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Textual Criticism and Deconstruction by G. Thomas Tanselle
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[section 1]
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I
 3. 
II
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III
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IV
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V
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VI
  
Notes
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Archival Standards in Documentary Editing by Ronald J. Zboray
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Two Lollard Codices and Lollard Book-Production by Ralph Hanna III
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"The Final Revision of Bonduca": An Unpublished Essay by W. W. GREG by Grace Ioppolo
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The Problem of Semi-Substantive Variants: An Example from the Shakespeare-Fletcher Henry VIII by Fredson Bowers
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Font Analysis as a Bibliographical Method: The Elizabethan Play-Quarto Printers and Compositors by Adrian Weiss
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British Plays, 1697-1737: Premieres, Datings, Attributions, and Publication Information by William J. Burling
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William Robinson, Contributor to Fielding's Champion by Frederick G. Ribble
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From the Monthly Magazine, and British Register: Notes on Milton, Pope, Boyce, Johnson, Sterne, Hawkesworth, and Prior by Arthur Sherbo
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The Manuscript of Wilkie Collins's No Name by William Baker
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Lawrence, Garnett, and Sons and Lovers: An Exploration of Author-Editor Relationship by Mark S. Sexton
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John Greenleaf Whittier in the Critic, 1881-1892 by Arthur Sherbo
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Gilbert Sorrentino's Revisions of The Sky Changes by David Leon Higdon and Robert F. Sheard
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Correlated Type Sizes and Names for the Fifteenth Through Twentieth Century by John Richardson Jr.
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More on the Compositors of the First Edition of Don Quixote, Part II by R. M. Flores

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Fifteenth Century

Charles Enschedé, Typefoundries in the Netherlands from the Fifteenth to the Nineteenth Century. Translated by Harry Carter. Edited by Lotte Hellinga. Haarlem: Stichting Museum Enschedé, 1978. The common names for English, Dutch, French, and German typesizes are entered on the correlated table using the inch measurements from his convenient "Table of Body-Sizes" (pp. 455-456).

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