1. |
1. |
2. |
1. |
2. |
3. |
4. |
2. |
1. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
8. |
9. |
10. |
11. |
12. |
13. |
14. |
15. |
16. |
17. |
18. |
2. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
8. |
9. |
10. |
11. |
12. |
13. |
14. |
15. |
16. |
17. |
3. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
8. |
9. |
10. |
11. |
12. |
4. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
8. |
9. |
10. |
5. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
8. |
9. |
1. |
2. |
3. |
4. |
5. |
6. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
8. |
9. |
10. |
11. |
12. |
13. |
14. |
15. |
16. |
17. |
18. |
19. |
20. |
21. |
22. |
23. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
1. |
2. |
3. |
4. |
3. |
1. |
2. |
3. |
4. |
1. |
2. |
3. |
1. |
2. |
3. |
1. |
2. |
3. |
4. |
PROTOTYPES |
4. |
1. |
2. |
1. |
2. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
8. |
5. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
8. |
9. |
10. |
11. |
12. |
13. |
14. |
15. |
16. |
17. |
18. |
19. |
20. |
21. |
22. |
23. |
24. |
25. |
26. |
27. |
28. |
29. |
30. |
31. |
32. |
33. |
34. |
35. |
36. |
37. |
38. |
39. |
40. |
41. |
42. |
43. |
44. |
45. |
46. |
47. |
48. |
49. |
50. |
51. |
52. |
53. |
54. |
55. |
56. |
57. |
58. |
59. |
60. |
61. |
62. |
63. |
64. |
65. |
66. |
67. |
1. |
2. |
3. |
4. |
5. |
6. |
7. |
8. |
9. |
10. |
11. |
12. |
13. |
14. |
15. |
The poems of Madison Cawein | ||
477
PROTOTYPES
Whether it be that we in letters traceThe pure exactness of a woodbird's strain,
And name it song; or with the brush attain
The high perfection of a wildflower's face;
Or mold in difficult marble all the grace
We know as man; or from the wind and rain
Catch elemental rapture of refrain
And mark in music to due time and place:
The aim of art is Nature; to unfold
Her truth and beauty to the souls of men
In close suggestions; in whose forms is cast
Nothing so new but 't is long eons old;
Nothing so old but 't is as young as when
The mind conceived it in the ages past.
The poems of Madison Cawein | ||