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A Rationale of Literary Annotation: The Example of Fielding's Novels by Martin C. Battestin
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Recent Editorial Discussion and the Central Questions of Editing by G. Thomas Tanselle
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A Fifteenth-Century Copyist at Work Under Authorial Scrutiny: An Incident from John Capgrave's Scriptorium by Peter J. Lucas
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The Shrinking Compositor A of the Shakespeare First Folio by Gary Taylor
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The Printing, Proof-reading, and Publishing of Thackeray's Vanity Fair: The First Edition by Peter L. Shillingsburg
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The Publication of Tennyson's "Lucretius" by Edgar F. Shannon, Jr.
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
 6. 
BIBLIOGRAPHICAL NOTE: DESCRIPTIONS OF MANUSCRIPTS AND PROOFS
 7. 
HISTORICAL COLLATION
 8. 
ALTERATIONS IN THE MANUSCRIPTS
  
Notes
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Verdict on GW 2182 and 2183 by Dennis E. Rhodes
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Establishing Shakespeare's Text: Poins and Peto in 1 Henry IV by Fredson Bowers
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Astrological Analysis as an Editorial Tool: The Case of Fletcher's The Bloody Brother by J. C. Eade
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John Nourse and His Authors by John Feather
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The Library of George Tollet, Neglected Shakespearean by Arthur Sherbo
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William Cowper and the European Magazine by Arthur Sherbo
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William Blake's Techniques of Engraving and Printing by G. E. Bentley, Jr.
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Signatures and Dashes in Novels Printed by T. C. Newby in the Eighteen-Forties by G. D. Hargreaves
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A George Eliot Notebook by Valerie A. Dodd
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Tennyson's The New Timon, R. H. Shepherd, and Harry Buxton Forman by the late W. D. Paden
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Additional Manuscripts of Faulkner's "A Dead Dancer" by Louis Daniel Brodsky

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STUDIES IN BIBLIOGRAPHY

Edited by FREDSON BOWERS Volume Thirty-Four Published for
Bibliographical Society of the University of Virginia
By The University Press of Virginia,Charlottesville
© 1981
Copyright © 1980 by the Bibliographical Society of the University of Virginia
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