The Breitmann Ballads | ||
Germany.
BREITMANN AM RHEIN—COLOGNE.
In audumn-life abbears;
Vot rainpows gild ids vallies crand,
Ven seen troo vallin tears.
Und VON I'll creet mit sang und klang,
Und drown in goldnen wein;
Old Deutschland's cot her sohn again:
Hans Breitmann's on der Rhein.
Too awfool for make known;
Ven dey shunt him from de railroat car
Und tropped him in Cologne.
De holy towers of de dome
Cleam, twilicht-veiled, afar;
Und like some lonely bilgrim's pipe,
Dim shines de efenim star.
Und see dat all ish shdraighdts,
Denn toorn him to de city toors,
“Mein nadife land—wie gehts?”
Fool blainly armies write;
Id's ofer all half Shermany,
Set down in Black and White.
Vot dings ish dis to see?
I vonder vot in future years
Your mission ish to pe?
Also in crate America
We had soosh colors too!
Die Färb' sind mir nicht unbekannt —
Id's shoost tout comme chez nous.
He vent de dings to view,
Und found it shoost drei thaler cost
To see de sighds all troo.
“Id's tear,” said Hans; “boot go ahet,
I'fe cot de cash all right;
Boot id's queer dat's only Protestands
Vot mosdly see de sighdt!
De shoorsh vas alvays sure—
An open bicdure gallerie,
Und book for all de poor.
Boot now de dings is so arrange
No poor volk can get in;
We Yankees und de Englisch are
Pout all ash shbends de tin.
In shoorshes ven I see
Poor Catholics vollerin round apout
To shdeal a sighdt—troo ME!
Dey peep und creep roundt chapel gates,
Boot soon kits trofe afay,
Dey gross demselfs, und make a brayer—
Boot den dey cannot bay!
More goot in Italy,
Where beoples bays shoost half de brice,
For ten dimes more to see,
De volk vot dink I shbeak sefere
Apout dese Küster vays,
May read vot Mr. Bädeker
In his Belgine Hand Buch says.”
Von ding vas shdill de same:
Shoost ash of oldt he saw de shpread
Of Jean Farina's name.
He find it nort', he find it sout',
He find it eferyvhere;
Dere vas no house in all Cologne
Boot J. M. F. vas dere.
I'll shwear for cerdain sure,
Und dat at Numero Four.
Boot of dis Cologne in Jülichsplatz
Let dis pe undershtood,
Dat some of id ish foorst-rate pad,
Vhile some is foorst-rate good.
Dis treadful trut I dells,
Fast ash dis Farinaceous crowd
So vast hafe grown the schmells—
Dose awfool schmells in gass' und strass'
Vitch mofe crate Coleridge squalm:
If so he wrote, vot vouldt he write
Apout dem now, py tam?
Py gutter, sink, or well,
At efery gorner of Cologne
Dere's von can peat dat schmell.
Vhen dere you go you'll find it so,
Don't dake de ding on troost;
De meanest skunk in Yankee land
Vould die dere of disgoost.
Of schmutz or idle schein,
Vhen he sat in Abendämmerung
Und looket owd on der Rhein
Im goldnen gleam—vhile pealin far
Rang shlow, shveet kloster bells,
Und in de dim, plue peaudiful,
Rose distant Drachenfels.
So pure ash voman's trut';
De singed de songs of Shermany,
De songs of Breitmann's yout'.
De songs mit tears of vanished years,
Made peaudiful in wein.
Dus endet out de firster tay
Of Breitmann on der Rhein.
Sur ces temps primitifs le doux progrés a lui,
Et chacque jour le Rhin vers Cologne charrie
De nombreux Farinas, tous ‘seul,’ tous ‘Jean Marie.’”
—Le Maout, “Le Parfumeur,” cited by Eugene Rimmel in Le Livre des Parfums, Paris, 1870.
AM RHEIN.—No. II.
Im Kahn.
Von deme mere unze an den Rin,
Des wolt ih mih darben,
Daz diu dame von Engellant
Lege an minen armen.”
—Carmina Burana.
In boat oopon der Rhein!
De castle-bergs soft goldnen
Im Abendsonnenschein,
Mit lots of Rudesheimer,
Und saitenklang und sang,
Und laties singin lieder,
Ash ve go sailin 'long.
Vas dere, so wunderscheen;
Vene'er der Breitmann saw her,
Id made his heartsen pain.
Oh, dose long-tailed veilchen Augen,
Vitch voke soosh hopes und fears,
Deir shape vas nod like almonds,
Boot more like fallin tears.
De glass of pince-nez kind,
In mercy to de beoples,
Less dey pe shdrucken blind.
Und gazin in dem glasses,
Reflected he pehold
De Rhine, mit all de shdeam-poats,
Und crags in Sonnengold.
