BIBLIOGRAPHY
C. Baudelaire, The Mirror of Art (London, 1955), pp. 29,
230, 275. C. Debussy, Préludes for Piano, First Book, No.
4 (Paris, 1910), 15. Reflets dans l'eau is one of the series
called Images. E. Duranty, la nouvelle peinture (Paris,
1876). W. Fleming, Arts and Ideas (New York, 1955), pp.
683, 712. There are also later editions. A. France, Life and
Letters, trans. A. W. Evans, first series (London, 1911),
Preface. C. E. Gauss, The Aesthetic Theories of French Artists
(Baltimore, 1966), pp. 24-25. A. Hauser, The Social History
of Art (London, 1951), Ch. 4. H. W. Janson, History of Art
(New York, 1962), pp. 489-502. S. E. Lee, History of Far
Eastern Art (New York, 1964), pp. 387, 509. A. Lalande,
Vocabulaire technique et critique de la philosophie (Paris,
1947), p. 468. P. H. Lang, Music in Western Civilization
(New York, 1941), pp. 1014-23. B. Maiuri, The National
Museum, Naples (Novara, Italy, 1959), pp. 106-11. C. G.
Mueller and M. Rudolph, Light and Vision (New York,
1966), p. 72. T. Munro, Evolution in the Arts and Other
Theories of Culture History (Cleveland, 1963), pp. 251-88.
B. S. Myers, Art and Civilization (New York, 1958), pp.
348-51. W. Pater, Studies in the History of the Renaissance
(London, 1873), Conclusion. J. Rewald, The History of Im-
pressionism (New York, 1961), a comprehensive, detailed,
and excellent work; cited frequently in this article, it has
many illustrations, some in color. Vitruvius, De architectura,
Vol. I, trans. T. Granger (London, 1931), 203-04. E. Weber,
Paths to the Present (New York, 1960), translations of writ-
ings by Baudelaire, Courbet, Zola, Blémont, and contri-
butions by Pater and others. É. Zola, Mon Salon (Paris,
1866). P. Zucker, Styles in Painting (New York, 1950), p.
322.
THOMAS MUNRO
[See also Art and Play; Classicism; Classification of the
Arts; Criticism; Evolutionism; Expressionism; Form; Genius;
Hierarchy;
Iconography; Romanticism;
Style; Taste.]
