Skip directly to:Main content Main navigation

University of Virginia Library

The Dramatic and Poetical Works of Joanna Baillie

Complete in One Volume

Baillie, Joanna (1762-1851)

collapse section

A SERIES OF PLAYS: IN WHICH IT IS ATTEMPTED TO DELINEATE THE STRONGER PASSIONS OF THE MIND EACH PASSION BEING THE SUBJECT OF A TRAGEDY AND A COMEDY.

collapse section

collapse section

I.

I.

II.

collapse section

II.

I.

II.

III.

IV.

collapse section

III.

I.

II.

collapse section

III.

SONG.— a glee.

collapse section

IV.

I.

II.

III.

IV.

V.

collapse section

V.

I.

II.

III.

collapse section

collapse section

I.

I.

collapse section

II.

I.

II.

collapse section

III.

I.

II.

collapse section

IV.

I.

II.

III.

collapse section

V.

I.

II.

III.

IV.

V.

VI.

collapse section

collapse section

1.

collapse section

I.

I.

II.

III.

IV.

collapse section

II.

I.

II.

IV.

collapse section

III.

I.

II.

III.

IV.

V.

collapse section

IV.

I.

II.

III.

IV.

V.

VI.

VII.

collapse section

V.

I.

II.

III.

collapse section

2.

collapse section

I.

I.

II.

III.

collapse section

II.

I.

II.

III.

IV.

SCENE IV

V.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

collapse section

V.

I.

III.

IV.

V.

collapse section

collapse section

I.

I.

II.

III.

collapse section

II.

I.

III.

collapse section

III.

I.

II.

III.

IV.

collapse section

IV.

I.

II.

III.

collapse section

V.

I.

II.

collapse section

collapse section

I.

I.

II.

collapse section

II.

collapse section

I.

II.

III.

collapse section

collapse section

I.

I.

II.

collapse section

II.

I.

II.

III.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

collapse section

V.

I.

II.

III.

collapse section

collapse section

I.

I.

II.

III.

collapse section

II.

I.

II.

III.

IV.

V.

VI.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

IV.

collapse section

V.

I.

II.

III.

IV.

V.

collapse section

MISCELLANEOUS PLAYS.

collapse section

collapse section

I.

I.

II.

collapse section

II.

I.

2.

III.

IV.

collapse section

III.

I.

II.

collapse section

4.

1.

2.

III.

collapse section

V.

I.

II.

III.

IV.

collapse section

CONSTANTINE PALEOLOGUS;

collapse section

I.

I.

II.

collapse section

II.

I.

II.

III.

IV.

collapse section

III.

I.

II.

collapse section

IV.

I.

II.

III.

IV.

V.

collapse section

V.

I.

II.

III.

collapse section

THE FAMILY LEGEND:

collapse section

I.

I.

II.

collapse section

II.

I.

II.

III.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

IV.

collapse section

V.

I.

II.

III.

IV.

collapse section

collapse section

I.

I.

II.

III.

IV.

collapse section

II.

I.

II.

collapse section

III.

I.

II.

III.

collapse section

THE SEPARATION:

collapse section

I.

I.

II.

III.

collapse section

II.

I.

II.

III.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

IV.

collapse section

V.

I.

II.

III.

IV.

collapse section

collapse section

I.

I.

II.

III.

IV.

V.

collapse section

II.

1.

II.

III.

IV.

V.

VI.

collapse section

collapse section

I.

I.

II.

III.

IV.

collapse section

II.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

collapse section

III.

I.

II.

collapse section

MISCELLANEOUS POETRY.

collapse section

METRICAL LEGENDS.

A METRICAL LEGEND OF WILLIAM WALLACE.

THE LEGEND OF CHRISTOPHER COLUMBUS.

collapse section

THE LEGEND OF LADY GRISELD BAILLIE.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.

XXXIV.

XXXV.

XXXVI.

XXXVII.

XXXVIII.

XXXIX.

XL.

XLI.

XLII.

XLIII.

XLIV.

XLV.

XLVI.

XLVII.

XLVIII.

XLIX.

L.

