Dictionary of the History of Ideas Studies of Selected Pivotal Ideas |
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BIBLIOGRAPHY
Jurgis Baltrušaitis, “Pierres
imagées,” Aberrations, quatre
essais sur la légende des formes (Paris, 1957). Ernst
Gom-
brich, Art and
Illusion (New York, 1960). H. W. Janson,
“After
Betsy, What?”, Bulletin of the Atomic
Scientists,
15
(1959), 68ff.; idem, “The 'Image
Made by Chance' in Ren-
aissance
Thought,” De Artibus Opuscula XL, Essays
in
Honor of Erwin Panofsky (New York, 1961), pp. 254-66.
Ernst Kris and Otto Kurz, Die Legende vom
Künstler (Vi-
enna,
1934). Heinz Ladendorf, “Zur Frage der künstler-
ischen Phantasie,” Mouseion, Studien... für Otto
Förster
(Cologne, 1960), pp. 21-35. John Plummer,
The Hours of
Catherine of Cleves (New York
and London, 1966). Patrik
Reuterswärd, “Sinn und
Nebensinn bei Dürer,” Gestalt
und
Wirklichkeit, Festgabe für Ferdinand
Weinhandl (Berlin,
1967), pp. 411-36. Karl Schefold,
“Zur Frage der künstler-
ischen Phantasie,” Antike Kunst,
4, No. 2 (1961), 79. S.
Shimada,
“Concerning the I-p'in Style of Painting—I,”
Oriental Art, n.s. 7, No. 2
(1961), 3-11. Osvald Siren, Chinese
Painting, 3
vols. (New York, 1956), I, 216.
H. W. JANSON
[See also Chance; China; Fortune, Fate, and Chance; Ge-nius; Iconography; Mimesis; Virtù;.]
![]() | Dictionary of the History of Ideas | ![]() |