Principles of orchestration with musical examples drawn from his own works |
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Thirds and sixths together. |
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![]() | Chapter II.MELODY. Principles of orchestration | ![]() |
53
![Click to Enlarge Page 53](https://iiif.lib.virginia.edu/iiif/uva-lib:214340/full/!200,200/0/default.jpg)
Thirds and sixths together.
Fl./Ob./Cl. or Ob./Cl./Fag. Upper part. Ob. + Fl.
Middle " Fl. + Cl.
Lower " Ob. + Cl.
Apart from the Obvious distribution:
[ILLUSTRATION]
complicated methods which involve doubling:
[ILLUSTRATION]
The following is a complex instance somewhat vague in character:
- No. 69. Legend of Kitesh 35 — [ILLUSTRATION]
Ob./Ob. + Cl./Cl.
and [ILLUSTRATION]Fl./Fl. + Ob./Ob.
![]() | Chapter II.MELODY. Principles of orchestration | ![]() |