De gals a-washin close;
De wein-garts on de moundain,
Like heafenly shdairs in rows:
De banks, basaltic-paven,
Like bee-hife cells to view;
A donkey shtandin on dem,
Likevise her lofer too.
Vas blainly to pe seen;
One saw whate'er vas nodiced,
Py de schöne Engländrinn.
Boot oh! de fery lofe-most
Of all dat lofe-most pe
Her own plue veilchen Augen—
Herself she couldt not see.
For beaudy oft we spied,
Nor know de cratest peaudy
Ish in our soul inside.
Mein Gott! Vot himmlisch shplendor
Vas seen mitout an toubt,
If some crate bower supernal
Vas toorn oos insite out!
Und gazin long on Man,
Shdill all dings glite vorüber,
Ash since de vorldt pegan:
Ash in dat laity's glasses,
Ve see dem bassin py;
Yet veel a soul beneat' dem,
A schweet eternal eye.
Mit honey-colored hair,
Dat flows ash if a bienen korb
Had got oopsettet dere—
Und all de schweetness of your soul
Vas dripplin from your brain!
Oh shall I efer meet mit dir
Oopon dis eart' acain?
O schveet betaubend dofe!
O Rheinwein und cigarren!
O luncheon, mixed mit lofe!
O Drachenfels und Nonnenwerth!
O Liebeslust und pein!
Dus ents de second chapterlet
Of Breitmann on der Rhein.
AM RHEIN.—No. III.
NONNENWERTH.
(Alt Deutsch.)
Oopon de Rheinisch shore,
Und dere he saw a lofely face,
He'd seen in treams pefore.
Feinslieb, make no delay;
For rocks ish shdeep und vales ish teep,
Und dings ish in de way.”
Or flyen out of land?
Der bischof holts me py de law,
Der Rheingraf by der hand.
I'd follow willingly;
Boot we are leafs, und shdrong's de shdem
Vitch pinds oos to de dree.”
Ish now a broken man;
Der Rheingraf who vouldt marry dee
Ish in der Kaisar's ban.
Vill shdop your goin to town,
Bei Gott! I'll burn von half of dem,
De oder half I'll trown!
Boot led our lofe hafe vings;
Dere's milliners in fair Cologne,
Vill make you avery dings.”
She schmile so heafenly:
“Dear lofe, so shendle und so goot!
I'll cut away mit dee.
'Tvouldt only bring tiscrace!
Dough if I had de abbess here,
Lort! how I'd slap her vace!”
It shined oopon de blain,
Two forms rode in de mitnight woods,
Und nefer coomed again.
MUNICH.
GAMBRINUS.
“Vot ish Art? Id ish somedings to drink, objectively forege-brought in de Beaudiful. Doubtest dou?—denn read, ash I hafe read, de Dyonisiacs of Nonnus, und learn dat de oopboorstin of infinite worlds into edernal Light und mad goldnen Lofeliness—yea of dein own soul—is typifide only py de Cup. Vot!—shdill skebdigal? Tell me denn, O dou of liddle fait, vere on eart ish de kunst obtain ids highest form if not in a Bierstadt? Ha! ha! I poke you dere!”
—Caupo Recauponatus, MS. by Fritz Schwackenhammer, olim canditatus theologiæ at Tübingen, shoost now lagerbierwirth in St. Louis. (Dec. 1869.) “Cerevisia bibunt hominesAnimalia ceteræ fontes.”
I.
Goot King Gambrinus shlept,
Und treamin' pout de dursty volk,
Dey say he gried und vept.
Dere crows no mead or wein,
Und wasser I couldt nefer get
Indo dis troat of mein.
Und all de Christian too;
Der Bacchus und der Shoopider,
Und Màrie tressed in plue!
Und mighdy Thor, der donner gott,
Und any else dat be!
Der von as helps me in dis Noth,
His serfant I will pe.”
All in de parley lay,
Dere coom in tream an angel
Who soft dese worts tid say:
“Stay oop, dou boor Gambrinus!
For efen all aroundt
Im parley vhere dou shleepest,
Some dings goot to trink ish found
Dere hides a trink so clear,
Dat men will know zukunftig—
Ash porter—ale—or bier.”
Und denn in Nederlandisch
He put de könig troo,
Und gafe him—allwhile treaming—
De recipé to prew.
Und shook him in de sun:
Mit you its out und done!
Ye'fe left me mit mine beoples
In error und in durst,
Till in our treadful tryness,
Ve tont know vitch is wurst.”
Oonto his palac 't vent,
Und loafers troo de Nederland
To all his lordts he sent.
“Leave Odin—or you lose your hets!”
