Skip directly to:Main content Main navigation

University of Virginia Library

collapse section

The Emily Dickinson Fascicles by R. W. Franklin

1.

2.

Authenticity, Construction, and Extent

3.

4.

5.

collapse section

Classical, Biblical, and Medieval Textual Criticism and Modern Editing by G. Thomas Tanselle

1.

2.

3.

collapse section

Four New Fielding Attributions: His Earliest Satires of Walpole by Martin C. Battestin

1.

2.

I. "The Norfolk Lanthorn" (July 1728)

3.

II. On the Benefit of Laughing (August 1728)

4.

III. The Physiognomist (July 1730)

5.

IV. On Hunters and Politicians (October 1730)

collapse section

More Light on the Life and Milieu of Robert Thornton by George R. Keiser

collapse section

Scribal Self-Corrections in the Thornton Morte Arthure by Mary Hamel

1.

2.

The Corrections

3.

4.

Indirect Evidence

5.

The Scribe's Tendencies to Error

6.

collapse section

The "Setting Foorth" of Harington's Ariosto by Simon Cauchi

1.

2.

3.

4.

5.

6.

collapse section

Marginal Markings: The Censor and the Editing of Four English Promptbooks by T. H. Howard-Hill

collapse section

"Sallied Flesh" (Q1, Q2): Hamlet I.ii.129 by G. V. Monitto

collapse section

Revisions and Repetition-Brackets in Fletcher's A Wife for a Month by Robert Kean Turner

collapse section

Some Neglected Bits and Pieces from the European Magazine by Arthur Sherbo

1.

2.

3.

John Hawkesworth

4.

5.

Lord John Hervey

6.

collapse section

7.

Lyttelton, Chesterfield, and Jean Marishall

01.

02.

03.

04.

8.

9.

10.

11.

Christopher Pitt

12.

13.

14.

George Steevens

15.

16.

Catherine Talbot

17.

18.

Walpole, Horatio, first Baron Walpole of Wolterton

collapse section

Line Indentation in Stillinger's The Poems of John Keats by David H. Jackson

1.

2.

3.

collapse section

An Unknown Gissing Story from the Chicago Daily News by Robert L. Selig

1.

2.

TOO WRETCHED TO LIVE

collapse section

"Native to New England": Thoreau, "Herald of Freedom," and A Week by Linck C. Johnson

collapse section

Stephen Crane's Manuscript of "This Majestic Lie" by Paul Sorrentino

collapse section

Three Separate Leaves from Robert Frost's Derry Years: A Note and Transcriptions by Roger D. Sell

Notes

collapse section

The Construction of Hart Crane's Last Poem, "The Broken Tower" by Joan St. C. Crane

collapse section

The Autograph Manuscripts of Fsulkner's "The Lilacs" by Louis Daniel Brodsky

1.

2.

Brodsky 13a Recto

3.

Virginia ("single torn leaf") Recto

4.

Brodsky 13c Verso

5.

Brodsky 13b Verso

6.

Brodsky 13b Recto

7.

Virginia ("single torn leaf") Verso

8.

Brodsky 13c Recto

9.

Virginia "The Lilacs." Autograph manuscript, 3 pages, in pencil. Versos.

10.

Brodsky "The Lilacs" (Hand-lettered booklet)

collapse section

The Bibliographical Concept of Plating by James L. W. West III

collapse section

Notes on Contributors

BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA

PUBLICATIONS IN PRINT

collapse section

Collapse All | Expand All expand section

Notes

[1]

In the Clifton Waller Barrett collection at the University of Virginia Library, accession no. 6261, box 2. The notebook is described in my forthcoming edition of the stories it contains for the Bibliographical Society of the University of Virginia.

[2]

"The Last Word of a Bluebird: As told to a child."

[3]

Joan St C. Crane, Robert Frost: A Descriptive Catalogue of Books and Manuscripts in the Clifton Waller Barrett Library, University of Virginia (1974), pp. 162-163.

[4]

Cf. Andrew J. Angyal, "Robert Frost's Poetry before 1913: A Checklist," in Proof 5: The Yearbook of American Bibliographical and Textual Studies, ed. Joseph Katz (1977), esp. pp. 81-82.

[5]

Robert Frost: the Early Years, 1874-1915 (1966), pp. 331-332, 563-564.

[6]

Robert Frost: Four Studies, Acta Academiae Aboensis Ser. A Humaniora, vol. 57 no. 2, Åbo, Finland: Åbo Akademi, 1980, pp. 14-18.