University of Virginia Library

RUSTICO DI FILIPPO

I
Sonnet

Of the making of Master Messerin

When God had finished Master Messerin,
He really thought it something to have done:
Bird, man, and beast had got a chance in one,
And each felt flattered, it was hoped, therein.
For he is like a goose i'the windpipe thin,
And like a cameleopard high i'the loins;
To which, for manhood, you'll be told, he joins
Some kinds of flesh-hues and a callow chin.
As to his singing, he affects the crow;
As to his learning, beasts in general;
And sets all square by dressing like a man.
God made him, having nothing else to do;
And proved there is not anything at all
He cannot make, if that's a thing He can.

480

II
Sonnet

Of the Safety of Messer Fazio

Master Bertuccio, you are called to account
That you guard Fazio's life from poison ill:
And every man in Florence tells me still
He has no horse that he can safely mount.
A mighty war-horse worth a thousand pound
Stands in Cremona stabled at his will;
Which for his honoured person should fulfil
Its use. Nay, sir, I pray you be not found
So poor a steward. For all fame of yours
Is cared for best, believe me, when I say:—
Our Florence gives Bertuccio charge of one
Who rides her own proud spirit like a horse;
Whom Cocciolo himself must needs obey;
And whom she loves best, being her strongest son.
 

I have not been able to trace the Fazio to whom this sonnet refers.

III
Sonnet

Of Messer Ugolino

If any one had anything to say
To the Lord Ugolino, because he's
Not staunch, and never minds his promises,
'Twere hardly courteous, for it is his way.
Courteous it were to say such sayings nay:
As thus: He's true, sir, only takes his ease
And don't care merely if it plague or please,
And has good thoughts, no doubt, if they would stay.
Now I know he's so loyal every whit
And altogether worth such a good word
As worst would best and best would worst befit.
He'd love his party with a dear accord
If only he could once quite care for it,
But can't run post for any Law or Lord.
 

The character here drawn certainly suggests Count Ugolino de' Gherardeschi, though it would seem that Rustico died nearly twenty years before the tragedy of the Tower of Famine.