Skip directly to:Main content Main navigation

University of Virginia Library

The Dramatic and Poetical Works of Joanna Baillie

Complete in One Volume

Baillie, Joanna (1762-1851)

collapse section

A SERIES OF PLAYS: IN WHICH IT IS ATTEMPTED TO DELINEATE THE STRONGER PASSIONS OF THE MIND EACH PASSION BEING THE SUBJECT OF A TRAGEDY AND A COMEDY.

collapse section

collapse section

I.

I.

II.

collapse section

II.

I.

II.

III.

IV.

collapse section

III.

I.

II.

collapse section

III.

SONG.— a glee.

collapse section

IV.

I.

II.

III.

IV.

V.

collapse section

V.

I.

II.

III.

collapse section

collapse section

I.

I.

collapse section

II.

I.

II.

collapse section

III.

I.

II.

collapse section

IV.

I.

II.

III.

collapse section

V.

I.

II.

III.

IV.

V.

VI.

collapse section

collapse section

1.

collapse section

I.

I.

II.

III.

IV.

collapse section

II.

I.

II.

IV.

collapse section

III.

I.

II.

III.

IV.

V.

collapse section

IV.

I.

II.

III.

IV.

V.

VI.

VII.

collapse section

V.

I.

II.

III.

collapse section

2.

collapse section

I.

I.

II.

III.

collapse section

II.

I.

II.

III.

IV.

V.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

collapse section

V.

I.

III.

IV.

V.

collapse section

collapse section

I.

I.

II.

III.

collapse section

II.

I.

III.

collapse section

III.

I.

II.

III.

IV.

collapse section

IV.

I.

II.

III.

collapse section

V.

I.

II.

collapse section

collapse section

I.

I.

II.

collapse section

II.

collapse section

I.

II.

III.

collapse section

collapse section

I.

I.

II.

collapse section

II.

I.

II.

III.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

collapse section

V.

I.

II.

III.

collapse section

collapse section

I.

I.

II.

III.

collapse section

II.

I.

II.

III.

IV.

V.

VI.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

IV.

collapse section

V.

I.

II.

III.

IV.

V.

collapse section

MISCELLANEOUS PLAYS.

collapse section

collapse section

I.

I.

II.

collapse section

II.

I.

2.

III.

IV.

collapse section

III.

I.

II.

collapse section

4.

1.

2.

III.

collapse section

V.

I.

II.

III.

IV.

collapse section

CONSTANTINE PALEOLOGUS;

collapse section

I.

I.

II.

collapse section

II.

I.

II.

III.

IV.

collapse section

III.

I.

II.

collapse section

IV.

I.

II.

III.

IV.

V.

collapse section

V.

I.

II.

III.

collapse section

THE FAMILY LEGEND:

collapse section

I.

I.

II.

collapse section

II.

I.

II.

III.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

IV.

collapse section

V.

I.

II.

III.

IV.

collapse section

collapse section

I.

I.

II.

III.

IV.

collapse section

II.

I.

II.

collapse section

III.

I.

II.

III.

collapse section

THE SEPARATION:

collapse section

I.

I.

II.

III.

collapse section

II.

I.

II.

III.

collapse section

III.

I.

II.

III.

collapse section

IV.

I.

II.

III.

IV.

collapse section

V.

I.

II.

III.

IV.

collapse section

collapse section

I.

I.

II.

III.

IV.

V.

collapse section

II.

1.

II.

III.

IV.

V.

VI.

collapse section

collapse section

I.

I.

II.

III.

IV.

collapse section

II.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

collapse section

III.

I.

II.

collapse section

MISCELLANEOUS POETRY.

collapse section

METRICAL LEGENDS.

A METRICAL LEGEND OF WILLIAM WALLACE.

THE LEGEND OF CHRISTOPHER COLUMBUS.

collapse section

THE LEGEND OF LADY GRISELD BAILLIE.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.

XXXIV.

XXXV.

XXXVI.

XXXVII.

XXXVIII.

XXXIX.

XL.

XLI.

XLII.

XLIII.

XLIV.

XLV.

XLVI.

XLVII.

XLVIII.

XLIX.

L.

LI.

LII.

LIII.

LIV.

LV.

LVI.