LI.

LII.

LIII.

LIV.

LV.

LVI.

LORD JOHN OF THE EAST:

MALCOLM'S HEIR:

THE ELDEN TREE:

THE GHOST OF FADON.

collapse section

FUGITIVE VERSES.

A WINTER'S DAY.

A SUMMER'S DAY.

NIGHT SCENES OF OTHER TIMES.

ADDRESS TO THE MUSES.

A MELANCHOLY LOVER'S FAREWELL TO HIS MISTRESS.

A CHEERFUL-TEMPERED LOVER'S FAREWELL TO HIS MISTRESS

A PROUD LOVER'S FAREWELL TO HIS MISTRESS.

A POETICAL OR SOUND-HEARTED LOVER'S FAREWELL TO HIS MISTRESS.

A DISAPPOINTMENT.

A MOTHER TO HER WAKING INFANT.

A CHILD TO HIS SICK GRANDFATHER.

THE HORSE AND HIS RIDER.

FRAGMENT OF A POEM

collapse section

MISCELLANEOUS POETRY

LINES ON THE DEATH OF SIR WALTER SCOTT.

THE BANISHED MAN.

LINES ON THE DEATH OF WILLIAM SOTHEBY, ESQ.

VERSES TO OUR OWN FLOWERY KIRTLED SPRING.

LINES TO A PARROT.

LINES TO A TEAPOT.

THE MOODY SEER:

THE MERRY BACHELOR

TO SOPHIA J.BAILLIE.

SCHOOL RHYMES FOR NEGRO CHILDREN.

RHYMES FOR CHANTING.

DEVOTIONAL SONG FOR A NEGRO CHILD.

SECOND DEVOTIONAL SONG.

THIRD DEVOTIONAL SONG.

A NURSERY LESSON (DEVOTIONAL).

SECOND NURSERY LESSON

RECOLLECTIONS OF A DEAR AND STEADY FRIEND.

LINES TO AGNES BAILLIE ON HER BIRTHDAY.

VERSES SENT TO MRS. BAILLIE ON HER BIRTHDAY, 1813.

VERSES WRITTEN IN FEBRUARY, 1827.

THE TRAVELLER BY NIGHT IN NOVEMBER.

LINES FOR A FRIEND'S ALBUM.

ADDRESS TO A STEAMVESSEL.

FY, LET US A' TO THE WEDDING.

HOOLY AND FAIRLY.

THE LADY IN HER CAR.

TO JAMES B. BAILLIE,

THE WEARY PUND O' TOW.

TAM O' THE LIN.

NEW WORDS TO THE OLD SCOTCH AIR OF “THE WEE PICKLE TOW.”

VOLUNTEER'S SONG,

A SAILOR'S SONG.

TO MRS. SIDDONS.

THE BLACK COCK,

ON THE DEATH OF A VERY DEAR FRIEND.

collapse section

VERSES ON SACRED SUBJECTS.

HYMN FOR THE SCOTCH KIRK.

A SECOND HYMN FOR THE KIRK.

A THIRD HYMN FOR THE KIRK.

ST. MATTHEW, v. 9.

ST.LUKE, XVIII. 16.

ST.JOHN, XXI. 1.

ST. LUKE, VII. 12.

A HYMN FOR THE KIRK.

SELECT VERSES FROM THE 147TH PSALM.

THOUGHTS TAKEN FROM THE 93RD PSALM.

collapse section

collapse section

Collapse All | Expand All expand section

178

SCENE IV

A small dark passage. Enter Ethwald with a lamp in his hand: enter at the same time, by the opposite side, a domestic officer; they both start back on seeing one another.
Ethw.
Who art thou?

Off.
Baldwin, my lord. But mercy on my sight,
Your face is strangely alter'd. At this hour
Awake, and wandering thus!—Have you seen aught?

Ethw.
No, nothing. Knowst thou which is Alwy's chamber?
I would not wake my grooms.

Off.
It is that farther door; I'll lead you to it.

[Pointing off the stage.
Ethw.
No, friend, I'll go myself. Good rest to
thee.

[Exeunt.