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A Rationale of Literary Annotation: The Example of Fielding's Novels by Martin C. Battestin

Recent Editorial Discussion and the Central Questions of Editing by G. Thomas Tanselle

A Fifteenth-Century Copyist at Work Under Authorial Scrutiny: An Incident from John Capgrave's Scriptorium by Peter J. Lucas

The Shrinking Compositor A of the Shakespeare First Folio by Gary Taylor

The Printing, Proof-reading, and Publishing of Thackeray's Vanity Fair: The First Edition by Peter L. Shillingsburg

The Publication of Tennyson's "Lucretius" by Edgar F. Shannon, Jr.

Verdict on GW 2182 and 2183 by Dennis E. Rhodes

Establishing Shakespeare's Text: Poins and Peto in 1 Henry IV by Fredson Bowers

Astrological Analysis as an Editorial Tool: The Case of Fletcher's The Bloody Brother by J. C. Eade

John Nourse and His Authors by John Feather

The Library of George Tollet, Neglected Shakespearean by Arthur Sherbo

William Cowper and the European Magazine by Arthur Sherbo

William Blake's Techniques of Engraving and Printing by G. E. Bentley, Jr.

Signatures and Dashes in Novels Printed by T. C. Newby in the Eighteen-Forties by G. D. Hargreaves

A George Eliot Notebook by Valerie A. Dodd

Tennyson's The New Timon, R. H. Shepherd, and Harry Buxton Forman by the late W. D. Paden

Additional Manuscripts of Faulkner's "A Dead Dancer" by Louis Daniel Brodsky

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STUDIES IN BIBLIOGRAPHY

Edited by FREDSON BOWERS Volume Thirty-Four Published for

Bibliographical Society of the University of Virginia
By The University Press of Virginia,Charlottesville

© 1981

Copyright © 1980 by the Bibliographical Society of the University of Virginia