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[title page]

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The Emily Dickinson Fascicles by R. W. Franklin
 1. 
[section 1]
 2. 
Authenticity, Construction, and Extent
 3. 
Reconstruction
 4. 
Chronology
 5. 
Purposes
  
Notes
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Classical, Biblical, and Medieval Textual Criticism and Modern Editing by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
  
Notes
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Four New Fielding Attributions: His Earliest Satires of Walpole by Martin C. Battestin
 1. 
[section 1]
 2. 
I. "The Norfolk Lanthorn" (July 1728)
 3. 
II. On the Benefit of Laughing (August 1728)
 4. 
III. The Physiognomist (July 1730)
 5. 
IV. On Hunters and Politicians (October 1730)
  
Notes
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More Light on the Life and Milieu of Robert Thornton by George R. Keiser
  
[section]
  
Notes
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Scribal Self-Corrections in the Thornton Morte Arthure by Mary Hamel
 1. 
[section 1]
 2. 
The Corrections
 3. 
Conclusions
 4. 
Indirect Evidence
 5. 
The Scribe's Tendencies to Error
 6. 
Applications
  
Notes
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The "Setting Foorth" of Harington's Ariosto by Simon Cauchi
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
 6. 
V
  
Notes
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Marginal Markings: The Censor and the Editing of Four English Promptbooks by T. H. Howard-Hill
  
[section]
  
Notes
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"Sallied Flesh" (Q1, Q2): Hamlet I.ii.129 by G. V. Monitto
  
[section]
  
Notes
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Revisions and Repetition-Brackets in Fletcher's A Wife for a Month by Robert Kean Turner
  
[section]
  
Notes
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Some Neglected Bits and Pieces from the European Magazine by Arthur Sherbo
 1. 
[section 1]
 2. 
David Garrick
 3. 
John Hawkesworth
 4. 
James Hervey
 5. 
Lord John Hervey
 6. 
Samuel Johnson
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Lyttelton, Chesterfield, and Jean Marishall
 01. 
No. I.
 02. 
No II.
 03. 
No. III.
 04. 
No. IV.
 8. 
David Mallet
 9. 
Moses Mendez
 10. 
John Milton
 11. 
Christopher Pitt
 12. 
Alexander Pope
 13. 
Edmund Spenser
 14. 
George Steevens
 15. 
Jonathan Swift
 16. 
Catherine Talbot
 17. 
Edmund Waller
 18. 
Walpole, Horatio, first Baron Walpole of Wolterton
  
Notes
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Line Indentation in Stillinger's The Poems of John Keats by David H. Jackson
 1. 
[section 1]
 2. 
1
 3. 
2
  
Notes
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An Unknown Gissing Story from the Chicago Daily News by Robert L. Selig
 1. 
[section 1]
 2. 
TOO WRETCHED TO LIVE
  
Notes
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"Native to New England": Thoreau, "Herald of Freedom," and A Week by Linck C. Johnson
  
[section]
  
Notes
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Stephen Crane's Manuscript of "This Majestic Lie" by Paul Sorrentino
  
[section]
  
Notes
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Three Separate Leaves from Robert Frost's Derry Years: A Note and Transcriptions by Roger D. Sell
  
[section]
  
Notes
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The Construction of Hart Crane's Last Poem, "The Broken Tower" by Joan St. C. Crane
  
[section]
  
Notes
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The Autograph Manuscripts of Fsulkner's "The Lilacs" by Louis Daniel Brodsky
 1. 
[section 1]
 2. 
Brodsky 13a Recto
 3. 
Virginia ("single torn leaf") Recto
 4. 
Brodsky 13c Verso
 5. 
Brodsky 13b Verso
 6. 
Brodsky 13b Recto
 7. 
Virginia ("single torn leaf") Verso
 8. 
Brodsky 13c Recto
 9. 
Virginia "The Lilacs." Autograph manuscript, 3 pages, in pencil. Versos.
 10. 
Brodsky "The Lilacs" (Hand-lettered booklet)
  
Notes
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The Bibliographical Concept of Plating by James L. W. West III
  
[section]
  
Notes

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[section]
  
Errata
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
[section]
  
PUBLICATIONS IN PRINT
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David Mallet

"The Transfiguration. In Imitation of Milton's Style." "Celestial Dove! the Muse heav'n-born inspire." (25.52). A footnote states that the poem "is not collected into Mallet's works." R.D. Havens, The Influence of Milton on English Poetry (1922), p. 638 gives 1721 as the date of composition and the 1794 EM (vol. 25) as the place of publication. The poem was unknown to

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Page 196
Alexander Chalmers, The Works of the English Poets from Chaucer to Cowper, 21 vols., 1810; Havens does not quote from it.

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