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Amorea, The Lost Lover

Or The Idea of Love and Misfortune. Being Poems, Sonets, Songs, Odes, Pastoral, Elegies, Lyrick Poems, and Epigrams. Never before printed. Written by Pathericke Jenkin
Jenkyn, Pathericke

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To his ever Honoured friend Mr P. I. on his Amorea.
 
To my dear friend Mr. P. J. on his Amorea.
 
To his Ingenious Friend Mr. P. J. on his Poems of the King's Return.
 
To his esteemed friend Mr. P. J. On his Poems.
 
To his Dear Brother, on his Amorea.
 
To my dear friend on his Amorea
 
To his Dear and ever honoured freind Mr. P. J. on his Poems.
 
To his dear and ever Honoured friend Mr. P. J. On his Poems.
 
To my dear friend on his Amorea.
 
To his ever friend Mr P. J. On his Poems.
 
To Mr P. J. on his Amorea.
 
TO AMOREA;
 
To the Muses.
 
Liberty lost.
 
A Poem Lyrick
 
Peace pratling Muse.
 
Love at a Stand.
 
To Amorea on his going to Sea.
 
His Inducement to Love.
 
To Amorea from Prison.
 
The Authors danger, and deliverance.
 
Hopeless Affection.
 
Under his Mistress's Picture.
 
On his departing.
 
A Fancie on Courting.
 
On the Curtain of his Mistress's Picture.
 
Writ on her Lute.
 
To his Dream.
 
Commanded to conceal his Love.
 
The Phenix.
 
Loves Elegie.
 
On his Quondum Mistress.
 
Hespelon, and Amorea.
 
On the five Senses.
 
Loves Liberty.
 
A Dream.
 
His complaint to the Groves.
 
To his Ingenuous Friend, J. P. Esq; on Limbing.
 
A Fancie.
 
A Contention between a Poet and a Limner.
 
A Pastorall Poem.
 
To Amorea on his going to Travell.
 
Writ at Sea.
 
To Cloris, imploring a revenge.
 
In praise of Sack.
 
A SONG.
 
On loving of two.
 
The Shadow.
 
To Amorea walking in her Garden.
 
To Mr. James Sherley on his playes.
 
On the perfection of Beauty.
 
To his unconstant Mistress.
 
An Elegie on the Death of the Princess Royal.
 
To Phyla.
 
The difference between a Lute, and a Via
 
The Change.
 
To Amorea.
 
On the Inequalletie of Marraige.
 
Clariana's Dream.
 
Love and Respect.
 
The Authors dream.
 
To the Sun.
 
On the Death of his Mistress.
 
On His Sacred MAJESTIES haypy Restauration.
 
To the most Honoured Sir James Smith Knight, On his many favours received.
 
To Celinda.
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EPIGRAMS.
 
To his little Book.
 
On the Contents of his Book, to the Readers.
 
ERATA.

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32

To his Ingenuous Friend, J. P. Esq; on Limbing.

Speak ingenuous Friend of mine,
Be but pleased for to shew,
In what Regent or what Clime
Do those heavenly coullers grow.
We admire the mistery,
Of thy hidden secret Art,
Which not only fills the eye,
But doth captivate the heart.
Here the heedless Lover views,
The well known adored face
Of his Mistress, straight renews
Hopes, and symptomes of new grace.
Here a piece like Beauties Queen,
That a winning modesty,
Then an humble pride is seen,
Thus a stately Majesty.
Here a Countenance is sad,
Ready to dissolve in tears,
There a face that looks half glad,
Intermixt with joy and fears.
Whence are thy rare Pencills brought,
Whence thy Art, and in what place,
Colours are, paint love and thought,
And declare it in the face.
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Surely thou hast gotten wings,
For to fetch this heavenly dye,
For they are not Terrene things,
Can so wound both heart and eye.
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