JAMES SHIRLEY'S TRIUMPH OF PEACE:
ANALYZING GREG'S NIGHTMARE
by
STEPHEN TABOR
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C inner forme
Preparation for printing: C1v: italic and brackets in ll. 1–10
and last four lines
reset, dropping the third line from the bottom; the italic is
face i-i; first letter of
"Invention" lowercased, l.6 up. C2r reset except for
most of ll. 5–9. C3V reset,
with italic sections in alternative face i-2. Some
respacing on C4r.
Pauses for correction: none. For reasons still unclear, the
copies bound with
B(o) in Phase IIIb show page-number shifts on C1v and C4r
(side-by-side in the
forme), and the comma at the end of C4r l.6 shifts right.
After printing: all pages kept standing, C1v and 4r with their
skeletons, C2r
and 3v without.
By this point in the production, Norton eVidently has made an arrangement
with
his partner Nicholas Okes to divide the job of printing
quire D. (For the
possibility that Okes was an unwitting
collaborator, see §8B.) Okes composes
his own setting of those eight pages using
his own type. Each man then prints
roughly equal numbers of the quire for Phase
III. Some of each man's sheets are
appears on the title page after Shirley's name; one of these copies, with Okes'
quire D, also contains Phase IIb of quire A. From these groupings, it appears that
each man's production was equally available for assembling the first copies from
Phase III, so their work on this quire was effectively simultaneous.
JAMES SHIRLEY'S TRIUMPH OF PEACE:
ANALYZING GREG'S NIGHTMARE
by
STEPHEN TABOR
| ||