Amorea, The Lost Lover :: :: University of Virginia Library

Amorea, The Lost Lover

Or The Idea of Love and Misfortune. Being Poems, Sonets, Songs, Odes, Pastoral, Elegies, Lyrick Poems, and Epigrams. Never before printed. Written by Pathericke Jenkin

Jenkyn, Pathericke

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To his ever Honoured friend Mr P. I. on his Amorea.

To my dear friend Mr. P. J. on his Amorea.

To his Ingenious Friend Mr. P. J. on his Poems of the King's Return.

To his esteemed friend Mr. P. J. On his Poems.

To his Dear Brother, on his Amorea.

To my dear friend on his Amorea

To his Dear and ever honoured freind Mr. P. J. on his Poems.

To his dear and ever Honoured friend Mr. P. J. On his Poems.

To my dear friend on his Amorea.

To his ever friend Mr P. J. On his Poems.

To Mr P. J. on his Amorea.

To Amorea on his going to Sea.

His Inducement to Love.

To Amorea from Prison.

The Authors danger, and deliverance.

Hopeless Affection.

Under his Mistress's Picture.

On his departing.

A Fancie on Courting.

On the Curtain of his Mistress's Picture.

Writ on her Lute.

To his Dream.

Commanded to conceal his Love.

The Phenix.

Loves Elegie.

On his Quondum Mistress.

Hespelon, and Amorea.

On the five Senses.

Loves Liberty.

A Dream.

His complaint to the Groves.

To his Ingenuous Friend, J. P. Esq; on Limbing.

A Fancie.

A Contention between a Poet and a Limner.

A Pastorall Poem.

To Amorea on his going to Travell.

Writ at Sea.

To Cloris, imploring a revenge.

To Amorea walking in her Garden.

To Mr. James Sherley on his playes.

On the perfection of Beauty.

To his unconstant Mistress.

An Elegie on the Death of the Princess Royal.

To Phyla.

The difference between a Lute, and a Via

The Change.

To Amorea.

On the Inequalletie of Marraige.

On the Death of his Mistress.

On His Sacred MAJESTIES haypy Restauration.

To the most Honoured Sir James Smith Knight, On his many favours received.

To Celinda.

EPIGRAMS.

To his little Book.

On the Contents of his Book, to the Readers.

ERATA.

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Hespelon, and Amorea.

A Dialogue.

Amorea.
VVho is it that cometh here,
To remove my setled fancies,

Hespelon.
It is one my onely dear,
That hath known all the chances
Of a Lovers carefull fear.

Amorea.
Why alas, is't you my friend!
Have not yet those follies left thee?

Hespelon.
Dear, I never doe intend,
Though my fortunes have bereft me
Of thy presence, for to end.

Amorea.
But perchance you will forget me
When the Object is removed.

Hespelon.
Thy opinion sure will fret me,
But too dearly I have loved
And my passion will not let me.

Amorea.
Yet I hope these toyes will leave you
When you see a fairer creature.

Hespelon.
No your Author did deceive you
It was vertue, and not feature,
Which Induced me to crave you.

Amorea.
When you riper years aspire,
May be then your mind will falter.

Hespelon.
Who is he can quench the fire
Or his resolution alter
Being taken with desire

Amorea.
Yet in time and absence you
Will forget me, youth is fickle

Hespelon.
Which if time and absence do
Let the all destroying Sickle
Cut me from the world too:

Amorea.
Ah begon my dear I say,
Do not longer me Importune

Hespelon.
(Cursed be that cursed day
But more curs't my cursed fortune)
Saying So, she went away.