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The Melbourne Manuscript and John Webster: A Reproduction and Transcript by Antony Hammond and Doreen Delvecchio
 1. 
[section 1]
 2. 
The manuscript
 3. 
Authorship
 4. 
Palaeography
 5. 
Vocabulary and Spelling
 6. 
Linguistic Tests
 7. 
Subject-matter and Style
 8. 
Conclusion
 9. 
APPENDIX
 10. 
Notes
  
Notes
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Bibliographical History As a Field of Study by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
  
Notes
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Does "Text" Exist? by Louis Hay
  
[section]
  
Notes
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Script, Work and Published Form: Franz Kafka's Incomplete Text by Gerhard Neumann
  
[section]
  
Notes
  
Notes from the list
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Conceptualisations for Procedures of Authorship by Klaus Hurlebusch
 1. 
[section 1]
 2. 
The critical edition—two contrasting concepts
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I. The reception-oriented editorial concept
 01. 
Precedence of text presentation over the critical apparatus
 02. 
The model of the author in the 2nd person—the self-realising author
 03. 
The author's intention
 04. 
The author's intention to produce and communicate a text: what is meant and what is intended
 05. 
Disregard of the author's work due to modal misinterpretation
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II. The production-oriented editorial concept
 01. 
Equivalence or precedence of the apparatus over the text
 02. 
The model of the author in the 3rd person: the author concealing himself as a producer of texts
 03. 
Over-estimation of authorial composition due to modal misinterpretation
 5. 
III. The author's working procedures as a reflection of his sense of self-being
  
Notes
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Some Notes on Letter Editions: With Special Reference to German Writers by Siegfried Scheibe
  
[section]
  
Notes
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Editing the Correspondence of Charles Darwin by Frederick Burkhardt
  
[section]
  
Notes
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Practice, not Theory: Editing J. S. Mill's Newspaper Writings by John M. Robson
 1. 
Introduction
 2. 
Description of materials
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Treatment
 01. 
1. Organization
 02. 
2. Copy-text
 03. 
3. Apparatus
 4. 
Conclusion
  
Notes
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The Unity and Authenticity of Anelida and Arcite: The Evidence of the Manuscripts by A. S. G. Edwards
 1. 
[section 1]
 2. 
Appendix Anelida & Arcite—The Manuscripts
  
Notes
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Editorial Method and Medieval Translations: The Example of Chaucer's Boece by Tim William Machan
  
[section]
  
Notes
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The Origins and Production of Westminster School MS. 3 by Ralph Hanna III
 1. 
[section 1]
 2. 
Appendix I: Brief manuscript descriptions
 3. 
Appendix II
 4. 
Appendix III
  
Notes
 01. 
Notes from Appendices
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An Epitaph for Richard, Duke of York by Richard Firth Green
  
[section]
  
Notes
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More on the 1532 Edition of Ariosto's Orlando Furioso by Conor Fahy
  
[section]
  
Notes
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"Foul Papers" and "Prompt-Books": Printer's Copy For Shakespeare's Comedy of Errors by Paul Werstine
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
 6. 
V
  
Notes
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New Evidence for Dr. Arbuthnot's Authorship of "The Rabbit-Man-Midwife" by Dennis Todd
 1. 
[section 1]
 2. 
i
 3. 
ii
 4. 
iii
  
Notes
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"Hesiod" Cooke and the Subscription Game by Arthur Sherbo
  
[section]
  
Notes
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From the Westminster Magazine: Swift, Goldsmith, Garrick, et al. by Arthur Sherbo
  
[section]
  
Notes
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Richard Edwards, Publisher of Church-and-King Pamphlets and of William Blake by G. E. Bentley, Jr.
 1. 
[section 1]
 2. 
Bookseller, and Civil Servant
 3. 
Ephemeral Publishing 1792-96
 4. 
The Great Illustrated-Book Publisher: Merigot's Rome (1796-98)
 5. 
Young's Night Thoughts (1797)
  
Notes
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William Faulkner's 1962 Gold Medal Speech by Louis Daniel Brodsky
 1. 
[section 1]
 2. 
[B] Blotner's Typescript Version / Brodsky Collection
 3. 
[C] Faulkner's Holograph Original / Virginia
 4. 
[G] Faulkner's Carbon Typescript Final Version / Brodsky Collection
  
Notes

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[section]
  
Errata
  
Notes on Contributors
  
WINNERS OF THE 1987 STUDENT AWARDS IN BOOK COLLECTING
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
[section]
  
PUBLICATIONS IN PRINT
  
[colophon]
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Notes

 
[1]

1791. ii. 1090-94, 1178-85; 1792. i. 26-30, 215-221, 313-316; 1797. ii. 566-567.

[2]

The February 1786 European Magazine had earlier printed an "Original Letter from Thomas Cooke, Translator of Hesiod, &c. to Mr. Baker [of St. John's College, Cambridge] chiefly about the critic John Dennis" (pp. 91-92).

[*]

It was called "Love the Cause and Cure of Grief." A Tragedy acted the 19th of December 1743. It was performed only once. EDITOR.

[†]

Published in folio; they were spoken by Mr. Garrick and Mrs. Woffington, before and after the Merchant of Venice, acted at Drury-lane 21st January 1743, for Mr. Cooke's benefit. EDITOR.

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