boys with baskets selling peaches were vibratin' everywhere,
While in the mellow distance folks were gettin' in their corn,
And the biggest yellow punkins ever seen since you were born.
That he'd seldom seen so fine a man for cheek as Mister Dale;
Yet simultaneous he felt that he was all the while
The biggest dude and cock-a-hoop within a hundred mile.
Was that of two ripe gooseberries who've been decreed a prize;
Like a goose apart from berries, too—though not removed from sauce—
He conversed on lovely Woman as if he were all her boss.
There was not a lady living whom he was not sure to mash;
The wealthiest, the loveliest of families sublime,
At just a single look from him must all give in in time.
They saw a Dream of Loveliness descending from the train,
A proud and queenly beauty of a transcendental face,
With gloves unto her shoulders, and the most expensive lace.
As if their stars of beauty had been fused into a sun;
Like sunshine when thermometers show thirty grades below.
And with aggravatin' humour he exclaimed to Mr. Dale,
“Since every girl 's a cricket ball and you're the only bat,
If you want to show you're champion, go in and mash on that.
That if you try it thither, you will catch a lofty snub.
I don't mean but what a lady may reply to what you say,
But I bet you cannot win her into wedding in a day.”
One would say he seemed confuseled, for his countenance was pale:
At first there came an angry look, and when that look did get,
He larft a wild and hollow larf, and said, “I take the debt.
What men have fixed before us may by other men be done.
You will lose your thousand dollars. For the first time in my life
I have gazed upon a woman whom I wish to make my wife.”
Mr. Dale, the awful masher, went head-longing at the prize,
Looking rather like a party simply bent to break the peace.
Mr. Gale, with smiles, expected just a yell for the police.
From Eves to Jersey Lilies what bewildering sights we see!
One listened on the instant to all the Serpent said;
The other paid attention right away to Floral Ned.
And the proud and queenly beauty seemed to think it awful nice.
To realize he really was a most astonished man.
How they had a hasty wedding ere the evening was done?
For when all things were considered, the fond couple thought it best—
Such things are not uncommon in the wild and rapid West.
Gale stayed in town with sorrow, like a spoon behind the cream;
Till one morning in the paper he read, though not in rhymes,
How a certain blooming couple had been married fifty times!
He would wed the girl that evening,—how he always pulled the debt;
How his eyes were large and greensome; how, in fact, to end the tale,
Their very latest victim was a fine young man named Gale.
ARIZONA JOHN.
To have your wits about you, for it helps the interest;
And a man gets so encouraged by succeedin' when he tries,
That the more you crowd him downward, the more he 's bound to rise.
John Lyons, late of Tombstone, without the least design
To involve himself whatever in any kind of tricks,
Got inside an unprovided and a most unpleasant fix.
When he saw four buck Apaches approximatin' fast
Upon their headlong horses in a rackaloose career,
And every one preceded by a long projectin' spear:
While the foemen kept a-comin' like as they was telegrapht;
To run was to be taken, and to stay was to be slew—
And in such a situation how-whatever could he do?
For a match was in his fingers, so he lighted up the fuse,
And dropped behind a boulder for to disabuse their aim,
When at him like a sheriff's writ full dig the Injuns came.
Exactly at the nick of the explosionary shock:
Bang! How the big rock busted as the powder gave a flare!
While a rain of stones and gravel went a-thunderin' through the air.
And started for the hunting-grounds on horseback thro' the skies;
For they speedily descended as four non-existent men.
Escaped the influential effect of such a shock,
And examinin' the prospect, he very plainly sees
He has worked the blast quite perfect—likewise slammed his enemies.
If he terms them “blasted Injuns” no one calls his language strong—
For their hopes were surely blasted which they fondly reckoned on,
And with patent giant-powder by this Arizona John.
THE BALLAD OF CHARITY.
That many weary passengers were waitin' for the train,
Piles of quite expensive baggage, many a gorgeous portmantó,
Ivory-handled umberellas made a most touristic show.
Who took an observation of the interestin' scene;
Closely scanned the umberellas, watched with joy the mighty trunks,
And observed that all the people were securin' Pullman bunks:
Upon whose features poverty had jounced her iron stamp;
She had hit him rather harder than she generally does.
That the folks were quite repulsioned to behold him begging there;
And instead of drawing currency from out their pocket-books,
They drew themselves asunder with aversionary looks.
Then in tones which pierced the deepô he solilicussed aloud:—
“I hev trevelled o'er this cont'nent from Quebec to Bogotáw,
But setch a set of scallawags as these I never saw.
Yet unto a suff'rin' mortal ye will not donate a cent;
Ye expend your missionaries to the heathen and the Jew,
But there isn't any heathen that is half as small as you.
And ye squanderate your money on the titled folks of rank;
The onyx and the sardonyx upon your garments shine,
An' ye drink at every dinner p'r'aps a dollar's wuth of wine.
Where it costs four dollars daily—setch is not for setch as me;
Iv'ry-handled umberellers do not come into my plan,
But I kin give a dollar to this suff'rin' fellow-man.
Yet in the eyes of Mussy I am richer 'en you all,
For I kin give a dollar wher' you dare not stand a dime,
And never miss it nother, nor regret it ary time.”
And gave the tramp a daddy, which it was his level best;
One giver soon makes twenty if you only get their wind.
And at every contribution he a raised a joyful shout,
Exclaimin' how 't was noble to relieviate distress,
And remarkin' that our duty is our present happiness.
When he bid 'em all good evenin' and went out into the damp,
And was followed briefly after by the one who made the speech,
And who showed by good example how to practise as to preach.
And the tramp produced the specie for to liquidate his debt;
And the man who did the preachin' took his twenty of the sum,
Which you see that out of thirty left a tenner for the bum.
Suckin' juleps, playin' poker, and most elegantly dressed;
Suckin' juleps, playin' poker, layin' round in love and rum—
Oh, how hard is life for many! oh, how sweet it is for some!
MULTUM IN PARVO.
“Great thoughts are oft expressed in fewest words,”And I remember how long years ago,
When a great lady in her diary
Of a short visit to the Scottish land,
Recorded of a sorrowful event.
“To-day poor little Vicky, by mischance,
Sat on a wasp's nest.” All the newspapers
Declared it was a perfect masterpiece
Of excellent conciseness. Yet I think
It was outdone by a Red Indian—
One of the Quoddy tribe—who did the same;
Since he, like “little Vicky,” also sat
Upon a seat as hot; and when he rose,
Briefly exclaimed in his vernacular:—
“H'lam-kikqu'!” and being asked what this
Might mean, responded in the English tongue
“Heap hell!” Oh! reader, if the soul of wit
Be brevity, this Indian was there.
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