University of Virginia Library

Search this document 
Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas
  
  
expand section 
  
expand section 
  
  

expand sectionVI. 
expand sectionV. 
expand sectionVI. 
collapse sectionI. 
  
  
  
  
  
  
  
expand sectionVI. 
expand sectionV. 
expand sectionIII. 
expand sectionIII. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionV. 
expand sectionIII. 
expand sectionVII. 
expand sectionVI. 
expand sectionVI. 
expand sectionIII. 
expand sectionIII. 
expand sectionII. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionV. 
expand sectionVII. 
expand sectionVI. 
expand sectionV. 
expand sectionIII. 
expand sectionIII. 
expand sectionIII. 
expand sectionII. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionVI. 
expand sectionVII. 
expand sectionIII. 
expand sectionVII. 
expand sectionVII. 
expand sectionVII. 
expand sectionV. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionVII. 
expand sectionIII. 
expand sectionIV. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionV. 
expand sectionV. 
expand sectionIII. 
expand sectionIII. 
expand sectionVII. 
expand sectionIII. 
expand sectionI. 
expand sectionV. 
expand sectionV. 
expand sectionVII. 
expand sectionVI. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionI. 
expand sectionVI. 
expand sectionIII. 
expand sectionIV. 
expand sectionIII. 
expand sectionIV. 
expand sectionIV. 
expand sectionIV. 
expand sectionVI. 
expand sectionVI. 
expand sectionVI. 
expand sectionV. 
expand sectionIII. 
expand sectionVI. 

BIBLIOGRAPHY

Jurgis Baltrušaitis, “Pierres imagées,” Aberrations, quatre
essais sur la légende des formes
(Paris, 1957). Ernst Gom-
brich, Art and Illusion (New York, 1960). H. W. Janson,
“After Betsy, What?”, Bulletin of the Atomic Scientists, 15
(1959), 68ff.; idem, “The 'Image Made by Chance' in Ren-
aissance Thought,” De Artibus Opuscula XL, Essays in
Honor of Erwin Panofsky
(New York, 1961), pp. 254-66.
Ernst Kris and Otto Kurz, Die Legende vom Künstler (Vi-
enna, 1934). Heinz Ladendorf, “Zur Frage der künstler-
ischen Phantasie,” Mouseion, Studien... für Otto Förster
(Cologne, 1960), pp. 21-35. John Plummer, The Hours of
Catherine of Cleves
(New York and London, 1966). Patrik
Reuterswärd, “Sinn und Nebensinn bei Dürer,” Gestalt und
Wirklichkeit, Festgabe für Ferdinand Weinhandl
(Berlin,
1967), pp. 411-36. Karl Schefold, “Zur Frage der künstler-
ischen Phantasie,” Antike Kunst, 4, No. 2 (1961), 79. S.
Shimada, “Concerning the I-p'in Style of Painting—I,”
Oriental Art, n.s. 7, No. 2 (1961), 3-11. Osvald Siren, Chinese
Painting,
3 vols. (New York, 1956), I, 216.

H. W. JANSON

[See also Chance; China; Fortune, Fate, and Chance; Ge-
nius;
Iconography; Mimesis; Virtù;.]