 | 1. |
|
|
| 1. |
| 2. |
|
|
|
| 1. |
| 2. |
| 3. |
| 4. |
| 2. |
|
|
| 1. |
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 9. |
| 10. |
| 11. |
| 12. |
| 13. |
| 14. |
| 15. |
| 16. |
| 17. |
| 18. |
| 2. |
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 9. |
| 10. |
| 11. |
| 12. |
| 13. |
| 14. |
| 15. |
| 16. |
| 17. |
| 3. |
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 9. |
| 10. |
| 11. |
| 12. |
| 4. |
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 9. |
| 10. |
| 5. |
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 9. |
|
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
|
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 9. |
| 10. |
| 11. |
| 12. |
| 13. |
| 14. |
| 15. |
| 16. |
| 17. |
| 18. |
| 19. |
| 20. |
| 21. |
| 22. |
| 23. |
|
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
|
| 1. |
| 2. |
| 3. |
| 4. |
|
| 3. |
|
|
| 1. |
| 2. |
| 3. |
| 4. |
|
|
|
| 1. |
| 2. |
| 3. |
|
|
| 1. |
| 2. |
| 3. |
MUSIC |
|
| 1. |
| 2. |
| 3. |
| 4. |
| 4. |
|
|
| 1. |
| 2. |
|
|
| 1. |
| 2. |
|
|
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 5. |
|
|
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 9. |
| 10. |
| 11. |
| 12. |
| 13. |
| 14. |
| 15. |
| 16. |
| 17. |
| 18. |
| 19. |
| 20. |
| 21. |
| 22. |
| 23. |
| 24. |
| 25. |
| 26. |
| 27. |
| 28. |
| 29. |
| 30. |
| 31. |
| 32. |
| 33. |
| 34. |
| 35. |
| 36. |
| 37. |
| 38. |
| 39. |
| 40. |
| 41. |
| 42. |
| 43. |
| 44. |
| 45. |
| 46. |
| 47. |
| 48. |
| 49. |
| 50. |
| 51. |
| 52. |
| 53. |
| 54. |
| 55. |
| 56. |
| 57. |
| 58. |
| 59. |
| 60. |
| 61. |
| 62. |
| 63. |
| 64. |
| 65. |
| 66. |
| 67. |
|
|
| 1. |
| 2. |
| 3. |
| 4. |
| 5. |
| 6. |
| 7. |
| 8. |
| 9. |
| 10. |
| 11. |
| 12. |
| 13. |
| 14. |
| 15. |
|
 | The poems of Madison Cawein |  |
430
MUSIC
Thou, oh, thou!Thou of the chorded shell and golden plectrum, thou
Of the dark eyes and pale pacific brow!
Music, who by the plangent waves,
Or in the echoing night of labyrinthine caves,
Or on God's mountains, lonely as the stars,
Touchest reverberant bars
Of immemorial sorrow and amaze;—
Keeping regret and memory awake,
And all the immortal ache
Of love that leans upon the past's sweet days
In retrospection!—now, oh, now,
Interpreter and heart-physician, thou
Who gazest on the heaven and the hell
Of life, and singest each as well,
Touch with thy all-mellifluous finger-tips
Or thy melodious lips,
This sickness named my soul,
Making it whole
As is an echo of a chord,
431
Or sweet vibrating sigh,
That deep, resurgent, still doth rise and die
On thy voluminous roll;
Part of the beauty and the mystery
That axles Earth with music; as a slave,
Swinging it round and round on each sonorous pole,
'Mid spheric harmony,
And choral majesty,
And diapasoning of wind and wave;
Speeding it on its far elliptic way
'Mid vasty anthemings of night and day.—
O cosmic cry
Of two eternities, wherein we see
The phantasms, Death and Life,
At endless strife
Above the silence of a monster grave.
| The poems of Madison Cawein | |