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Notes
The one notable exception is D.S.M. Imrie's "The story of 'The Scots Magazine,'" in Scots Magazine, 30 (1939), 269-274, 341-354, 445-452 and 31 (1939), 51-58, 141-150, 218-226, largely emphasizing the role of Scottish writers therein.
Numbers 51, 57, 127, 133, 139 are Warton's; Numbers 1, 7, 8, 12-14, 16, 18, 30, 36, 37, 47, 52, 57, 61, 64-66, 88, 100, 117, 118, and 140, Hawkesworth's; Number 23, by the fourth man.
Charlottesville, Va., 1955; The Library, 4th ser., 21 (1941), 320-336; Oxford Bibliographical Society Publications, N.S., 12 (1963), respectively.
Respectively, 12 (1750), 365; 16 (1754), 53, 190, 276, 372, 425, 486, 584; 17 (1755), 84; 18 (1756), 18 and 180.
It may be worth noting that SM has "a view" (l. 59); Oxford, "her view." And SM has italics in l. 27 ("her") and l. 37 ("night" and "noon"). (The line numbers are from SM, which omits the fifth stanza.)
See my "William Cowper and the European Magazine," Studies in Bibliography, 34 (1981), 238-241. The epigraph is the first line of Catullus's poem on Lesbia's dead sparrow.
See Luella F. Norwood, "The Authenticity of Smollett's Ode to Independence," R.E.S., 17 (1941), 55, n.1.
David Garrick, A Critical Biography, by G. W. Stone, Jr. and G. M. Kahrl (1979). No mention of either in G. M. Berkowitz, David Garrick, a Reference Guide (1980).
I came upon these two poems and a prose piece (see below) too late for Professor John Abbott's very recent biography of Hawkesworth, although I have sent him the references.
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