![]() | JAMES SHIRLEY'S TRIUMPH OF PEACE:
ANALYZING GREG'S NIGHTMARE
by
STEPHEN TABOR
| ![]() |
C outer forme
C4v has an egregiously cock-eyed lockup, the last lines of text bending up-
ward
into a hole left by the omission of some spacers; page number 16 is mis-
printed
"61".
Pauses for correction: three, eventually affecting all of the
pages; one change
deletes a stage direction on C3r
After printing: all pages stripped. The italic songs on C2v,
C3r, and C4v are
removed and distributed, presumably for use in another job but
certainly not for
ToP; the remainder of the text is kept
standing. The fact that C(i), an even richer
source of italic, remains untouched
in this wave of raids shows that the songs in
C(o) may have been taken while C(i)
was on the press and inaccessible.
The unperfected sheets are shuffled in an unexplained manner that results in
an
anomalous distribution of the two states of the inner forme.
![]() | JAMES SHIRLEY'S TRIUMPH OF PEACE:
ANALYZING GREG'S NIGHTMARE
by
STEPHEN TABOR
| ![]() |