 | Studies in bibliography |  |
Notes on Contributors
Richard Bucci is an editor with the University of California's Mark
Twain Project. He has edited volumes in the Project's Works of Mark Twain
and Mark Twain Papers series.
G. Thomas Tanselle, Vice President of the John Simon Guggenheim
Memorial Foundation and Adjunct Professor of English at Columbia University,
is currently president of the Bibliographical Society of the University
of Virginia, which in 2005 published his Textual Criticism since Greg: A
Chronicle, 1950-2000 and his edition of Gordon N. Ray's The Art Deco
Book in France.
Michael F. Suarez, S.J. teaches English literature, bibliography, and
book history at Fordham University in New York and at Oxford University.
A Jesuit priest with degrees in biology, theology, English, and sociology, he
is especially interested in the ways that book history can interact with and
enrich other disciplines. In addition to co-editing both D. F. McKenzie's
Making Meaning: Printers of the Mind and other Essays (with Peter D.
McDonald) and the Cambridge History of the Book in Britain, Volume 5,
1695-1830 (with Michael Turner), he is co-general editor (with Henry
Woudhuysen) of The Oxford Companion to the Book (2009) and (with
Lesley Higgins) of The Collected Works of Gerard Manley Hopkins (OUP,
2005-11).
David L. Vander Meulen is Professor of English at the University of
Virginia. He currently is preparing a publishing history and descriptive
bibliography of the writings of Alexander Pope and an account of the work
of the book designer and illustrator Warren Chappell.
Stanley Boorman is Professor of Music at New York University and a
bibliographer of early music printing. A selection of his articles has recently
been published, and he is the author of Ottaviano Petrucci: catalogue
raisonné, a study of the first publisher of polyphonic music.
Conor Fahy is Emeritus Professor of Italian in the University of London.
He has published widely on Italian printing, mainly of the Renaissance. He
is currently interested in paper production in Italy, and the use of paper
evidence in bibliographical research.
Don-John Dugas is Assistant Professor of English Literature and Fellow
of the Institute for Bibliography and Editing, Kent State University. He
has published articles on the Shakespeare Third Folio, the London book
trade, and various sixteenth- and seventeenth-century authors.
Robert D. Hume is Evan Pugh Professor of English Literature at Penn
State University. He is author or co-author of numerous books and articles,
(Oxford, 1999) and Italian Opera in Late Eighteenth-Century
London, 2 vols. (Oxford, 1995, 2001). With Harold Love he is co-editor of
the forthcoming Oxford edition of Plays, Poems. and Miscellaneous Writings
associated with George Villiers, Second Duke of Buckingham.
H. Diack Johnstone, formerly a Reader in Music at the University of
Oxford, is now an Emeritus Fellow of St Anne's College, Oxford, and
General Editor of the series Musica Britannica.
B. J. McMullin is an honorary research associate in the Centre for the
Book, Monash University, Melbourne, Australia.
Lance Schachterle has co-edited the CSE-approved scholarly texts of
The Pioneers (1980), The Deerslayer (1987), and The Spy (2002), as well as
written several articles on textual issues in all three books. In 2002, Schachterle
succeeded Kay Seymour House as Editor-in-Chief of "The Writings of
James Fenimore Cooper," in which role he created a Web site (www.wjfc.org)
and is arranging for publication of several more volumes. He is currently
working with James Sappenfield and Lorna Hughes on a digital edition of
The Bravo. Schachterle is Professor of English and Associate Provost at Worcester
Polytechnic Institute.
| Studies in bibliography | |