LORD JOHN OF THE EAST:

MALCOLM'S HEIR:

THE ELDEN TREE:

THE GHOST OF FADON.

collapse section

FUGITIVE VERSES.

A WINTER'S DAY.

A SUMMER'S DAY.

NIGHT SCENES OF OTHER TIMES.

ADDRESS TO THE MUSES.

A MELANCHOLY LOVER'S FAREWELL TO HIS MISTRESS.

A CHEERFUL-TEMPERED LOVER'S FAREWELL TO HIS MISTRESS

A PROUD LOVER'S FAREWELL TO HIS MISTRESS.

A POETICAL OR SOUND-HEARTED LOVER'S FAREWELL TO HIS MISTRESS.

A DISAPPOINTMENT.

A MOTHER TO HER WAKING INFANT.

A CHILD TO HIS SICK GRANDFATHER.

THE HORSE AND HIS RIDER.

FRAGMENT OF A POEM

collapse section

MISCELLANEOUS POETRY

LINES ON THE DEATH OF SIR WALTER SCOTT.

THE BANISHED MAN.

LINES ON THE DEATH OF WILLIAM SOTHEBY, ESQ.

VERSES TO OUR OWN FLOWERY KIRTLED SPRING.

LINES TO A PARROT.

LINES TO A TEAPOT.

THE MOODY SEER:

THE MERRY BACHELOR

TO SOPHIA J.BAILLIE.

SCHOOL RHYMES FOR NEGRO CHILDREN.

RHYMES FOR CHANTING.

DEVOTIONAL SONG FOR A NEGRO CHILD.

SECOND DEVOTIONAL SONG.

THIRD DEVOTIONAL SONG.

A NURSERY LESSON (DEVOTIONAL).

SECOND NURSERY LESSON

RECOLLECTIONS OF A DEAR AND STEADY FRIEND.

LINES TO AGNES BAILLIE ON HER BIRTHDAY.

VERSES SENT TO MRS. BAILLIE ON HER BIRTHDAY, 1813.

VERSES WRITTEN IN FEBRUARY, 1827.

THE TRAVELLER BY NIGHT IN NOVEMBER.

LINES FOR A FRIEND'S ALBUM.

ADDRESS TO A STEAMVESSEL.

FY, LET US A' TO THE WEDDING.

HOOLY AND FAIRLY.

THE LADY IN HER CAR.

TO JAMES B. BAILLIE,

THE WEARY PUND O' TOW.

TAM O' THE LIN.

NEW WORDS TO THE OLD SCOTCH AIR OF “THE WEE PICKLE TOW.”

VOLUNTEER'S SONG,

A SAILOR'S SONG.

TO MRS. SIDDONS.

THE BLACK COCK,

SONG,

ON THE DEATH OF A VERY DEAR FRIEND.

collapse section

VERSES ON SACRED SUBJECTS.

HYMN FOR THE SCOTCH KIRK.

A SECOND HYMN FOR THE KIRK.

A THIRD HYMN FOR THE KIRK.

ST. MATTHEW, v. 9.

ST.LUKE, XVIII. 16.

ST.JOHN, XXI. 1.

ST. LUKE, VII. 12.

A HYMN FOR THE KIRK.

SELECT VERSES FROM THE 147TH PSALM.

THOUGHTS TAKEN FROM THE 93RD PSALM.

collapse section

collapse section

Collapse All | Expand All expand section

SONG,

WRITTEN FOR A WELSH AIR, CALLED “THE NEW YEAR'S GIFT.”

All white hang the bushes o'er Elaw's sweet stream,
And pale from the rock the long icicles gleam;
The first peep of morning just peers from the sky,
And here at thy door, gentle Mary, am I.

With the dawn of the year, and the dawn of the light,
The one who best loves thee stands first in thy sight,
Then welcome, dear maid! with my gift let me be—
A ribbon, a kiss, and a blessing for thee!

Last year, of earth's treasures I gave thee my part,
The new year before it, I gave thee my heart;
And now, gentle Mary, I greet thee again,
When only this band and a blessing remain.

Though Time should run on with his sack full of care,
And wrinkle thy cheek, dear, and whiten thy hair,
Yet still on this morn shall my offering be,
A ribbon, a kiss, and a blessing for thee.