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II
Common errors. Dr. Walker reminds us that Professor Dover Wilson lists eleven identical errors in Q2 and F.[7] She rejects one of these, but adds four others. Her suggestion of course is that F took these errors from Q2. The alternative is to suppose that the two texts derived them independently (Q2 directly and F via one or more transcripts) from Shakespeare's own manuscript: either they stood as errors in the autograph or the autograph was twice independently misread. I give the list of fourteen with the Globe line-numbering:
I. | i.94 | Q2 desseigne, F designe (for designd) |
I. | iii.74 | of a most select |
I. | v.43 | wits |
II. | ii.612 | Q2 of a deere, F of the Deere (omitting father) |
III. | ii.295 | Q2 paiock, F Paiocke |
III. | iii.18 | somnet |
III. | iv.121 | haire |
IV. | v.119 | Q2 browe, F brow |
V. | i.71 | Q2 ô the time, F O the time |
V. | ii.29 | Q2 villaines, F Villaines (for villanies) |
I. | ii.209 | Whereas (= Where as) |
II. | ii.510 | A rowsed (= Aroused) |
III. | iii.66 | cannot (= can not) |
IV. | vii.126 | Q2 indeede, F indeed (= in deed) |
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Altogether the identical errors on which one might argue F's dependence on Q2 make a very small bag for a text of the length and difficulty of Hamlet. Nor can it be much enlarged from the possibles that Dr. Walker from time to time suggests: I.ii.198, wast, where Q1 reads 'vast'; I.iii.130, bonds ( ? bawds); II.ii.397 hand saw (F Handsaw); III.ii.262, mistake, where Q1 has 'must take'; III.ii.269, ban, where Q1 has 'bane'. Of these 'mistake' has been well defended[13] and all are certainly defensible. F's running 'Handsaw' into one word does not suggest copying from Q2
Anomalous spellings. Among the spellings in which F agrees with Q2, Dr. Walker finds a score or so which are anomalous either in relation to contemporary custom or to the Folio practice elsewhere. Some of these do not seem to me to be anomalous at all, viz: I.i.55, Q2 ont, F on't; I.ii.204, Q2 distil'd, F bestil'd; II.i.99, Q2 adoores, F adores;
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I see nothing odd that cannot have descended from Shakespeare's original manuscript in F's 'Illo, ho, ho . . . Hillo, ho, ho' (I.v.115-6) or 'ennactors' (Q2 ennactures, III.ii.207). Slightly, but not very much, more significant, may be I.i.40, of (for 'off', which some copies of F have); I.i.73, brazon; IV.v.206, Q2 colaturall, F Colaterall; V.i.310, Q2 cuplets, F Cuplet. Whatever significance attaches to 'smot' (I.i.63) and 'sent' (= scent, I.v.58) comes from their occurring also in Q1, from which it is suggested that Q2 may have taken them. But both are common spellings in the period, and 'sent', which is the F spelling of the corresponding noun in The Shrew and Twelfth Night, may be regarded as normal. For 'smot', however, it is to be observed that it occurs in the same line as 'pollax' (see below).
Interesting certainly are II.i.3, Q2 meruiles, F maruels (for 'marvellous'); and IV.v.100, Q2 impitious, F impittious. But if the odd Q2 spelling is Shakespeare's own, this could equally well have been retained by a playhouse transcriber of his autograph and so transmitted to give the F readings without any contamination from Q2. (Cf. 'adores' above.) Dr. Walker notes, however, that among 20 other instances of marvellous in A, 'maruel's' occurs but once and that when the F spelling derives from Q. The F spelling 'impetuositie' in Twelfth Night is less pertinent.
The striking common spellings seem to me to be the following:
- I.iii.73 ranck, with a c unique in F in the spelling of the noun and rare even in adjectival use, though its occurrence is to be noted in The Merchant of Venice and Henry VIII;
- II.ii.531 ore-teamed, which contrasts with 10 instances of 'teem(ing)' in F;
- II.ii.566 dosen, instead of 'dozen', which is found in all 33 other instances of the word in F;
- II.ii.578 fixion, contrasting with 'fiction' in Twelfth Night and Timon;
- V.ii.322 how, as a cry, which, though normal enough in Elizabethan spelling, tends in F to be replaced by 'hoa' (see, e.g., Hamlet, III.ii.57; III.iv.22,23; IV.iii.16);
- I.i.63 pollax (F Pollax), for 'Polacks'.
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To what is suggestive about these spellings Dr. Walker adds the not negligible weight of two anomalous apostrophes common to Q2 and F: I.v.162, can'st; I.v.167, dream't. These in themselves are not remarkable, but since they occur also in Q1, that may have been their source, in which case they must have been transmitted to F through Q2. There seems, then, enough evidence from spelling to suggest that some, though not necessarily extensive, use was made of Q2 in preparing or in printing the text of F.
Punctuation. The errors in punctuation common to Q2 and F are, again, not numerous, and the three examples to which Dr. Walker gives prominence could find other explanation. They could derive independently in each text from Shakespeare's practice of underpunctuating, but it would be foolish to deny any significance to them and especially to the second. It is Dr. Walker's view that in all three cases "the F1 compositor either followed or was led astray by, the pointing in Q2."[14]
- I.ii.17 Q2 'Now followes that you knowe young Fortinbrasse. . .' F's introduction of a comma after 'followes' and no point where one is required,after 'knowe', shows an obvious misunderstanding.
- II.ii.420 Q2 'nor Plautus too light for the lawe of writ, and the liberty: these are the only men.' It must have been some such unintelligible punctuation as this that led the F compositor to print 'nor Plautus too light, for the law of Writ, and the Liberty. These are the onely men.'
- III.i.6off. Q2's omission of pointing after 'sleepe' in line 60 and 'die' in line 64 is repeated in F.
Stage-directions. Dr. Walker also notes one or two correspondences between Q2 and F in stage-directions. There is nothing much perhaps in F's retention, at the opening of I.ii, of Enter Claudius, [F Claudius] King of Denmarke, Gertrad [F Gertrude] the Queene. A little stronger-cumulatively at least-are: I.i.18, Exit Fran.; III.iii.26, Exeunt Gent.; and IV.i.31, Enter Ros. & Guild. The striking direction at I.v.149, Ghost cries under the Stage, probably came from Q1, but the irregular entry for Osric at V.ii.360 may have originated in the autograph. The F speech-heading Qu. at III.ii.238 when the Player Queen's other speeches are in F headed Bap(t). is clearly due to an oversight in the copy; but it permits no deduction about what the copy was.
Even after Dr. Walker's very thorough scrutiny of the texts, it is possible that a few further significant resemblances may be detected. It is very unlikely that she has overlooked either the orthographic interest of 'soop- stake' (F Soop-stake) at IV.v.142 and 'vnsinnow'd' (F vnsinnowed) at IV.vii.10 or the probability that in both cases the Shakespearian spelling
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Altogether it does not seem possible to deny that F may depend in some measure upon Q2 and that an occasional reading may therefore occur in F simply because it was already present in Q2. What a survey of the resemblances between Q2 and F does not justify is a whole-hogging theory that Q2, however much corrected, rather than a manuscript served as the principal copy for F.
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