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D. H. Lawrence's second novel The Trespasser was composed initially in just over three months in mid-1910, and re-worked for publication early in 1912. Based centrally on the diary of Helen Corke's five days at Freshwater, I.O.W. with 'Siegmund', and further stimulated by Lawrence's intimate friendship and conversations with 'Helena', this novel must stand in unique relationship to its 'originals' and their story.[1] Lawrence first heard
At this stage the manuscript was entitled The Saga of Siegmund. During the school holidays it was shown briefly to Jessie Chambers, who had little to say of it (ICI, 184. Cf. ET 181-182; 189), and then passed to Ford Maddox Hueffer, who took it to Germany with him in September—October 1910.[6] Lawrence, after a worrying few weeks, was relieved, on October 18th, to discover that it had safely reached Sydney Pawling of Heinemann's (WT 235; CL 66, 88). However, it lay in Heinemann's office, probably only partly read, for a year.
In October 1911 Lawrence offered to show the work to his new friend and mentor Edward Garnett. It took until December for the manuscript to reach Lawrence from Pawling. He immediately sent it on, unopened, with a covering letter to Garnett (CL 86). Garnett encouraged him to revise and re-write, and this he began on December 30th. The revised work was ready for Duckworth in February 1912, and Lawrence accepted the offer to publish on March 18th (CL 102-103). The first proofs arrived in Eastwood on April 4th (CL 107). The novel was published on May 23rd 1912 with the title The Trespasser in error for A Game of Forfeits (CL 124).
It is clear that work on The Trespasser falls into two clear periods separated by some 16 months during most of which the manuscript was not in Lawrence's possession. The first writing of The Saga of Siegmund, rapid and intense work, could not have been revised or rewritten until the well-documented revision of January-February 1912. Had Lawrence written another quite independent version, some allusion to it in letters would be likely. There is none, but there is plenty of evidence for other works during 1911, in particular Paul Morel. The surviving manuscripts of The Trespasser closely confirm the documentary evidence for two versions.
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