Brand-New Ballads | ||
THE MASHER.
The word to “mash,” in the sense of causing love or attracting by a glance or fascinating look, came into ordinary slang from the American stage. Thus an actress was often fined for “mashing” or smiling at men in the audience. It was introduced by the well-known gipsy family, C., among whom Romany was habitually spoken. The word “masher” or “mash” means in that tongue to allure, delude, or entice. It was doubtless much aided in its popularity by its quasi identity with the English word. A girl could be called a masher as she could be called a man-killer, or killing. But there can be no doubt as to the gipsy origin of “mash” as used on the stage. I am indebted for this information to the late well-known impresario Palmer of New York, and I made a note of it years before the term had become at all popular.
And people in the country talk of going into town,
When the nights are crisp and cooling, though the sun is warm by day,
In the home-like town of Glasgow, in the State of Iowa;
That a young man met a stranger, who was still not all unknown,
For they had run-countered casual in riding in the car,
And the latter to the previous had offered a cigar.
It follows that the secondary man was Mister Dale;
This is called poetic justice when arrangements fit in time,
And Fate allows the titles to accommodate in rhyme.
Boys with baskets selling peaches were vibratin' everywhere,
While in the mellow distance folks were gettin' in their corn,
And the biggest yellow punkins ever seen since you were born.
That he'd seldom seen so fine a man for cheek as Mister Dale;
Yet simultaneous he felt that he was all the while
The biggest dude and cock-a-hoop within a hundred mile.
Was that of two ripe gooseberries who've been decreed a prize;
Like a goose apart from berries, too—though not removed from sauce—
He conversed on lovely Woman as if he were all her boss.
There was not a lady living whom he was not sure to mash;
The wealthiest, the loveliest of families sublime,
At just a single look from him must all give in in time.
They saw a Dream of Loveliness descending from the train,
A proud and queenly beauty of a transcendental face,
With gloves unto her shoulders, and the most expensive lace.
As if their stars of beauty had been fused into a sun;
Like sunshine when thermometers show thirty grades below.
And with aggravatin' humour he exclaimed to Mr. Dale,
“Since every girl 's a cricket ball and you're the only bat,
If you want to show you're champion, go in and mash on that.
That if you try it thither, you will catch a lofty snub.
I don't mean but what a lady may reply to what you say,
But I bet you cannot win her into wedding in a day.”
One would say he seemed confuseled, for his countenance was pale:
At first there came an angry look, and when that look did get,
He larft a wild and hollow larf, and said, “I take the debt.
What men have fixed before us may by other men be done.
You will lose your thousand dollars. For the first time in my life
I have gazed upon a woman whom I wish to make my wife.”
Mr. Dale, the awful masher, went head-longing at the prize,
Looking rather like a party simply bent to break the peace.
Mr. Gale, with smiles, expected just a yell for the police.
From Eves to Jersey Lilies what bewildering sights we see!
One listened on the instant to all the Serpent said;
The other paid attention right away to Floral Ned.
And the proud and queenly beauty seemed to think it awful nice.
To realize he really was a most astonished man.
How they had a hasty wedding ere the evening was done?
For when all things were considered, the fond couple thought it best—
Such things are not uncommon in the wild and rapid West.
Gale stayed in town with sorrow, like a spoon behind the cream;
Till one morning in the paper he read, though not in rhymes,
How a certain blooming couple had been married fifty times!
He would wed the girl that evening,—how he always pulled the debt;
How his eyes were large and greensome; how, in fact, to end the tale,
Their very latest victim was a fine young man named Gale.
Brand-New Ballads | ||