De order vas sefere,
Yet tinged mit mildness, for he sent
De recipé for bier.
Of bildin troo de land,
Und de kirchen und de braweries
Vent oop on efery hand;
For de masons dey vere hart at vork,
Und trinkin hart at dat,
Und some hat bricks mitin de hods,
Und some mitin deir hat.
Dey prew it on de Rhine;
Boot in de oldt Bavarian land,
Dey make it shdrong und fein.
Und he dat trinks in Munich,
Ash all goot vellers know,
Has got somedings to dink apout,
Vherefer he may go.
II.
If you hafen't id vas gueer,
For he vas de first erfinder
Und de holy saint of bier.
Und his bortrait, mit a sceptre,
Fery peaudifool to see,
Hangs on afery lager-bier house,
In de land of Germanie.
Deutschers paint him on de sign,
As a broof dat dey are dealin
In de Bok und Lager line.
Crown und bier-mug, robe und ermine;
German signs of empire, dese,
Mit a long white beard a fallin'
Fery nearly to his knees.
Rose from bett und vent his vay,
To a dark mysderious gastle,
Vhere his lager-donjon lay.
Vhile de lark's first song vas ringin',
Und die roses shone in dew,
Den his soul vas shoost in order
To enshoy de early brew.
Till de vaults seem toornin round;
Und vhile tipsy—over tips he—
In he falls—und dere is trowned.
Biously he gafe his soul:
“Gott verdammich! Donnerwetter!
Himmels sacrament-a-mol!”
Not mitout his stir-up cup:
Moosh dey woonderd dat he berishet
Vhen he might hafe troonk it oop;
Or dat his long peard vitch floatet
Fool a yard on efery side,
Hadn't buoyed him from destrugdion:—
Dus der beer-dead monarch died.
Bierstadt—Herr Schwackenhammer had evidently here in view, not only the American artist Bierstadt, but also the great city of Munich, specially famous for its manufacture of beer.
FRANKFORT-ON-THE-MAIN.
Trank gerne Cerevisiam,
Und hatt er kein Pecuniam
So liess er seinen Tunicam.”
Vonce oopon a dimes in Frankfort der Herr Breitemann exsberiencet an interfal pedween de periot ven he hat gespent de last remiddance he hat become from home, und de arrifal of de succeedin wechsel, or bill of exghange—und, in blain derms, was hard up. Derefore he vent to dat goot relation who may pe foundt at den or fifdeen per cent. all de worlt ofer,—“mine Onkel,”—und poot his tress-goat oop de shpout for den florins. No sooner vas dis done, dan dere coomed an infitation from de English laity in whom he vas so moosh mit lofe in betaken, to geh mit her to a ball-barty. Awful bad vas he veel, und sot apout tree hours mitout sayin nodings, und denn wafin his hand, boorst out mit de vollowin version of dat peaudiful lied by Wilhelm Caspary:—
Mine tress-goat is shpouted, mine tress-goat aint hier,
Vhile you in your ball-ropes go splurgin, mein tear!
Boot my pest coat ish shpouted—mine poots are no go.
To hell mit mine Onkel—dat rasgally knafe!
Dis pledgin und pawnin has mate me his slafe!
Ven I dink of his sign-bost, den dree dimes I bawl,
Vhile mine plack pants hang lonely und dark on de wall.
Goot night to dee fine lofe—so lofely und rich,
Mein tress-goat ish shpouted—gon-fount efery stitch!
I dinks dat olt Satan troo all mine affairs,
Lofe, business, und fun, has peen sewin his tares.
My tress-goat ish shpouted—mine tress-goat aint here,
While you in your glorie go shinin, mein tear,
Und de luck of der teufel ish loose ofer all,
Vhile my black pants hang lonely und dark on de wall.
Dis four-goin song vas over-set by der Hans Breitmann from de German of Wilhelm Caspary, whose lyric vas a barody on a dranslation made indo Deutsch by Freiligrath from anoder boem py Sir Waldherr Scott, vitch Sir Waldherr vas kit de idée of from an oldt Scottish ballad vitch pegin mit de vorts—
“My hearts in de Hielands, mein hearts ish nae hier,Mein hearts in de Hielands, in wilden revier;
It hoonts for de shtag, und id hunts for de reh,
Mein hearts ist im Hochland wo immer ich geh.”
Dis is de original Scotch, as goot as I can mineself rememper it. Ven I vas dell der Herr Karl Blind pout dis intercommixture of perplexified dransitions
Rattenkönig, or Rat-king, is a term applied in German to a droll mixture of incidents or details. It is derived from an extraordinary story of twelve rats, with one (their king) in the centre, which were found in a nest with their tails grown together, firmly as the ligament which connects the Siamese Twins.
The Breitmann Ballads | ||