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Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
  
  
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BIBLIOGRAPHY

Jurgis Baltrušaitis, “Pierres imagées,” Aberrations, quatre
essais sur la légende des formes
(Paris, 1957). Ernst Gom-
brich, Art and Illusion (New York, 1960). H. W. Janson,
“After Betsy, What?”, Bulletin of the Atomic Scientists, 15
(1959), 68ff.; idem, “The 'Image Made by Chance' in Ren-
aissance Thought,” De Artibus Opuscula XL, Essays in
Honor of Erwin Panofsky
(New York, 1961), pp. 254-66.
Ernst Kris and Otto Kurz, Die Legende vom Künstler (Vi-
enna, 1934). Heinz Ladendorf, “Zur Frage der künstler-
ischen Phantasie,” Mouseion, Studien... für Otto Förster
(Cologne, 1960), pp. 21-35. John Plummer, The Hours of
Catherine of Cleves
(New York and London, 1966). Patrik
Reuterswärd, “Sinn und Nebensinn bei Dürer,” Gestalt und
Wirklichkeit, Festgabe für Ferdinand Weinhandl
(Berlin,
1967), pp. 411-36. Karl Schefold, “Zur Frage der künstler-
ischen Phantasie,” Antike Kunst, 4, No. 2 (1961), 79. S.
Shimada, “Concerning the I-p'in Style of Painting—I,”
Oriental Art, n.s. 7, No. 2 (1961), 3-11. Osvald Siren, Chinese
Painting,
3 vols. (New York, 1956), I, 216.

H. W. JANSON

[See also Chance; China; Fortune, Fate, and Chance; Ge-
nius;
Iconography; Mimesis; Virtù;.]