The Dramatic and Poetical Works of Joanna Baillie ::

Wanton droll, whose harmless play
Beguiles the rustic's closing day,
When, drawn the evening fire about,
Sit aged crone and thoughtless lout,
And child upon his three-foot stool,
Waiting until his supper cool,
And maid, whose cheek outblooms the rose,
As bright the blazing fagot glows,
Who, bending to the friendly light,
Plies her task with busy sleight;
Come, show thy tricks and sportive graces,
Thus circled round with merry faces!

Backward coil'd and crouching low,
With glaring eyeballs watch thy foe,
The housewife's spindle whirling round,
Or thread or straw that on the ground
Its shadow throws, by urchin sly
Held out to lure thy roving eye;
Then stealing onward, fiercely spring
Upon the tempting faithless thing.
Now, wheeling round with bootless skill,
Thy bo-peep tail provokes thee still,
As still beyond thy curving side
Its jetty tip is seen to glide;
Till from thy centre starting far,
Thou sidelong veerst with rump in air
Erected stiff, and gait awry,
Like madam in her tantrums high;
Though ne'er a madam of them all,
Whose silken kirtle sweeps the hall,
More varied trick and whim displays
To catch the admiring stranger's gaze.

Doth power in measured verses dwell,
All thy vagaries wild to tell?
Ah no! the start, the jet, the bound,
The giddy scamper round and round,
With leap and toss and high curvet,
And many a whirling somerset,
(Permitted by the modern muse
Expression technical to use)
These mock the deftest rhymester's skill,
But poor in art, though rich in will.

The featest tumbler, stage bedight,
To thee is but a clumsy wight,
Who every limb and sinew strains
To do what costs thee little pains;
For which, I trow, the gaping crowd
Requite him oft with plaudits loud.

But, stopp'd the while thy wanton play,
Applauses too thy pains repay:
For then, beneath some urchin's hand
With modest pride thou tak'st thy stand,
While many a stroke of kindness glides
Along thy back and tabby sides.
Dilated swells thy glossy fur,
And loudly croons thy busy purr,
As, timing well the equal sound,
Thy clutching feet bepat the ground,
And all their harmless claws disclose
Like prickles of an early rose,
While softly from thy whisker'd cheek
Thy half-closed eyes peer, mild and meek.

But not alone by cottage fire
Do rustics rude thy feats admire.
The learned sage, whose thoughts explore
The widest range of human lore,
Or with unfetter'd fancy fly
Through airy heights of poesy,
Pausing smiles with alter'd air
To see thee climb his elbow-chair,
Or, struggling on the mat below,
Hold warfare with his slipper'd toe.
The widow'd dame or lonely maid,
Who, in the still but cheerless shade
Of home unsocial, spends her age,
And rarely turns a letter'd page,
Upon her hearth for thee lets fall
The rounded cork or paper ball,
Nor childes thee on thy wicked watch,
The ends of ravell'd skein to catch,
But lets thee have thy wayward will,
Perplexing oft her better skill.

E'en he, whose mind of gloomy bent,
In lonely tower or prison pent,
Reviews the coil of former days,
And loathes the world and all its ways,

806

What time the lamp's unsteady gleam
Hath roused him from his moody dream,
Feels, as thou gambol'st round his seat,
His heart of pride less fiercely beat,
And smiles, a link in thee to find,
That joins it still to living kind.

Whence hast thou then, thou witless puss!
The magic power to charm us thus?
Is it that in thy glaring eye
And rapid movements, we descry—
Whilst we at ease, secure from ill,
The chimney corner snugly fill—
A lion darting on his prey,
A tiger at his ruthless play?
Or is it that in thee we trace,
With all thy varied wanton grace,
An emblem, view'd with kindred eye,
Of tricky, restless infancy?
Ah! many a lightly sportive child,
Who hath like thee our wits beguiled,
To dull and sober manhood grown,
With strange recoil our hearts disown.

And so, poor kit! must thou endure,
When thou becom'st a cat demure,
Full many a cuff and angry word,
Chased roughly from the tempting board.
But yet, for that thou hast, I ween,
So oft our favour'd play-mate been,
Soft be the change which thou shalt prove!
When time hath spoil'd thee of our love,
Still be thou deem'd by housewife fat
A comely, careful, mousing cat,
Whose dish is, for the public good,
Replenish'd oft with savoury food,
Nor, when thy span of life is past,
Be thou to pond or dung-hill cast,
But, gently borne on goodman's spade,
Beneath the decent sod be laid;
And children show with glistening eyes
The place where poor old pussy lies.

University of Virginia Library

THE KITTEN.